Dutch postcard, 1st series, no. 1, 1908/9.
Dutch postcard. Photo: Willem Coret, Den Haag (The Hague). Still of Eduard Verkade as MacBeth in the play by William Shakespeare.
Biscuits and Chocolate
Eduard Rutger Verkade was born in Amsterdam, the Netherlands in 1878.
He studied in 1894 at the Finsbury College near Londen. His studies were meant for a managerial job at his father’s famous biscuits and chocolate factory in the Netherlands, Verkade. In London he attended many theatre performances and in 1904 he decided for a stage career.
In 1908 he started his own theatre group, Die Haghespelers. This theatre company would exist till 1936 and staged a.o. William Shakespeare's Hamlet and Macbeth, which would become the most famous roles of Eduard Verkade.
He also acted in classic plays by Joost van den Vondel, Maurice Maeterlinck, and in Fyodor Dostoyevsky’s The Brothers Karamazov.
In the meantime he would work as the artistic director of numerous theatre companies and as a director he was an important innovator. In the 1930s he would also be the theatre critic for the prolific Dutch magazine De Groene Amsterdammer.
Dutch postcard. Photo: Willem Coret, The Hague. Still of Eduard Verkade as Hamlet in the play by William Shakespeare.
Dutch postcard. Photo: Coret, Den Haag. Picture of Eduard Verkade as the Devil in the stage play De Duivel (Az Ördög/The Devil) by Ferenc Molnár.
Devil in Amsterdam
Eduard Verkade starred in several Dutch films. In the silent film De duivel in Amsterdam/The Devil in Amsterdam (Theo Frenkel, 1919), based on the play Az ördög (The Devil, 1907) by Ferenc Molnár, he played the devil. His co-star was another legend of the Dutch stage, Louis Bouwmeester. The film is considered as lost.
In another silent film, the Alexandre Dumas adaptation De zwarte tulp/The Black Tulip (Maurits Binger, Frank Richardson, 1921), he played the historical politician Cornelis de Witt.
His biggest film hit was the Dutch film version of G.B. Shaw's Pygmalion (Ludwig Berger, 1937), in which he played the role of Pickering.
The star was Dutch diva Lily Bouwmeester, and soon he played in two more films with her: Veertig jaren/Forty Years (Edmond T. Gréville, 1938) and Ergens in Nederland/Somewhere in the Netherlands (Ludwig Berger, 1940).
In Ergens in Nederland/Somewhere in the Netherlands also appeared the author Jan de Hertog and Fien de la Mar. The film was just ready for release when the Netherlands were conquered by the Nazis, who forbade its exhibition.
Dutch postcard. Photo: Willem Coret, Den Haag. Still of Eduard Verkade in his stage role as Feodor Karamazow.
Dutch postcard, 1st series, no. 4, 1908/9. Photo: still of Eduard Verkade as Lanseloet in a stage production by Die Haghespelers of the medieval play Lanseloet van Denemerken (Lancelot of Denmark).
During WW II, Eduard Verkade refused to join the Kulturkammer (the Nazi Ministry of Culture, which held under close scrutiny all artistic practices).
He was considered suspect because of his ‘dangerous’ pro-English sentiments. He saw in William Shakespeare's plays a powerful vehicle for anti-German - or, more generally, anti-war - protest.
He was also the organiser of many 'black evenings’ - clandestine theatre performances held at people's private homes, with the residents, their family and neighbours as the audience.
His house was a hiding place for many people, including the poet Adriaan Roland Holst.
In 1947 Eduard Verkade retired, and in 1961 he died in Breukelen, The Netherlands.
He was married four times. His wives were Johanna van Wulfften Palthe (1902-1910; two sons and a daughter); Maria Magdalena Müller (a.k.a. actress Enny Vrede)(1910-1919; a daughter and a son); Marie Cramer (a.k.a. author and illustrator Rie Cramer) (1922-1933); and Eline Françoise Cartier van Dissel (1935-1961). Eduard Verkade also had a son (1921) with Henriette Jacoba Maria Carolina Croes.
Dutch postcard, 1926. Photo: Willem Coret, Den Haag. Still of Eduard Verkade as Manson in the stage play De dienstknecht in het huis/The Servant in the House by Charles Rann Kennedy.
Dutch postcard by Weenenk & Snel, Den Haag. Photo: Willem Coret, Den Haag. Collection: Egbert Barten.
Sources: H.H.J. de Leeuwe (Huygens ING), Ruud van Capelleveen (Abolute Facts), Wikipedia (Dutch) and IMDb.