American actress Jane Fonda (1937) is a two-time Academy Award winner for the crime thriller Klute (1971) and the Vietnam drama Coming Home (1978). Roger Vadim's psychedelic Science Fiction spoof Barbarella (1968) made her one of the icons of the European cinema of the 1960s.
American postcard by Coral-Lee, Rancho Cordova, Ca., no. Personality #61, 1981. Photo: Annie Leibovitz.
French postcard by E.D.U.G., no. 461. Photo: Sam Lévin.
French postcard by Editions P.I., offered by Les Carbones Korès 'Carboplane', no. 1135. Photo: Sam Lévin.
German postcard by ISV, Sort. 19/6. Publicity still for La Ronde/Circle of Love (Roger Vadim, 1964).
British postcard by Pyramid, Leicester, no. PC 8095. Photo: publicity still for Barbarella (Roger Vadim, 1968).
Jane Fonda was born Lady Jayne Seymour Fonda in New York in 1937. She was the daughter of actor Henry Fonda and the Canadian-born socialite Frances Ford Brokaw, née Seymour. She has a brother, actor Peter Fonda, and a maternal half-sister, Frances. Her mother committed suicide when Jane was 12. The suicide was kept from her as a teenager, and she was told that her mother had died of heart failure. Fonda learned the truth months later while leafing through a movie magazine in art class at Vassar. Although she initially showed little inclination to follow her father's trade, she was prompted by director Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of The Country Girl.
Before starting her acting career, Fonda was a fashion model, gracing the cover of Vogue twice. In 1958, she met Lee Strasberg and she went to study acting in earnest at the Actors Studio. In 1960, she made her Broadway debut in the play There Was a Little Girl, for which she received the first of two Tony Award nominations. Later the same year, she made her screen debut in the romantic comedy Tall Story (Joshua Logan, 1960), in which she recreated one of her Broadway roles as a college cheerleader pursuing a basketball star, played by Anthony Perkins. In Walk on the Wild Side (Edward Dmytryk, 1962), she played a prostitute and earned a Golden Globe for Most Promising Newcomer. She rose to fame in such films as Period of Adjustment (George Roy Hill, 1962), Sunday in New York (Peter Tewksbury, 1963), Cat Ballou (Elliot Silverstein, 1965) opposite Lee Marvin, and Barefoot in the Park (Gene Saks, 1967), co-starring Robert Redford.
Fonda also worked in France. She appeared opposite Alain Delon in the delightful sexy thriller Les félins/Joy House (René Clément, 1964) and that same year, she was among the all-star cast of the anthology film La Ronde/Circle of Love (Roger Vadim, 1964), based on the classic Austrian novel Der Reigen by Arthur Schnitzler. Fonda astonished everyone (none as much as her father) by becoming one of the first major American actresses to appear nude in a foreign film. Director Roger Vadim became her first husband in 1965. He featured her as a sex goddess in his next films, La curée/Tears of Rapture (Roger Vadim, 1966) with Michel Piccoli, and a segment of the anthology film Histoires extraordinaires/Spirits of the Dead (Federico Fellini, Louis Malle, Roger Vadim, 1968), an adaptation of three horror stories by Edgar Allan Poe. In Vadim's segment, Metzgernstein, Fonda plays a decadent contessa who falls in love with her pure cousin (played by her brother Peter Fonda).
In 1968, Jane played the title role in Vadim's psychedelic SF spoof Barbarella, which established her status as a sex symbol. Despite the striptease-in-vacuum beginning and the kinky costumes, Barbarella is now a rather innocent and campy film. Brian J. Dillard at AllMovie: "Although it often pops up on 'Worst Movies Ever' lists, it's actually something of a treat if one approaches it with the right attitude. From the eye-popping plasticity of the production design to the gentle grooviness of the Bob Crewe Generation's campy lounge soundtrack, Barbarella is a defiantly trivial film. But Fonda's studied vacuity, Anita Pallenberg's kinky glamour, and John Phillip Law's bronzed pecs and hippie truisms keep things sexy, sweet, and funny. Fonda has spent more than three decades trying to live down the zero-gee peep show that opens the film, but besides a few bare breasts and countless double entendres, nothing here crosses the line between erotic comedy and pornography."
