26 August 2026

The Winter Gardens in Morecambe reopens today!

Today, 26 August 2026, The Winter Gardens, a historic seaside venue in Morecambe, England, will officially reopen. This magnificent theatre and cinema closed to the public in 1977. That same year, it was listed as one of the area's most significant features, as the main example of the remnants of the resort's nineteenth-century entertainment buildings. A campaign for its restoration began in 1986. We contributed a bit to the crowdfunding for the restoration and visited the Winter Gardens last year. Professor Vanessa Toulmin, Chair of Morecambe Winter Gardens Preservation Trust, gave us a special tour. Here are some old and new postcards plus snapshots we took in 2025. Our congratulations to Professor Vanessa and to all the volunteers and others who helped to bring this magical place back to its former glory.

Morecambe Winter Gardens Theatre
British postcard. Photo: Paul White. Caption: Morecambe Winter Gardens Theatre, Grade 2* listed, built in 1897 and currently under restoration.

Morecambe Beach and Winter Gardens Theatre
British postcard by The Lancaster Paper Co. Ltd., Lancaster, no. M.0603. Photo: Dennis Productions. Caption: Beach & Winter Gardens, Morecambe.

Morecambe
British multi-view postcard. Captions: Central Morecambe. Band Stand. Central Promenade. Shelter and Pier. Winter Gardens and Promenade. Clock Tower and Pier.

Morecambe, Promenade and Winter Gardens Theatre
British postcard by Morris & Co., Liverpool. Caption: Promenade and Winter Gardens, Morecambe. This postcard was sent by mail in 1914.

Morecambe, Cenotaph, Promenade and Winter Gardens Theatre
British postcard. Caption: Cenotaph and Promenade, Morecambe.

Morecambe, Winter Gardens Theatre
British postcard by Sanderson & Dixon (S & D), Ambleside, no. S.717. Caption: Winter Gardens, Morecambe.

A one-of-a-kind music hall


The Winter Gardens is a Grade II-listed building of a rare type – a big music hall. It is now thought to be one of a kind. It was built in 1897 to the designs of Magnall & Littlewood from Manchester. The Manchester-based practice had already designed the Morecambe West End Pier and Pavilion in 1895-1896, and was then working on the Central Pier Pavilion and the Hotel Metropole at the same time as the new music hall. The venue was originally built as the Victoria Pavilion Concert Hall and Variety Theatre in 1897 and opened on Monday, 19 July 1897. It was an extension to the 1878 Winter Gardens complex, which included an aquarium, gallery, dance hall, three restaurants and a fernery. This complex was built by the Morecambe Baths and Winter Gardens Company, which was founded in 1876 by business people from Bradford to provide bathing facilities and all-weather gardens for visitors. The competitor resorts of Southport and Blackpool already had Winter Gardens. The new Victoria Pavilion Theatre was built next to the original complex, which has since been demolished.

Prominently sited on the seafront, The Winter Gardens is one of Morecambe's most significant features. It is one of the last major reminders of the extensive range of all-weather entertainment that was provided in Victorian and Edwardian Morecambe for the many visitors to the resort. The piers and early cinemas and theatres of that era have mostly succumbed to fire, storms, redevelopment or changing tastes. The main elevation of the Winter Gardens is an ornate, symmetrical composition in red brick and terracotta. There is a glass canopy along the front – a 1997 replacement for the 1909 original – protecting retail units on each side of the main entrance. The foyer and stair hall are richly decorated with the original Italian terrazzo floors, tiles by Burmantoft, elaborate plasterwork and painted and gilded ceilings. Beyond, a curving promenade with timber and glazed screens leads to an impressive auditorium. This wide and elaborately decorated hall is over sailed by a spectacular tunnel vaulted ceiling. There are two levels of balconies with seating. The extraordinarily lavish interior design was overseen by Dean & Co of Birmingham, who worked extensively with Magnall & Littlewood on both the Morecambe and Blackpool Winter Gardens.

