Keanu Reeves

Keanu Reeves (1964) is a Canadian actor, producer, director and musician. Though Reeves often faced criticism for his deadpan delivery and perceived limited range as an actor, he nonetheless took on roles in a variety of genres, doing everything from introspective art-house fare to action-packed thrillers. His films include My Own Private Idaho (1991), the European drama Little Buddha (1993), Speed (1994), The Matrix (1999) and John Wick (2014).


British postcard by Heroes Publishing LTD, London, no. SPC 2581. Photo: publicity still for Point Break (Kathryn Bigelow, 1991).


French postcard, no. C 466.


British postcard by Santoro Graphics Ltd., South Yorks, no. C350. Photo: publicity still for My Own Private Idaho (Gus Van Sant, 1991).


Dutch postcard by Film Freak Productions, Zoetermeer, no. FA 344, 1992. Photo: Columbia Pictures. Keanu Reeves, Michaela Bercu, Monica Bellucci and Florina Kendrick in Dracula (Francis Coppola, 1992).


British postcard, no. C035. Caption: Keanu Reeves - Much ado about nothing.


British postcard by Heroes Publishing LTD., no. SPC 2693. Photo: Warner Bros. Keanu Reeves in Speed (Jan de Bont, 1994).


French postcard by Sonis, no. F. 100. Photo: Warner Bros. Keanu Reeves in The Matrix Reloaded (Lana Wachowski, Lilly Wachowski, 2003).

Cool breeze over the mountains

Keanu Charles Reeves was born in 1964, in Beirut, Lebanon. His first name means ‘cool breeze over the mountains’ in Hawaiian. His father, Samuel Nowlin Reeves Jr., was a geologist of Chinese-Hawaiian heritage, and his mother, Patricia Bond (née Taylor), was a British showgirl and later a costume designer for rock stars such as Alice Cooper.

Reeves's mother was working in Beirut when she met his father. Upon his parents’ split in 1966, Keanu moved with his mother and younger sister Kim Reeves to Sydney, New York and Toronto. He lived with various stepfathers as a child, including stage and film director Paul Aaron. Keanu developed an ardour for hockey, though he would eventually turn to acting. At 15, he played Mercutio in a stage production of Romeo and Juliet at the Leah Posluns Theatre. Reeves dropped out of high school when he was 17.

His film debut was the Canadian feature One Step Away (Robert Fortier, 1985). After participating in the teen movie Youngblood (Peter Markle, 1986), starring Rob Lowe, he obtained a green card through his stepfather Paul Aaron and moved to Los Angeles.

After a few minor roles, he gained attention for his performance in the dark drama River's Edge (Tim Hunter, 1986), which depicted how a murder affected a group of adolescents. Reeves landed a supporting role in the Oscar-nominated period drama Dangerous Liaisons (Stephen Frears, 1988), starring Glenn Close and John Malkovich. Reeves joined the casts of Ron Howard's comedy Parenthood (1989), and Lawrence Kasdan's I Love You to Death (1990).

Unexpectedly successful was the wacky comedy Bill & Ted's Excellent Adventure (Stephen Herek, 1989) which followed two high school students (Reeves and Alex Winter) and their time-travelling high jinks. The success led to a TV series and a sequel, Bill & Ted's Bogus Journey (Pete Hewitt, 1991). From then on, audiences often confused Reeves's real-life persona with that of his 'doofy' on-screen counterpart.


British postcard, no. 1034.


British postcard by Box Office, London, no. BO 007.


British postcard by Underground, London, no. MM 396.


British postcard by Underground, London, no. BO110.


British postcard by Heroes Publishing LTD, London, no. SPC 2621.


British postcard by Heroes Publishing LTD, London, no. SPC 2897.


British postcard by Heroes Publishing Ltd., London, no. SPC 3017.

Most desirable male

In the following years, Keanu Reeves tried to shake the Ted stigma. He developed an eclectic film roster that included high-budget action films like the surf thriller Point Break (Kathryn Bigelow, 1991) for which he won MTV's ‘Most Desirable Male’ award in 1992, but also lower-budget art-house films.