A turning point in her career was the American social drama They Shoot Horses, Don't They (Sydney Pollack, 1969). She played one of the contenders in a desperate dance marathon in 1932, during the Great Depression. Fonda considers They Shoot Horses, Don't They? one of her best films. She went on to win the Best Actress Oscar for the crime thriller Klute (Alan J. Pakula, 1971). In France, Fonda next starred as a reporter alongside Yves Montand in Tout Va Bien (Jean-Luc Godard, Jean-Pierre Gorin, 1972). A year later, she divorced from Vadim.
Swiss-British postcard by News Productions, Baulmes / Stroud, no. 56736, 1996. Photo: Sam Shaw. Caption: Jane Fonda, New York City, 1960.
French postcard in the Entr'acte series by Éditions Asphodèle, Mâcon, no. 006/12. Photo: Collection B. Courtel / D.R. Henry Fonda and Jane Fonda on the set of There Was a Crooked Man (Joseph L. Mankiewicz, 1970). Caption: A family resemblance? Jane Fonda visits her father Henry Fonda on a Warner Studios set.
Spanish postcard by CyA, no. 28. Photo: Warner Bros. Jane Fonda and Anthony Perkins were the stars of Tall Story (Joshua Logan, 1960).
Spanish postcard by Postal Oscarcolor, no. 367. Photo: publicity still for The Chapman Report (George Cukor, 1962) with Efrem Zimbalist.
Romanian postcard by Casa Filmului Acin, no. 633. Jane Fonda and Robert Redford in Barefoot in the Park (Gene Saks, 1967).
East German postcard by VEB Progress Film-Vertrieb, Berlin, no. 16/71. Photo: Steffen.
East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 179/71, 1971. Photo: publicity still for Cat Ballou (Elliot Silverstein, 1965).
Big East-German card by VEB Progress Film-Vertrieb, Berlin, no. 183/71. Jane Fonda and Michael Callan in Cat Ballou (Elliot Silverstein, 1965).
East German postcard by VEB Progress Film-Verleih, Berlin, no. 51/74. Jane Fonda in Klute (Alan J. Pakula, 1971).
East German postcard by VEB Progress Film-Verleih, Berlin, no. 7/75. Jane Fonda in A Doll's House (Joseph Losey, 1973).
East German postcard by VEB Progress Film-Verleih, Berlin, no. 46/75. Photo: Linke.
East-German postcard by VEB Progress Film-Verleih, no. 44/77, 1977.
Jane Fonda is a seven-time Academy Award nominee. She won her second Best Actress Oscar for the Vietnam drama Coming Home (1978). Her other nominations were for her portrayal of the playwright Lillian Hellman in Julia (Fred Zinnemann, 1977), The China Syndrome (James Bridges, 1979) opposite Michael Douglas, On Golden Pond (Mark Rydell, 1981) with Katharine Hepburn and her father Henry Fonda, and The Morning After (Sidney Lumet, 1986) with Jeff Bridges.
In 1982, Jane Fonda released her first exercise video, Jane Fonda's Workout, which became the highest-selling video of the time. It would be the first of 22 workout videos she released over the next 13 years. They would collectively sell over 17 million copies. Divorced from her second husband, the politician Tom Hayden in 1990, she married media mogul Ted Turner in 1991 and retired from acting. Divorced from Turner in 2001, she returned to acting with her first film in 15 years with the comedy Monster in Law (Robert Luketic, 2005) opposite Jennifer Lopez.
Subsequent films have included Georgia Rule (Garry Marshall, 2007) with Lindsay Lohan, the French drama Et si on vivait tous ensemble?/All Together (Stéphane Robelin, 2011), The Butler (Lee Daniels, 2013) as First Lady Nancy Reagan, and This Is Where I Leave You (Shawn Levy, 2014). In 2009, she returned to Broadway after a 45-year absence, in the play 33 Variations, which earned her a Tony Award nomination, while her recurring role in the HBO drama series The Newsroom (2012-2014), has earned her two Emmy Award nominations. She also released another five exercise videos between 2010 and 2012.