The Morecambe Winter Gardens had its heyday in the 1930s and 1940s. In the 1950s, the theatre annex cinema was taken over by Moss Empires. However, declining profits in the following decades led to its closure in 1977. Although the theatre building that remains today was listed the same year, the ballroom building was demolished in 1982. In 1986, volunteers started a campaign for the restoration of the Winter Gardens. The Friends of the Winter Gardens were formed to represent the interests of the building, and they campaigned for its preservation and restoration.

In 2006, the Friends formed a charitable trust company, The Morecambe Winter Gardens Preservation Trust Ltd (MWGPT), to purchase the Winter Gardens. In 2008, the Winter Gardens were listed as one of the area's most significant features, as the main example of the remnants of the resort's nineteenth-century entertainment buildings, as part of an appraisal of the Morecambe Conservation Area. The building is now operated by the MWGPT, which, alongside help from local volunteers, has been slowly restoring the theatre and bringing it back into use.

Since 2020, the MWGPT, under new governance and leadership, has built on the work of the previous administration and made even greater progress. In October 2021, the building was one of 142 sites across England to receive part of a £35 million injection into the government's Culture Recovery Fund. In March 2023, it received a further £2.8 million from the Cultural Investment Fund. The trust volunteers were collectively awarded the King's Award for Voluntary Service in November 2023. The ambition is to completely restore the building as a 2,300-capacity music venue. The volunteers are led by their chairwoman, Professor Vanessa Toulmin, who has researched and written extensively about working-class culture and Fairgrounds. Her family once had the fairground behind the Winter Gardens.

Morecambe Winter Gardens Theatre
British postcard by Fine Lines Art. Design: Myra Weir. Caption: The Winter Gardens, Morecambe.

Morecambe Winter Gardens Theatre, Interior of the original Winter Gardens Ballroom
British postcard. Caption: Interior of the original Winter Gardens Ballroom, ca. 1950s, in the main complex and demolished in 1982.

Morecambe Winter Gardens
British postcard. Photo: Alun Bull, Historic England. Caption: Burmantoft-designed entrance, Morecambe Winter Gardens.

Morecambe Winter Gardens, Theatre Box Offices
British postcard. Photo: Paul White. Original Winter Gardens Theatre Box Offices in the Foyer, restored by the volunteers from 2020 onwards.

Morecambe Winter Gardens Theatre, Ceramic Entrance Floor
British postcard. Photo: Paul White. Caption: Ceramic Entrance Floor to Morecambe Winter Gardens Theatre, designed by Campbell Tile Company (1897), restored by Rieveley Ceramics in 2024.

Morecambe Winter Gardens, Staircase to the Circle and Gods
British postcard. Photo: Paul White. Caption: Winter Gardens Staircase to the Circle and Gods after restoration on both the plaster ceiling and ceramic features.

Morecambe Winter Gardens Theatre, The Gods
British postcard. Photo: Damien Rose. Caption: Morecambe Winter Gardens 'The Gods'.

Boom years with celebrities


The Morecambe Winter Gardens on Marine Drive Central opened as a music hall and was designed by Mangnall & Littlewood, who also built the Empress Ballroom and Second Opera House in Blackpool, in consultation with the renowned Theatre Architect Frank Matcham. It consisted of the theatre, ballroom, restaurants and gardens at the rear. Originally called the Victoria Pavilion and Oriental Ballroom, the Winter Gardens music hall was opened to the public in 1897. One of its main features was a 118-foot roof span, which was considered the largest in the world for a place of entertainment. It was not just the roof span that could boast a claim; the stage was larger than any of its London contemporaries.

In 1898 it was rebuilt internally for £100,000, adding an upper circle and bringing the total seating capacity to 2200. Following the death of Queen Victoria in 1901, the Victoria Pavilion and Oriental Ballroom were renamed the King's Pavilion and Empress Ballroom. These two buildings widened the range of entertainment that the site provided at its key position on the Promenade. The original capacity of the two buildings was in excess of 6,000 people, with the Winter Gardens Theatre now capable of holding 2,500.