My Own Private Idaho (1991), directed by Gus Van Sant and co-starring River Phoenix, chronicled the lives of two young hustlers living on the streets. In Francis Ford Coppola’s adaptation of Bram Stoker’s Dracula (1992), Reeves embodied the calm resolute lawyer Jonathan Harker who stumbles into the lair of Gary Oldman’s Count Dracula.

In Europe, he played Prince Siddharta who becomes the Buddha in Bernardo Bertolucci’s Italian-French-British drama Little Buddha (1993).

His career reached a new high when he starred opposite Sandra Bullock in the hit action film Speed (Jan de Bont, 1994). It was followed by the romantic drama A Walk in the Clouds (Alfonso Arau, 1995) and the supernatural thriller Devil’s Advocate (Taylor Hackford, 1997), co-starring Al Pacino and Charlize Theron.

At the close of the decade, Reeves starred in a Sci-fi film that would become a genre game changer, The Matrix (Lana Wachowski, Lilly Wachowski, 1999). Reeves played the prophetic figure Neo, slated to lead humanity to freedom from an all-consuming simulated world. Known for its innovative fight sequences, avant-garde special effects and gorgeous fashion, The Matrix was an international hit. Two sequels, The Matrix Reloaded (Lana Wachowski, Lilly Wachowski, 1999) and The Matrix Revolutions (Lana Wachowski, Lilly Wachowski, 1999) followed and The Matrix Reloaded was even a bigger financial blockbuster than its predecessor.


British postcard, no. 1004. Photo: publicity still for Point Break (Kathryn Bigelow, 1991).


Vintage postcard, no. PP 105. Photo: publicity still for Point Break (Kathryn Bigelow, 1991).


British postcard by Heroes Publishing LTD, London, no. SPC 2691. Keanu Reeves in Point Break (Kathryn Bigalow, 1991).


French postcard, no. 1035. Photo: publicity still for My Own Private Idaho (Gus Van Sant, 1991) with River Phoenix.


British postcard by Heroes Publishing LTD, London, no. SPC 2581. Photo: Cary Elwes, Richard Grant, Anthony Hopkins, Keanu Reeves, and Billy Campbell in Dracula (Francis Coppola, 1992).


Canadian postcard by Canadian Postcard, no. A-250. Denzel Washington, Keanu Reeves, Robert Sean Leonard and Kenneth Branagh in Much Ado About Nothing (Kenneth Branagh, 1993).


British postcard, no. 2070. Photo: publicity still for Speed (Jan de Bont, 1994).

A major bonafide box office star

Now a major, bonafide box office star, Keanu Reeves continued to work in different genres and both in big-budget as in small independent films. He played an abusive man in the supernatural thriller The Gift (Sam Raimi, 2000), starring Cate Blanchett, a smitten doctor in the romantic comedy Something’s Gotta Give (Nancy Meyers, 2003) opposite Diane Keaton, and a Brit demon hunter in American-German occult detective action film Constantine (Francis Lawrence, 2005).

His appearance in the animated science fiction thriller A Scanner Darkly (Richard Linklater, 2006), based on the novel by Philip K. Dick, received favourable reviews, and The Lake House (Alejandro Agresti, 2006), his romantic outing with Sandra Bullock, was a success at the box office. Reeves returned to Sci-fi as alien Klaatu in The Day the Earth Stood Still (Scott Derrickson, 2008), the remake of the 1951 classic. Then he played a supporting part in Rebecca Miller's The Private Life of Pippa Lee (2009), which starred Robin Wright and premiered at the 59th Berlin International Film Festival.

Reeves co-founded a production company, Company Films. The company helped produce Henry's Crime (Malcolm Venville, 2010), in which Reeves also starred. The actor made his directorial debut with the Chinese-American Martial arts film Man of Tai Chi (2013), partly inspired by the life of Reeves' friend, stuntman Tiger Chen. Martial arts–based themes continued in Reeves's next feature, 47 Ronin (Carl Rinsch, 2013), about a real-life group of masterless samurai in 18th-century Japan who avenged the death of their lord. Variety magazine listed 47 Ronin as one of "Hollywood's biggest box office bombs of 2013".