Jane Fonda has been an activist for many political causes. Her counterculture-era opposition to the Vietnam War included her being photographed sitting on an anti-aircraft battery on a 1972 visit to Hanoi, which was very controversial. She has also protested the Iraq War and violence against women and describes herself as a feminist. In 2005, she, Robin Morgan and Gloria Steinem co-founded the Women's Media Center, an organisation that works to amplify the voices of women in the media through advocacy, media and leadership training, and the creation of original content. Fonda currently serves on the board of the organisation.
Jane Fonda published the autobiography 'My Life So Far' in 2005. In 2011, she published a second memoir, 'Prime Time'. She has two children, daughter Vanessa Vadim (1968) with Roger Vadim, and Troy O'Donovan Hayden (aka Troy Garity) (1973) with Tom Hayden. In the last decade, Jane Fonda appeared in several new films and series. A highlight was Youth (2015), directed by Paolo Sorrentino and starring Michael Caine and Harvey Keitel.
French postcard by E.D.U.G., offered by Corvisart, Epinal, no. 375. Photo: Sam Levin.
German postcard by Krüger, no. 902/353. Photo: Sam Levin.
German postcard by Krüger, no. 902/244.
Spanish postcard by Ediciones Tarje Fher, no. 305. Deposito legal BI 1100-63. Photo: MGM.
Italian postcard in the Artisti di Sempre series by Rotalfoto, Milano, no. 344.
French postcard by EDUG, no. 377. Photo: Sam Levin.
American postcard by Fotofolio, New York, N.Y., no. P288. Photo: Terry O'Neill. Caption: Jane Fonda, 1977.
French postcard. Jane Fonda in The China Syndrome (James Bridges, 1979).
Vintage postcard by Artoa Design. Jane Fonda in Workout (Sidney Galanty, 1982). Jane Fonda's Workout series sold around 17 million VHS copies and shaped the at-home fitness industry.
Luxembourg postcard by E.A, Schaack, Luxembourg / Nels, Series 7, no. 7.
Sources: Brian J. Dillard (AllMovie), Hal Erickson (AllMovie), Laurence Dang (IMDb), Wikipedia and IMDb.
American postcard by Coral-Lee, Rancho Cordova, Ca., no. Personality #61, 1981. Photo: Annie Leibovitz.
French postcard by E.D.U.G., no. 461. Photo: Sam Lévin.
French postcard by Editions P.I., offered by Les Carbones Korès 'Carboplane', no. 1135. Photo: Sam Lévin.
German postcard by ISV, Sort. 19/6. Publicity still for La Ronde/Circle of Love (Roger Vadim, 1964).
British postcard by Pyramid, Leicester, no. PC 8095. Photo: publicity still for Barbarella (Roger Vadim, 1968).
Lady Jayne
Jane Fonda was born Lady Jayne Seymour Fonda in New York in 1937. She was the daughter of actor Henry Fonda and the Canadian-born socialite Frances Ford Brokaw, née Seymour. She has a brother, actor Peter Fonda, and a maternal half-sister, Frances. Her mother committed suicide when Jane was 12. The suicide was kept from her as a teenager, and she was told that her mother had died of heart failure. Fonda learned the truth months later while leafing through a movie magazine in art class at Vassar. Although she initially showed little inclination to follow her father's trade, she was prompted by director Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of The Country Girl.
Before starting her acting career, Fonda was a fashion model, gracing the cover of Vogue twice. In 1958, she met Lee Strasberg and she went to study acting in earnest at the Actors Studio. In 1960, she made her Broadway debut in the play There Was a Little Girl, for which she received the first of two Tony Award nominations. Later the same year, she made her screen debut in the romantic comedy Tall Story (Joshua Logan, 1960), in which she recreated one of her Broadway roles as a college cheerleader pursuing a basketball star, played by Anthony Perkins. In Walk on the Wild Side (Edward Dmytryk, 1962), she played a prostitute and earned a Golden Globe for Most Promising Newcomer. She rose to fame in such films as Period of Adjustment (George Roy Hill, 1962), Sunday in New York (Peter Tewksbury, 1963), Cat Ballou (Elliot Silverstein, 1965) opposite Lee Marvin, and Barefoot in the Park (Gene Saks, 1967), co-starring Robert Redford.
