Blond, German actress Charlotte Susa (1898 - 1967), was a major operetta star of the German-speaking world, and also a popular femme fatale of the German silent and early sound film.
French postcard by Ross, no. 5122/1. Photo: Ufa.
Charlotte Susa (sometimes written as Suza) was born Charlotta Wegmüller near Memel, Germany (now Klaipeda, Lithuania). In 1915, she first appeared at a stage in Tilsit. She chose her mothers maiden name, Susa, as her stage name and began a successful career as a singer and actress at different German Opera and Operetta stages. She was as well a superior singer as a competent dramatic actress. In 1926, director Richard Eichberg spotted her for the cinema. Susa made her film debut in the German silent film Der Prinz und die Tänzerin/The Prince and the Dancer (1926, Richard Eichberg) opposite Hans Albers. More silent films followed like Arme kleine Colombine/Poor Little Columbine (1927), Die Pflicht zu schweigen/The Obligation to Remain Silent (1928, Carl Wilhelm), Du sollst nicht stehlen/Thou Art Not Steal (1928, Victor Janson), Sünde und Moral/Sin and Morals (1929, Erich Kober), and Erotikon/Seduction (1929, Gustav Machatý). She became famous for her roles as a femme fatale in these films.
Dutch postcard by Filma, no. 278. Photo: still from Photo: still from Unter falscher Flagge/Under False Flagg (1932, Johannes Meyer). In the background sits Gustav Fröhlich.
Dutch postcard by JosPe, no. 279. Photo: Filma. Publicity still for Unter falscher Flagge/Under False Flagg (1932, Johannes Meyer).
Dutch postcard by JosPe, Arnhem, no. 380. Photo: Remaco.
Lighthearted Femme Fatales
With her trained voice Charlotte Susa didn't have any difficulties to make the transition to the sound era. She had again great successes with films like Der Tiger/The Tiger Murder Case (1930, Johannes Meyer), Zwei Menschen/Two Humans (1930, Erich Waschneck), Der Greifer/The Snatcher (1930, Richard Eichberg), Die Pranke/The Paw (1931, Hans Steinhoff), and Unter falscher Flagge/Under False Colours (1932, Johannes Meyer). Susa played mostly lighthearted femme fatales and was popular enough for MGM to offer her a contract in 1932. She remained in Hollywood until 1934 but failed to appear in a single feature film. According to Hans J. Wollstein at Rovi "Her return to Germany was highly anticipated but she ran afoul of Joseph Goebbels, the infamous Nazi minister of propaganda, and was banned from screen work in 1941." Back in Germany she made films like Henker, Frauen und Soldaten/Hangmen, Women and Soldiers (1935, Johannes Meyer), and Wasser für Canitoga/Water for Canitoga (1939, Herbert Selpin) at Hans Albers' side. Her last film part was a minor role in the comedy Der Gasmann/The Gas Meter Reader (1941, Carl Froelich) next to Heinz Rühmann and Anny Ondra. This film was her last work for the screen. Charlotte Susa was married to Paul Cablin, Fritz Malkowsky, and from 1939 on to actor Andrews Engelmann. After the war she acted again for the theater, often at Engelmann's side. Charlotte Susa died in Basel, Switzerland, aged 78.
Austrian postcard by Iris, no. 6659. Photo: Zander & Lebisch.
Sources: Thomas Staedeli (Cyranos), Hans J. Wollstein (Rovi), Wikipedia, and IMDb.