Nils Asther

Good-looking Swedish actor Nils Asther (1897-1981) was an intense star of silent European cinema. He was labelled ‘the male Greta Garbo’. In Hollywood, he played the leading man to divas like Pola Negri, Joan Crawford, and Marion Davies.


British postcard, no. 1139/2, 1927-1928. Photo: Alex Binder.


German postcard by Ross Verlag, Berlin, no. 1283/1, 1927-1928. Photo: H. Natze / Ufa.


German postcard in the Foreign Series by Ross Verlag, no. 1459/1. Photo: Alex Binder, Berlin.


German postcard by Ross Verlag, Berlin, no. 1459/2, 1927-1928. Photo: Alex Binder, Berlin.


British postcard in the Picturegoer Series, London, no. 341.


British postcard in the Colourgraph Series, London, no. C 47.


Dutch postcard, no. 69.

Darkly handsome

Nils Anton Alfhild Asther was born in Copenhagen, the capital of Denmark (some sources say Hellerup, Denmark), in 1897, but he was raised in Malmö, Sweden, by his wealthy Swedish parents.

After attending the Kungliga Dramatiska Teaterns Elevskola (Royal Dramatic Theater School) in Stockholm, the darkly handsome Asther began his stage career in Copenhagen.

In 1916 legendary director - and the later mentor of Greta Garbo - Mauritz Stiller discovered him. Reportedly they also began an affair.

Stiller cast him in the leading role (as an aspiring actor, appropriately enough) in the Swedish film Vingarne/The Wings (Mauritz Stiller, 1916). In the following years, Asther acted on the Swedish stage and in a few films.

In 1922 he worked with another acclaimed Swedish director, Victor Sjöström in Vem dömer/Love's Crucible (1922) with Gösta Ekman. Then he starred in German productions like Briefe, die ihn nicht erreichten/Letters, Which Never Reached Him (Friedrich Zelnik/Frederic Zelnik, 1925), Der Goldene Schmetterling/The Golden Butterfly (Mihály Kertész/Michael Curtiz, 1926) opposite Lily Damita, and Hotelratten/Hotel Rats (Jaap Speyer, 1927).


German postcard by Photochemie, Berlin, no. K. 2161. Photo: Nordisk. Publicity still for Himmelskibet/Das Himmelschiff (Holger-Madsen, 1918) with Gunnar Tolnaes as Avanti Planetaros, Philip Bech as the Martian leader, Lilly Jacobsson as Marya, the Martian leader's daughter, Alf Blütecher (kneeling) as his friend Dr. Krafft and Nils Asther as the fallen Martian.


Austrian postcard by Iris Verlag, no. 722. Photo: Sascha Film. Nils Asther in the German silent film Die versunkene Flotte (Manfred Noa, 1926), released in the US in 1929 as The Wrath of the Seas.


Austrian postcard by Iris Verlag, no. 786. Photo: Vienna-Film.


Austrian postcard by Iris Verlag, no. 956. Photo: Verleih Engel & Walter. Probably publicity still for Sorrell & Son (Herbert Brenon, 1927).


German postcard by Ross Verlag, Berlin, no. 1456/1, 1927-1928. Photo: Atelier Balàzs, Berlin.


German postcard by Ross Verlag, no. 3616/1, 1928-1929. Photo: Paramount. Publicity still for Loves of an Actress (Rowland V. Lee, 1928) with Pola Negri.


German postcard by Ross Verlag, no. 4260/1, 1929-1930. Photo: Metro-Goldwyn-Mayer. Joan Crawford and Nils Asther in Dream of Love (Fred Niblo, 1928).


German postcard by Ross Verlag, no. 4512/1, 1929-1930. Photo: Metro-Goldwyn-Mayer.

Almost impossibly handsome

In 1927 Nils Asther moved to Hollywood. His first American films were Topsy and Eva (Del Lord, 1927), based on Harriet Beecher Stowe’s novel Uncle Tom's Cabin, and the popular comedy Sorrell and Son (Herbert Brenon, 1927), in which he played Sorrell Jr.

Another successful film directed by Herbert Brenon was Laugh, Clown, Laugh (1928) starring Lon Chaney. Asther’s foreign, exotic looks made him a popular actor, and he soon grew a thin moustache that amplified his suave appearance.

His good looks landed him romantic roles with such co-stars as Pola Negri in Loves of an Actress (Rowland V. Lee, 1928), Marion Davies in The Cardboard Lover (Robert Z. Leonard, 1928), and Joan Crawford in Our Dancing Daughters (Harry Beaumont, 1928).

Hans Wollstein writes at AllMovie: "Almost impossibly handsome, (...) Asther had the misfortune to be tagged the 'male Greta Garbo. He did two films with his famous counterpart: The Single Standard (John S. Robertson, 1929) and Wild Orchids (Sidney Franklin, 1929), and what an exotically handsome couple they made."

Asther was bisexual, and for a while, he was smitten with Garbo. Like John Gilbert, he unsuccessfully proposed in 1929 while they were filming The Single Standard (John S. Robertson, 1929).

In the early 1930s, he was briefly married to vaudeville actress Vivian Duncan, his co-star in Topsy and Eva (Del Lord, 1927).

Although his foreign accent was a hindrance in the sound film, he starred opposite Joan Crawford in Letty Lynton (Clarence Brown, 1932), and opposite Barbara Stanwyck in The Bitter Tea of General Yen (Frank Capra, 1933). He also starred in James Whale’s charming romantic comedy By Candlelight (1933) with Elissa Landi.