From 1897 onwards it played host to large musical concerts including the Halle Orchestra, the Morecambe International Festival – including Elgar in 1903 to 1905 – and stars of stage and screen. After a slump that saw the owners go into liquidation, the building was eventually purchased by WH Broadhead and Sons’ Variety Circuit, owners of many Northern theatres at the time. More building and renovation work saw the addition of a further balcony in 1909. The Winter Gardens remained under Broadhead’s control until 1933 when it was purchased by a group of businessmen for £24,000.

After large-scale renovations, it reopened in 1934 and slowly grew to be one of the most important theatres in the country. Many acts were to be seen there even before they appeared in London. The 1930s and 1940s were its boom years, with celebrities including George Formby, Gracie Fields, and Laurel and Hardy treading the boards. Vera Lynn, Max Wall, Beryl Reid and Frankie Howerd all performed there, as did Morecambe & Wise and many other variety acts. Later, the Who and the Rolling Stones gave concerts at the Winter Gardens.

In 1953 the Moss Empire took controlling interest, and again renovation work was carried out on the already impressive interior. In 1959, the film The Entertainer (Tony Richardson, 1960) starring Laurence Olivier as Archie Rice, an old-time British music hall performer, was filmed in and around Morecambe. The final scenes were shot on the stage of the Winter Gardens. After Moss leased the theatre to Entam, the entertainment division of Trust House Forte in 1968, the ballroom was converted into Dixieland Palace Show bar and The Coral Reef Bar. The theatre remained intact, operating regular shows up until 1977 when its operating licence expired. For years before, there had been little maintenance to both inside and outside of the building, and a damming report was the final nail in the coffin. In its heyday, the Winter Gardens was a sparkling example of the entertainment venues that were the essence of English seaside towns, and now a new chapter begins.

Morecambe Winter Gardens
Morecambe Winter Gardens, Morecambe, England, 2025. Photo: Paul van Yperen.

The Winter Gardens - 1897
The Winter Gardens, Morecambe, England, 2025. Photo: Paul van Yperen.

Morecambe Winter Gardens
The fully restored inlaid stone floor of the entrance. The Winter Gardens, Morecambe, England, 2025. Photo: Paul van Yperen.

Poster for Morecambe Winter Gardens
Poster for Morecambe Winter Gardens. Exhibition In the Spotlight: a history of black performers in Morecambe, Maritime Museum, Lancaster, 2025. Photo: Paul van Yperen.

Elisabeth Welch
British postcard in the Picturegoer Series, London, no. 978. Photo: Cannons. American-born singer Elisabeth Welch (1904-2003) made several memorable guest appearances in cabaret sequences in British films of the 1930s and 1940s. She starred opposite Paul Robeson in two features. She was one of the black performers who performed in the Winter Gardens.

Morecambe Winter Gardens poster
Photo of an old Morecambe Winter Gardens poster, probably early 1910s. Exhibition In the Spotlight: a history of black performers in Morecambe, Maritime Museum, Lancaster, 2025. The three-reeler film Robinson Crusoe announced here perhaps refers to the 1913 American Bison film production by Otis Turner, starring Robert Z. Leonard. Photo: Ivo Blom.

Interior of the Morecambe Winter Gardens
Reproduction of an old photo of the auditorium at the Morecambe Winter Gardens. Exhibition In the Spotlight: a history of black performers in Morecambe, Maritime Museum, Lancaster, 2025. Photo: Ivo Blom

Hamilton Kaye
British postcard. Photo: Hamilton Kaye Collection. National Fairground Archive. University of Sheffield Library. Caption: 'Hamilton Kaye'. Hamilton Kaye (1921-2006) was known for magic shows and for his magic business. He also used other performing names such as Wizard Kaye, Ron Dalmo and briefly as Milton Kaye.

