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Showing posts with label Magali Noël. Show all posts
Showing posts with label Magali Noël. Show all posts

18 September 2012

Magali Noël

Turkish-French actress and singer Magali Noël (1932) acted in French and Italian films between 1951 and 2002. The sexy actress was an object of desire in three masterpieces of Federico Fellini. As a singer she had one of the first French Rock & Roll hits, which was forbidden for a long time because of its risqué lyrics.

Magali Noël
French postcard by Editions du Globe, Paris, no. 414. Photo: Sam Lévin.

Magali Noël
French postcard by Editions P.I., no. 958, offered by Les carbones Korès 'Carboplane'. Photo: Sam Lévin.

Stunning Femme Fatale
Magali Noël was born Magali Noëlle Guiffray in Izmir, Turkey in 1932. At the age of seven, she emigrated with her family from Turkey to France in 1939. She studied singing, music and dance, and at age 16 she made her first appearance as a cabaret singer and then occurred in revues. She studied drama with Catherine Fontenay and then appeared in her first stage plays. In 1951 her film career began with parts in the comedies Demain nous divorçons/Tomorrow we divorce (1951, Louis Cuny) with Sophie Desmarets, and Seul dans Paris/Alone in Paris (1951, Hervé Bromberger) as the young wife of Bourvil. She was noticed for the first time when she appeared in the Film-Noir Du rififi chez les hommes/Rififi (1955, Jules Dassin) starring Jean Servais. Steve Beardsmore at Films de France: “As the film’s stunning femme fatale, the actress Magali Noël had her big break, which would lead her to be cast by Federico Fellini in La Dolce Vita (1960) and two subsequent films. It is Noël who sings the film’s notorious (and often unfairly reviled) musical number, which explains what the slang word Rififi means - a violent confrontation between rival gangs.” She showed that she was a luscious actress with a fiery temperament in films like Razzia sur la chnouf/Razzia (1955, Henri Decoin) with Jean Gabin, Les Grandes Manœuvres/The Grand Maneuver (1955, René Clair) with Gérard Philipe, and Elena et les homes/Paris Does Strange Things (1956, Jean Renoir) featuring Ingrid Bergman. In 1956, her recording career began in France, and her most famous song was Fais-moi mal, Johnny (Hurt me Johnny), written by Boris Vian. This song was one of the first Rock & Roll songs with French lyrics. It was forbidden on the radio for a long time due to its risqué lyrics describing – with a great sense of humour and derision – a sadomasochistic episode.

Magali Noël
Belgian-Dutch postcard by D.R.C., no. 1393. Licency holder for Ufa. Photo: Cinephonie / Union Film.

Magali Noël
French postcard by Editions P.I., Paris. Offered by Les Carbones Korès, no. 1115. Photo: Sam Lévin.

Magali Noël
French postcard by Editions P.I., no. 897. Photo: Lucienne Chevert.

The Mists Of A Favourite Dream
Magali Noël’s film career took a new turn when she appeared as Fanny in La Dolce Vita (1960, Federico Fellini) starring Marcello Mastroianni. She later was again a symbol of Fellini's sexual fantasies as Fortunata in Satyricon (1969, Federico Fellini) and especially in Amarcord (1973, Federico Fellini). Noël played in this film a sexy provincial hairdresser with the evocative nickname Gradisca (Taste it). Robert Firsching at AllMovie: “Federico Fellini's warmly nostalgic memory piece examines daily life in the Italian village of Rimini during the reign of Mussolini, and won the 1974 Academy Award as Best Foreign Film. The film's greatest asset is its ability to be sweet without being cloying, due in great part to Danilo Donati's surrealistic art direction and to the frequently bawdy injections of sex and politics by screenwriters Fellini and Tonino Guerra. Fellini clearly has deep affection for the people of this seaside village, warts and all, and communicates it through episodic visual anecdotes which are seen as if through the mists of a favourite dream”. She also had a key role in another masterpiece, Costa Gravas’ political thriller Z (1968), which won the Palme d’Or in Cannes. Dan Pavlides at AllMovie: “Z won the Oscar for Best Foreign Film of 1969, was 14th in terms of box-office success, and hit an international nerve in the age of social unrest, government cover-up, and political assassinations. All those involved worked on the film for a reduced rate with an option for royalties based on earnings at the theater window. The letter Z in the Greek alphabet means ‘he is alive’.” Despite her work for Fellini and Costa-Gravas, producers offered her less work. So she returned successfully to the music-hall. But a new generation of directors started to offer her roles. Among her later films are Les Rendez-vous d’Anna/Anna's Meetings (1978, Chantal Akerman), Le chemin perdu/The lost way (1980, Patricia Moraz) with Charles Vanel, and La Mort de Mario Ricci/The Death of Mario Ricci (1982, Claude Goretta) featuring Gian Maria Volonté. From 1980 on, her career extended to television films. Among her more recent feature films are La Fidélité/Fidelity (2000, Andrzej Zulawski) as the mother of Sophie Marceau, and the thriller The Truth About Charlie (2002, Jonathan Demme) with Mark Wahlberg. For now, that part has been Magali Noël’s last film appearance.


American DVD trailer for Du rififi chez les hommes/Rififi (1955). Source: CriterionTrailers (YouTube).


Trailer for Z (1968). Source: VegativeHorse (YouTube).


Trailer for Amarcord (1973). Source: Danios12345 (YouTube).

Sources: Steve Beardsmore (Films de France), Robert Firsching (AllMovie), Dan Pavlides (AllMovie), Magali Noël.ch (French), Wikipedia and IMDb.