Postcard of unknown nationality or editor.


French postcard in the Europe series, no. 362. Photo: Paramount. Could be for Loves of an Actress (Rowland V. Lee, 1928).


French postcard in the Europe series, no. 559. Photo: Metro-Goldwyn-Mayer.


French postcard in the Europe series, no. 583. Photo: Erko-Prodisco. Publicity still for Moonlight on the Danube (Paul Sloane, 1928).


French postcard in the Europe Series, no. 558. Photo: MGM (Metro-Goldwyn-Mayer). Publicity still for the late silent film The Single Standard (John S. Robertson, 1929), starring Greta Garbo. The safety buoy reads: All Alone....


French postcard in the Europe series, no. 909. Photo: MGM (Metro-Goldwyn-Mayer). Publicity still for The Single Standard (John S. Robertson, 1929).


French postcard by Cinémagazine-Edition, Paris, no. 777.


German postcard by Ross Verlag, no. 3816/2, 1928-1929. Photo: Paramount. Pola Negri and Nils Asther in Loves of an Actress (Rowland V. Lee, 1928).


Austrian postcard by Iris-Verlag, no. 5925. Photo: Metro-Goldwyn-Mayer. Nils Asther in Wild Orchids (Sidney Franklin, 1929).


German postcard by Ross Verlag, no. 4258/1, 1928-1929. Photo: Metro-Goldwyn-Mayer. Greta Garbo and Nils Asther in the late silent film Wild Orchids (Sidney Franklin, 1929).


German postcard by Ross Verlag, no. 4258/2, 1928-1929. Photo: Metro-Goldwyn-Mayer. Greta Garbo and Nils Asther in Wild Orchids (Sidney Franklin, 1929).


German postcard by Ross Verlag, no. 4557/1, 1928-1929. Photo: Metro-Goldwyn-Mayer. Publicity still for Wild Orchids (Sidney Franklin, 1929) with Greta Garbo.

Blacklisted

Nils Asther's Hollywood career continued until 1934 when he was blacklisted for breaking a contract. In 1935, he moved to Britain for four years.

His British films included the spectacle Abdul the Damned (Karl Grune, 1935) with Fritz Kortner, and the historical romance The Marriage of Corbal (Karl Grune, 1936).

Although he was allowed back in 1941, his Hollywood career declined. He played supporting parts in B-films like The Night Before the Divorce (Robert Siodmak, 1942), Night Monster (Ford Beebe, 1942), and the film-noir Jealousy (Gustav Machaty, 1945) starring John Loder.

But according to Hans J. Wollstein at AllMovie "whatever the setting, Asther always delivered a carefully modulated performance."

By 1949 he was driving a truck.

In 1958, he returned to Sweden, where he made occasional appearances in films like När mörkret faller/When Darkness Falls (Arne Mattsson, 1960), and Vita frun/Lady in White (Arne Mattsson, 1962) opposite Anita Björk. He also worked for Swedish television and on stage.

Nils Asther died in 1981 in Stockholm. A very honest autobiography, 'Narren's Väg' (The Road of the Jester), was published posthumously in Sweden in 1988.


German postcard by Ross Verlag, no. 4511/1. Metro-Goldwyn-Mayer. Aileen Pringle and Nils Asther, probably in the late silent film Dream of Love (Fred Niblo, 1928). The film is considered lost.


German postcard by Ross Verlag, no. 4905/1, 1929-1930. Photo: MGM (Metro-Goldwyn-Mayer).


German postcard by Ross Verlag, no. 6237/1, 1931-1932. Photo: MGM (Metro-Goldwyn-Mayer).


German postcard by Ross Verlag, no. 7236/1, 1932-1933. Photo: MGM (Metro-Goldwyn-Mayer).


French postcard by Europe, no. 268. Photo: Erka Prodisco. Nils Asther in The Blue Danube (Paul Sloane, 1928).


British postcard in the Film Shots series by Film Weekly. Photo: Universal. Nils Asther, Paul Lukas and Esther Ralston in By Candlelight (James Whale, 1933).


British postcard in the Film Shots series by Film Weekly. Photo: Universal. Nils Asther and Esther Ralston in By Candlelight (James Whale, 1933).


British postcard in the Film Shots series by Film Weekly. Photo: MGM. Publicity still for Storm at Daybreak (Richard Boleslawski, 1933) with Kay Francis and Walter Huston.


British postcard in the Film Shots series by Film Weekly. Photo: MGM. Publicity still for Storm at Daybreak (Richard Boleslawski, 1933).


British postcard in the Film Shots series by Film Weekly. Photo: MGM. Publicity still for Storm at Daybreak (Richard Boleslawski, 1933).


Italian postcard by S.A. Arte della Stampa, Roma. Photo: Columbia. Nils Asther and Barbara Stanwyck in The Bitter Tea of General Yen (Frank Capra, 1933). Caption: In war, as in love, you need to be feared... hated... The card wears an ink stamp for the Cinema Italia in Genoa. The Italian release title was L'amaro tè del generale Yen.


Nils Asther with Greta Garbo and Lewis Stone in a scene from Wild Orchids (Sidney Franklin, 1929). Source: Asphodela (YouTube).

Sources: Peter Rivendell (Gay For Today), Hans J. Wollstein (AllMovie), Lyn Hammond (IMDb), Wikipedia, and IMDb.