Reeves returned as a retired hitman in the Neo-Noir action thriller John Wick (Chad Stahelski, David Leitch, 2014). The film opened to positive reviews and performed well at the box office. Three sequels followed, John Wick: Chapter Two (Chad Stahelski, 2017) with Laurence Fishburne and Riccardo Scamarcio, John Wick: Chapter 3 – Parabellum (Chad Stahelski, 2019) with Halle Berry and John Wick: Chapter 4 (Chad Stahelski, 2023) with Donnie Yen. After co-starring with Winona Ryder in the rom-com Destination Wedding (Victor Levin, 2018), Reeves faced a busy 2019 with the release of the Sci-Fi thriller Replicas (Jeffrey Nachmanoff, 2018), a return to action fare in John Wick 3: Parabellum, a supporting role in the Netflix rom-com Always Be My Maybe (Nahnatchka Khan, 2019) and his entry into a major animated franchise as the voice of stuntman Duke Caboom in Toy Story 4 (Josh Cooley, 2019). He reprised his roles as Ted in Bill & Ted Face the Music (Dean Parisot, 2020) and Neo in The Matrix: Resurrections (Lana Wachowski, 2021).

Keanu Reeves’ artistic aspirations are not limited to film. In the early 1990s, he co-founded the grunge band Dogstar, which released three albums. He also played bass for a band called Becky. Reeves is also a longtime motorcycle enthusiast. After asking designer Gard Hollinger to create a custom-built bike for him, the two went into business together with the formation of Arch Motorcycle Company LLC in 2011. Reported to be one of the more generous actors in Hollywood, Reeves helped care for his sister during her lengthy battle with leukaemia and has supported such organisations as Stand Up To Cancer and PETA. In January 2000, Reeves's girlfriend, Jennifer Syme, gave birth eight months into her pregnancy to Ava Archer Syme-Reeves, who was stillborn. The strain put on their relationship by their grief resulted in Reeves and Syme's breakup several weeks later. In 2001, Syme died after a car accident.


Vintage postcard, no. C 445.


British postcard, no. MM373.


Spanish postcard by Coleccion Estrellas Cinematograficas, Cacitel, no. 73.


British postcard, no. MM371.


French postcard, no. 1027.


French postcard, no. Ref. 1109.


British postcard by Heroes Publishing LTD, London, no. SPC 2580.


British postcard by Memory Card, no. 712. Lobby Card: Warner Bros. Keanu Reeves in The Matrix (Lana Wachowski, Lilly Wachowski, 1999).


French postcard by Sonis, no. F. 112. Photo: Warner Bros. Keanu Reeves in The Matrix Reloaded (Lana Wachowski, Lilly Wachowski, 2003).


Dutch freecard by Boomerang, no. P22-03. Photo: Warner Bros. Keanu Reeves in The Matrix Revolutions (Lana Wachowski, Lilly Wachowski, 2003).


Trailer Bill & Ted's Excellent Adventure (1989). Source: Movieclips Trailer Vault (YouTube).


Trailer Point Break (1991). Source: Adam Jackson (YouTube).


Trailer Speed (1994). Source: 4thMealisGood (YouTube).


Trailer Little Buddha (1993). Source: vijay kumar (YouTube).


Trailer John Wick (2014). Source: Movieclips Trailers (YouTube).

Sources: Biography.com, Wikipedia and IMDb.

Directed by Amleto Palermi

Italian film director and screenwriter Amleto Palermi (1889-1941) directed more than 70 films in Italy and Germany between 1914 and 1942. He directed diva Pina Menichelli in several silent films. During the 1930s, his work with comedians such as Totò and Angelo Musco became particularly well known. In 1940, the magazine Cinema voted Palermi the best Italian director.


French postcard, no. 7467. Leda Gys and Mario Bonnard in La pantomima della morte/The Pantomime of Death (Mario Caserini, 1915), scripted by Amleto Palermi.


Italian postcard by G.B. Falci, Milano, no. 300. Photo: Leda Gys as Mimì in La Bohème (Amleto Palermi, 1917).


Spanish postcard by Amattler Marca Luna chocolate, series 7, no. 3. Photo: Lyda Borelli in Carnevalesca (Amleto Palermi, 1918).