Fonda also worked in France. She appeared opposite Alain Delon in the delightful sexy thriller Les félins/Joy House (René Clément, 1964) and that same year, she was among the all-star cast of the anthology film La Ronde/Circle of Love (Roger Vadim, 1964), based on the classic Austrian novel Der Reigen by Arthur Schnitzler. Fonda astonished everyone (none as much as her father) by becoming one of the first major American actresses to appear nude in a foreign film. Director Roger Vadim became her first husband in 1965. He featured her as a sex goddess in his next films, La curée/Tears of Rapture (Roger Vadim, 1966) with Michel Piccoli, and a segment of the anthology film Histoires extraordinaires/Spirits of the Dead (Federico Fellini, Louis Malle, Roger Vadim, 1968), an adaptation of three horror stories by Edgar Allan Poe. In Vadim's segment, Metzgernstein, Fonda plays a decadent contessa who falls in love with her pure cousin (played by her brother Peter Fonda).
In 1968, Jane played the title role in Vadim's psychedelic SF spoof Barbarella, which established her status as a sex symbol. Despite the striptease-in-vacuum beginning and the kinky costumes, Barbarella is now a rather innocent and campy film. Brian J. Dillard at AllMovie: "Although it often pops up on 'Worst Movies Ever' lists, it's actually something of a treat if one approaches it with the right attitude. From the eye-popping plasticity of the production design to the gentle grooviness of the Bob Crewe Generation's campy lounge soundtrack, Barbarella is a defiantly trivial film. But Fonda's studied vacuity, Anita Pallenberg's kinky glamour, and John Phillip Law's bronzed pecs and hippie truisms keep things sexy, sweet, and funny. Fonda has spent more than three decades trying to live down the zero-gee peep show that opens the film, but besides a few bare breasts and countless double entendres, nothing here crosses the line between erotic comedy and pornography."
A turning point in her career was the American social drama They Shoot Horses, Don't They (Sydney Pollack, 1969). She played one of the contenders in a desperate dance marathon in 1932, during the Great Depression. Fonda considers They Shoot Horses, Don't They? one of her best films. She went on to win the Best Actress Oscar for the crime thriller Klute (Alan J. Pakula, 1971). In France, Fonda next starred as a reporter alongside Yves Montand in Tout Va Bien (Jean-Luc Godard, Jean-Pierre Gorin, 1972). A year later, she divorced from Vadim.
Swiss-British postcard by News Productions, Baulmes / Stroud, no. 56736, 1996. Photo: Sam Shaw. Caption: Jane Fonda, New York City, 1960.
French postcard in the Entr'acte series by Éditions Asphodèle, Mâcon, no. 006/12. Photo: Collection B. Courtel / D.R. Henry Fonda and Jane Fonda on the set of There Was a Crooked Man (Joseph L. Mankiewicz, 1970). Caption: A family resemblance? Jane Fonda visits her father Henry Fonda on a Warner Studios set.
Spanish postcard by CyA, no. 28. Photo: Warner Bros. Jane Fonda and Anthony Perkins were the stars of Tall Story (Joshua Logan, 1960).
Spanish postcard by Postal Oscarcolor, no. 367. Photo: publicity still for The Chapman Report (George Cukor, 1962) with Efrem Zimbalist.
Romanian postcard by Casa Filmului Acin, no. 633. Jane Fonda and Robert Redford in Barefoot in the Park (Gene Saks, 1967).
East German postcard by VEB Progress Film-Vertrieb, Berlin, no. 16/71. Photo: Steffen.
East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 179/71, 1971. Photo: publicity still for Cat Ballou (Elliot Silverstein, 1965).
Big East-German card by VEB Progress Film-Vertrieb, Berlin, no. 183/71. Jane Fonda and Michael Callan in Cat Ballou (Elliot Silverstein, 1965).
East German postcard by VEB Progress Film-Verleih, Berlin, no. 51/74. Jane Fonda in Klute (Alan J. Pakula, 1971).