The Great Levante and his magical "How's Tricks"
British postcard by The Badger Press, Westbury, Wiltshire, Ref. M.7. Photo: John Coleman. Programme of the Winter Gardens in Morecambe, Great Britain, of 1955, 31 October 1955. Main attraction was the Australian illusionist The Great Levante and his magical "How's Tricks". Caption: Third World Tour. A Bombshell of Bewilderment. Tons of Illusions. 20 Highly Skilled Assistants. Singers, Dancers, Comedians and Novelty Acts. Two Hours without a Blush, A Real Family Show. This and 1000 Other Surprises.

Morecambe for top-line entertainment
British poster postcard by Ribble Bus Company. Caption: Morecambe for top-line entertainment. Caption: Ribble Bus Company Advertising Poster for Morecambe with a Spanish flavour, reflecting the growing competition faced by Morecambe in the early 1960s onwards.

Sources: Morecambe and Wise, Arthur Lloyd, Mike Higginbottom, Interesting Times, University of Sheffield, National Fairground and Circus Archive, Theatre Trust, Visit Lancashire, Morecambe Winter Gardens, IMDb and Wikipedia.

25 August 2026

Rita Pavone

Italian singer Rita Pavone (1945) was one of the biggest teenage stars in Europe during the 1960s, and one of the few Italian pop stars to gain a foothold in the American market. Pavone also starred in six Musicarellos and other films. She sold more than 50 million records worldwide, in seven different languages.

Rita Pavone
Spanish postcard by Postal Oscarcolor. Photo: RCA.

Rita Pavone
German postcard by Krüger, no. 902/380. Photo: Teldec / Winkler / RCA.

Rita Pavone
Italian postcard. Photo: RCA.

Rita Pavone
West German promotion card by Polydor. Photo: Polydor.

Rita Pavone
French promotion card by RCA.

New teen sounds


Rita Pavone was born in Turin, in the region of Piedmont, in 1945. Mark Deming at AllMusic: “Her father, who worked at a Fiat auto plant, was a big fan of American musical stars, particularly Al Jolson, Judy Garland, and Gene Kelly, and young Rita shared his tastes, often singing along with his records and taking singing lessons when she wasn't busy with school or her part-time job ironing shirts. In 1959, Rita made her public debut as a singer, impersonating Al Jolson in a children's talent contest.

By this time, rock & roll had made its way to the continent, and she became an immediate fan of the new teenage sounds. In 1960, Pavone landed her first professional gig, performing for soldiers at Italian NATO bases, and after initial attempts to score a record deal or nightclub engagement proved fruitless, Pavone got her big break in the fall of 1962." She participated in the first Festa degli Sconosciuti (Festival of the Unknowns), a song competition for amateur artists. She won the contest, which was organised by singer and record producer Teddy Reno.

The two fell in love. Rita was 17, and Teddy was 19 years her senior and already married, and the father of a baby boy. However, they would always stay together. Her first single, 'La partita di pallone' (The Ball Game), was an immediate smash. It sold over one million copies and was awarded a gold disc. Her album debut, simply titled 'Rita Pavone', made her a national star, and international attention soon followed.

Her recording of 'Cuore' (Heart) also sold a million copies in 1963, spending nine weeks at number one in Italy. In the summer of 1964, she had chart success in the United States with 'Remember Me', backed with 'Just Once More'. Pavone sang at Carnegie Hall in New York City, and between 1964 and 1970, she was a frequent guest at the Ed Sullivan Show, the most popular variety show on American television. Pavone was also very successful in Europe. In the UK, RCA Victor issued two of her singles in quick succession in 1966 and 1967. Both were hits, 'Heart' peaking at #27 and 'You Only You' peaking at #21 in the UK Singles Chart.