Italian postcard by Vettori, Bologna. Photo: Rinasciento Film. Pina Menichelli and Luigi Serventi in Il romanzo di un giovane povero/The Story of a Poor Young Man (Amleto Palermi, 1920), based on the novel 'Le Roman d'un jeune homme pauvre' (1858) by Octave Feuillet.


Italian postcard by Ed. Vettori, Bologna, no. 1024. Pina Menichelli and Giorgio Fini in L'età critica (Amleto Palermi, 1921). The film was based on the play by Max Dreyer, 'Die Siebzehnjährigen' (1904).


Italian postcard. Photo: Rinascimento Film. Livio Pavanelli, Orietta Claudi and Alfredo Bertone in La seconda moglie/The Second Wife (Amleto Palermi, 1922). Caption: Eliana amava il padre con affetto geloso (Eliana loved her father with jealous affection).


Italian postcard by Ed. G.B. Falci, Milano, no. 218. Pina Menichelli and Livio Pavanelli in La seconda moglie/The Second Wife (Amleto Palermi, 1922). The man in the middle is Alfredo Bertone. It is an adaptation of Arthur Wing Pinero's 1893 British play 'The Second Mrs Tanqueray', about a woman who struggles to overcome rumours about her past.

A confident, creative and skilful director

Amleto Palermi was born in Rome in 1891 and he grew up in Palermo. His father Raoul Vittorio Palermi was editor of the Giornale di Sicilia, and his mother Emilia Scarpelli was the sister of the Italian cartoonist, caricaturist, illustrator and journalist Filiberto Scarpelli. Amleto had two brothers, Manfredo and Italo. Barely twenty years old, Amleto wrote plays in Sicilian dialect such as 'U lupu', 'Amuri foddi' and 'Il tesoro d'isacco'.

In 1913, he moved to Rome, where he worked briefly as a journalist. The Turin-based production company Gloria Film then hired him. He worked on his first film, L'orrendo blasone (Amleto Palermi, 1914) with Mario Bonnard. For 'Film Artistica Gloria', he worked primarily as a director, but also as a scriptwriter for other directors.

Within a short space of time, he developed into an esteemed and distinguished filmmaker. He was sought-after by all the famous stars of the Italian silent cinema, including Mario Bonnard, Lyda Borelli, Livio Pavanelli, Pina Menichelli and Ruggero Ruggeri. Palermi was recognised for his confident acting, constant search for unusual solutions, creative use of narrative structures and (later) his skilful use of music and language, including dialect.

During the crisis in Italian cinema in 1926, he found work in Germany and Austria, where he directed a fair number of films. In 1929 he returned to Rome, with the advent of sound cinema. He directed around 35 more films until the beginning of the Second World War, initially some Italian-language versions of foreign productions, then - from around 1932 - works based on his own screenplays. He had great artistic freedom and was responsible for the editing of his films.

In 1941, Amleto Palermi died relatively young at the age of 51 of meningitis in Rome. He had three children with his wife Ida Molinaro, Fioretta Gioconda, Filippo (called Mimmo) and Francesco Saverio. Filippo (1917-1925) was a child actor in three films directed by his father: Paradiso (1923), La freccia nel cuore (1924), and La via del peccato (1924). He died of pneumonia in 1925, only 8 years old.


Italian postcard by G.B. Falci, Milano, no. 118. Photo: La Fotominio / Rinascimento Film / UCI. Pina Menichelli and Marcella Sabbatini in the drama La donna e l'uomo/The Woman and the Man (Amleto Palermi, 1923).


Italian postcard by G.B. Falci, Milano. Photo: La Fotominio / Rinascimento Film / UCI. Pina Menichelli and Milton Rosmer in La donna e l'uomo/The Woman and the Man (Amleto Palermi, 1923).


Italian postcard by G.B. Falci, Milano. Photo: Fotominio, no. 402. Pina Menichelli and Giovanni Grasso in Malafemmina, a title unknown to IMDb, but it is the alternative title of L'ospite sconosciuta/The Unknown Guest (Telemaco Ruggeri, 1923). Amleto Palermi wrote the script.