East German postcard by VEB Progress Film-Verleih, Berlin, no. 7/75. Jane Fonda in A Doll's House (Joseph Losey, 1973).
East German postcard by VEB Progress Film-Verleih, Berlin, no. 46/75. Photo: Linke.
East-German postcard by VEB Progress Film-Verleih, no. 44/77, 1977.
Workout
Jane Fonda is a seven-time Academy Award nominee. She won her second Best Actress Oscar for the Vietnam drama Coming Home (1978). Her other nominations were for her portrayal of the playwright Lillian Hellman in Julia (Fred Zinnemann, 1977), The China Syndrome (James Bridges, 1979) opposite Michael Douglas, On Golden Pond (Mark Rydell, 1981) with Katharine Hepburn and her father Henry Fonda, and The Morning After (Sidney Lumet, 1986) with Jeff Bridges.
In 1982, Jane Fonda released her first exercise video, Jane Fonda's Workout, which became the highest-selling video of the time. It would be the first of 22 workout videos she released over the next 13 years. They would collectively sell over 17 million copies. Divorced from her second husband, the politician Tom Hayden in 1990, she married media mogul Ted Turner in 1991 and retired from acting. Divorced from Turner in 2001, she returned to acting with her first film in 15 years with the comedy Monster in Law (Robert Luketic, 2005) opposite Jennifer Lopez.
Subsequent films have included Georgia Rule (Garry Marshall, 2007) with Lindsay Lohan, the French drama Et si on vivait tous ensemble?/All Together (Stéphane Robelin, 2011), The Butler (Lee Daniels, 2013) as First Lady Nancy Reagan, and This Is Where I Leave You (Shawn Levy, 2014). In 2009, she returned to Broadway after a 45-year absence, in the play 33 Variations, which earned her a Tony Award nomination, while her recurring role in the HBO drama series The Newsroom (2012-2014), has earned her two Emmy Award nominations. She also released another five exercise videos between 2010 and 2012.
Jane Fonda has been an activist for many political causes. Her counterculture-era opposition to the Vietnam War included her being photographed sitting on an anti-aircraft battery on a 1972 visit to Hanoi, which was very controversial. She has also protested the Iraq War and violence against women and describes herself as a feminist. In 2005, she, Robin Morgan and Gloria Steinem co-founded the Women's Media Center, an organisation that works to amplify the voices of women in the media through advocacy, media and leadership training, and the creation of original content. Fonda currently serves on the board of the organisation.
Jane Fonda published the autobiography 'My Life So Far' in 2005. In 2011, she published a second memoir, 'Prime Time'. She has two children, daughter Vanessa Vadim (1968) with Roger Vadim, and Troy O'Donovan Hayden (aka Troy Garity) (1973) with Tom Hayden. In the last decade, Jane Fonda appeared in several new films and series. A highlight was Youth (2015), directed by Paolo Sorrentino and starring Michael Caine and Harvey Keitel.
French postcard by E.D.U.G., offered by Corvisart, Epinal, no. 375. Photo: Sam Levin.
German postcard by Krüger, no. 902/353. Photo: Sam Levin.
German postcard by Krüger, no. 902/244.
Spanish postcard by Ediciones Tarje Fher, no. 305. Deposito legal BI 1100-63. Photo: MGM.
Italian postcard in the Artisti di Sempre series by Rotalfoto, Milano, no. 344.
French postcard by EDUG, no. 377. Photo: Sam Levin.
American postcard by Fotofolio, New York, N.Y., no. P288. Photo: Terry O'Neill. Caption: Jane Fonda, 1977.
French postcard. Jane Fonda in The China Syndrome (James Bridges, 1979).
Vintage postcard by Artoa Design. Jane Fonda in Workout (Sidney Galanty, 1982). Jane Fonda's Workout series sold around 17 million VHS copies and shaped the at-home fitness industry.
Luxembourg postcard by E.A, Schaack, Luxembourg / Nels, Series 7, no. 7.
Sources: Brian J. Dillard (AllMovie), Hal Erickson (AllMovie), Laurence Dang (IMDb), Wikipedia and IMDb.
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