During this same period, she appeared at the London Palladium. Spain would prove to be one of her biggest markets. In this country, she scored a string of hits, both with ballads and rock songs and became a teen idol. Pavone recorded a total of thirteen albums. She mainly recorded for RCA until 1968, then she signed for a brief period with Ricordi, which launched her vanity label, RitaLand. Eventually, she returned to the label that had launched her, recording three more albums with RCA.

Rita Pavone
Dutch postcard by Muziek Parade, Hilversum, no. 6137.

Rita Pavone
German postcard by Filmbilder-Vertrieb Ernst Freihoff, Essen, no. 840. Retail price: 10 Pfg. Photo: Lothar Winkler.

Rita Pavone
Italian postcard by Rotalfoto, Milano, no. 1034. Collection: Marlene Pilaete.

La multi ani! Rita Pavone
Romanian calendar card by Casa Filmui Acin. Collection: Alina Deaconu.

Rita Pavone
West German postcard in the Kolibri series by Friedr. W. Sander, Verlag, Minden, no. 1956. Photo: Teldec / Peter Büchmann. Caption: Rita Pavone sings on RCA records.

Musicarellos


In Italy, Rita Pavone also worked as an actress, and during the 1960s, she starred in six films. The first was the French comedy Clémentine Chérie (Pierre Chevalier, 1963), featuring France Anglade. The others were the Musicarellos (Italian teen musicals of 1950s and 1960s) Rita, la figlia Americana / Rita, the American daughter (Piero Vivarelli, 1965) with Totò, Rita la zanzara / Rita the Mosquito (Lina Wertmüller, 1966) with Giancarlo Giannini, Non stuzzicate la zanzara / Don't Sting the Mosquito (Lina Wertmüller, 1967) with Giulietta Masina as Rita’s mother, the musical Western Little Rita nel west / Rita of the West (Ferdinando Baldi, 1967) with Terence Hill, and La Feldmarescialla / The Crazy Kids of the War (Steno, 1968).

In the two Zanzara films, directed by Lina Wertmüller, 'Little Rita' played a music student in love with her professor, who, unknown to her, is living a double life as a rock & roll singer. With Wertmüller, she also made Giornalino di Gianburrasca / Gian Burrasca's Diary (1964-1965). For this TV series, she also contributed several songs. Pavone’s film career targeted a teen audience and lacked great artistic value, but today her films are cult favourites in Italy.

In 1968, Pavone finally married Teddy Reno in a church in Lugano, Switzerland. This event caused a scandal because Reno was still married to his first wife, Livia Protti, and in Italy, there was no divorce law until 1970. They remarried each other in Italy in 1971. Later on, she would participate in comedy films, such as 2 sul pianerottolo / Two on the landing (Mario Amendola, 1975). On TV, she participated in shows such as Alta Pressione (High Pressure) (1967), Stasera Rita (Tonight Rita) and the variety series Studio Uno (1968).

In 1982, she appeared in Come Alice (Like Alice), which became a hit on Italian television. In the theatre, she played Maria in a celebrated production of William Shakespeare's 'Twelfth Night'. And her songs are on many film soundtracks. The main character in the Argentine film Nueve reinas / Nine Queens (Fabián Bielinsky, 2000) tries to remember a Pavone song throughout the film. The song 'Il Ballo Del Mattone' (The Fool's Dance) plays as the credits run.

In 2006, she announced her official retirement from show business. She was a Senate candidate in the Italian general election of 2006, for the centre-right list Per l'Italia nel Mondo (For Italy in the World) led by minister Mirko Tremaglia. Rita Pavone and her husband Teddy Reno now live in Ticino, Switzerland. They have two sons, Alessandro and Giorgio, both of whom have become involved in show business themselves: Alessandro as a radio show host and Giorgio as a rock singer. In 2020, Rita Pavona returned to the Sanremo Music Festival with the song 'Niente (Resilienza 74)'.

Rita Pavone, portrait by F. Picchioni
Italian postcard by E.N.P., Roma. Art work: F. [Franco] Picchioni.

Rita Pavone, Giancarlo Giannini, Raffele Pisu, Giulietta Masina and  Medici in Non stuzzicate la Zanzara (1967)
Italian promotion card by Mondial. Rita Pavone, Giancarlo Giannini, Raffele Pisu, Mita Medici and Giulietta Masina in Non stuzzicate la Zanzara / Don't Sting the Mosquito (Lina Wertmuller, 1967).

Rita Pavone and Araldo Tieri in La feldmarescialla (1967)
Romanian collector card by Casa Filmului Acin. Rita Pavone and Araldo Tieri in La feldmarescialla / The Crazy Kids of the War (Steno, 1967).

Rita Pavone
Italian postcard.

Rita Pavone
Spanish postcard by Postal Oscarcolor, no. 290. Photo: RCA.

Rita Pavone
French postcard by E.D.U.G., no. 369. Photo: G. Neuvecelle.


Rita Pavone sings 'Datemi un Martello' (If I Had a Hammer) on a Rai TV Show. Source: Charassita (YouTube).


Rita Pavone sings 'Il plip' in Rita, la figlia Americana / Rita, the American daughter (1965). Source: Paolo Bruzzone (YouTube).

Sources: Mark Deming (AllMusic), Small Wonder (Official Rita Pavone website), Wikipedia and IMDb.

24 August 2026

Published by Netter's Starverlag

Netter's Starverlag is a German publisher of star postcards. Some 50 years ago, Netter's reproduced vintage postcards of famous film stars. The originals were often Kunst und Bild postcards from the Adenauer era, the late 1940s and 1950s. The quality of the Netter's Verlag cards was definitely less than that of the original postcards. The numbers were often handwritten. They must have been a labour of love by a fan. We like these nostalgic cards and chose 14 examples for this EFSP post.

Wera Frydtberg
German postcard by Netter's Starverlag, Berlin, no. A 1205. Photo: Herzog Filmverleih. Wera Frydtberg in Sie / She (Rolf Thiele, 1954).

German film, television and stage actress Wera Frydtberg (1926–2008) was a star of the German cinema of the 1950s. She appeared in leading roles in Ich denke oft an Piroschka / I Often Think of Piroschka (1955) and Wir Wunderkinder / Aren't We Wonderful? (1958).

Gina Lollobrigida
German postcard by Netter's Starverlag, Berlin. Photo: Constantin. Gina Lollobrigida in Notre-Dame de Paris / The Hunchback of Notre-Dame (Jean Delannoy, 1956).

Gorgeous Italian actress and photojournalist Gina Lollobrigida (1927-2023) was one of the first European sex symbols of the post-war years. ‘La Lollo’ paved the way into Hollywood for her younger colleagues Sophia Loren and Claudia Cardinale.

Greta Garbo in Susan Lenox (Her Fall and Rise) (1931)
German postcard by Netter's Starverlag, Berlin. Photo: Metro-Goldwyn-Mayer. Greta Garbo in Susan Lenox (Her Fall and Rise) (Robert Z. Leonard, 1931). A reproduction of a Ross Verlag postcard, no. 1701/22.

Swedish Greta Garbo (1905-1990) was one of the greatest and most glamorous film stars ever produced by the Hollywood studio system. She was part of the Golden Age of the silent cinema of the 1920s and was one of the few actors who made a glorious transition to the talkies. She started her career in European cinema and would always stay more popular in Europe than in the USA.

Hardy Krüger (1928–2022)
West German postcard by Netter's Star Verlag, Berlin, no. T 855.

German actor and writer Hardy Krüger (1928-2022) was a blond heartthrob who acted in several international films of the 1950s and 1960s. He played friendly soldiers and adventurers in numerous German, British and French films and some Hollywood classics. Although he was often typecast as the Aryan Nazi, he hated wearing the brown uniform.

Hardy Krüger (1928–2022)
West German postcard by Netter's Star Verlag, Berlin, no. A 709. Photo: Herzog Film.

Gregory Peck
West German postcard by Netter's Starverlag, Bad Münder / Bakede. Photo: 20th Century Fox.

American actor Gregory Peck (1916-2003) was one of the most popular film stars from the 1940s to the 1960s. Peck received five Oscar nominations for Best Actor and won once – for his performance as Atticus Finch in To Kill a Mockingbird (1962). He almost always played courageous, nobly heroic good guys who saw injustice and fought it. Among his best-known films are Spellbound (1945), The Yearling (1946), Gentleman's Agreement (1947), Roman Holiday (1953), The Guns of Navarone (1961), and Cape Fear (1962).

Paul Newman
West German postcard by Netter's Starverlag, Berlin.

American film actor Paul Newman (1925-2008) was a matinee idol with the most famous blue eyes of Hollywood, who often played detached yet charismatic anti-heroes and rebels. He was nominated for nine Academy Awards in five decades and finally won the Oscar for The Color of Money (1986). He was also a prominent social activist, a major proponent of actors' creative rights, and a noted philanthropist.

Volker von Collande
German postcard by Netter's Starverlag, Berlin, no. F-326.

German actor, screenwriter and film director Volker von Collande (1913-1990) appeared in more than 40 films between 1934 and 1987. He usually played upstanding citizens or men in uniform. Von Collande also directed more than 20 films between 1942 and 1967. He was a member of the Nazi Party.

Volker von Collande
German postcard by Netter's Starverlag, Berlin, no. F-325.

Robert Mitchum
German postcard by Netter's Starverlag, Berlin. Photo: RKO Radio Film.

American film star Robert Mitchum (1917–1997) is one of the icons of Hollywood thanks to his roles as tough guys, loners and drifters in many War films, Westerns and such classic Film Noirs as Out of the Past (1947) and His Kind of Woman (1952). His facade of cool, sleepy-eyed indifference proved highly attractive to both men and women. Mitchum portrayed two of the scariest screen villains ever: the psychotic evangelist Reverend Harry Powell in Night of the Hunter (1955) and cruel rapist Max Cady in the original Cape Fear (1962). During his notable 55-year acting career, he appeared in more than 125 films.

Rik Battaglia
German postcard by Netter's Starverlag, Berlin.

Italian film actor Rik Battaglia (1927-2015) made nearly 100 film appearances between 1954 and 1999. He played the bad guy in dozens of Peplums, Euro-Westerns, and War films. In Germany, he became notorious as ‘The Man Who Shot Winnetou.‘

Lisa Lesco
German postcard by Netter's Star Verlag, Bad Münder, no. A 169.

German actress and singer Lisa Lesco (1915-2003) was a popular stage performer and also appeared in a few German films from the 1930s to the 1950s. She appeared in successful operettas in Berlin theatres, opposite Johannes Heesters and Rudolf Platte.

Silvana Pampanini
West German postcard by Netter's Starverlag, Berlin. Photo: Generalcine Film.

Italian diva Silvana Pampanini (1925-2016) enjoyed enormous popularity in the 1950s and 1960s. In the early 1950s, before Sophia Loren and Gina Lollobrigida reached stardom, Pampanini was one of the most well-known symbols of Italian beauty.

Mario Adorf (1930-2026)
West German postcard by Netter's Starverlag, Berlin.

For many decades, German-Swiss actor Mario Adorf (1930-2026) was a very active star of European cinema, known for his Mediterranean looks, his dark, oily frizzy hair and his imposing figure. He started as a talented newcomer in German films of the 1950s, he hammed his way through the 1960s as a villain in Euro-Westerns and action pictures, but then he became best known for his roles in some classics of the Junge Deutsche Film, such as Die Blechtrommel / The Tin Drum (1978) and Lola (1981). He appeared in over 200 films and TV shows.