Italian postcard by G.B. Falci, Milano, no. 253. Pina Menichelli and Marcel Lévesque in La dama de Chez Maxim's (Amleto Palermi, 1923). Menichelli played the legendary Môme Crevette in one of the many film adaptations of Georges Feydeau's classic boulevard comedy 'La Dame de chez Maxim'(1899) .


Italian postcard by G.B. Falci, Milano. Pina Menichelli in La dama de Chez Maxim's (Amleto Palermi, 1923). Menichelli played the legendary Môme Crevette in one of the many film adaptations of Georges Feydeau's classic boulevard comedy. The man may be Alfredo Menichelli, Menichelli's younger brother, who plays the young duke.


Italian postcard by G.B. Falci, Milano, no. 258. Pina Menichelli and Livio Pavanelli in one of Menichelli's last films La biondina/The Blonde (Amleto Palermi, 1923), based on a book by Marco Praga on the tragedy of a woman whose husband kills her in the end. It seems that Italian censorship forced the scriptwriter to add morality to the film, so Praga's tragedy is framed within a story about a modest, conventional wife who, encouraged by her friend, dreams of breaking out, but then reads Praga's book and decides to remain honest and loyal.


Italian postcard by Ed. A. Traldi, Milano. Photo: S.A.I.C. Ruggero Ruggeri in L'uomo più allegro di Vienna/The Most Cheerful Man in Vienna (Amleto Palermi, 1925).


Italian postcard by G.B. Falci, Milano, no. 349. Photo: Palermi Films / La Fotominio. Maria Corda and Ruggero Ruggeri in L'uomo più allegro di Vienna/The Most Cheerful Man in Vienna (Amleto Palermi, 1925). The plot is quite moralistic but also modern: a young girl (Corda) is easily attracted to a fancy life by a gigolo (Varconi) but her father (Ruggeri), a happy-go-lucky leader of a jazz band, energetically manages to subtract her from dangers, even if all the relatives think he is a good-for-nothing.


Italian postcard by G.B. Falci, Milano, no. 364. Photo: A.P. Film / La Fotominio. Emilio Ghione and Kally Sambucini in La via del peccato/The Way of Sin (Amleto Palermi, 1925). Sambucini's first name is misspelt on the card.


Italian postcard by Ed. A. Traldi, Milano / Edizione E.F.A., no. 944. Enrica Fantis in Die Flucht in die Nacht/Enrico IV/The Flight in the Night (Amleto Palermi, 1926), based on Luigi Pirandello's play 'Enrico IV' The film starred Conrad Veidt, and was shot on location in Tuscany in Italy.


Italian postcard by Edizione A. Traldi, Milano, no. 946. Oreste Bilancia in Die Flucht in die Nacht/The Flight in the Night (Amleto Palermi, 1926), based on the play 'Enrico IV' by Luigi Pirandello.


German postcard by Ross Verlag, no. 1344/1, 1927-28. Photo: Hisa Film-Vertrieb. Victor Varconi (aka Viktor Varkony and Michail Varkonyi) as Glaucus in Gli ultimi giorni di Pompei/The Last Days of Pompeii (Carmine Gallone, Amleto Palermi, 1926), released in Germany as Die letzten Tage von Pompeji. The film was one of the many adaptations of the novel 'The Last Days of Pompeii' (1834) by Edward George Bulwer-Lytton. Sets were by Vittorio Cafiero, costumes by Duilio Cambellotti.


German postcard by Verlag Ross, Berlin, no. 1345/1, 1927-1928. Rina de Liguoro as Ione in Gli ultimi giorni di Pompei/The Last Days of Pompeii (Carmine Gallone, Amleto Palermi, 1926), released in Germany as Die letzten Tage von Pompeji.


Italian postcard. Photo: Pesce / Scalera Film. Isa Pola as Santuzza in Cavalleria rusticana (Amleto Palermi, 1939). Pola and Leonardo Cortese had the leads as Santuzza and Turiddu in this drama based on the work of Giovanni Verga, which later was turned into an opera by Pietro Mascagni.


Italian postcard by Zimncografica, Firenze. Sent by mail in 1939. Photo: Scalera / Pesce. Leonardo Cortese in Cavalleria rusticana (Amleto Palermi, 1939).


Romanian or Italian postcard. Roberto Villa as Nemorino in L'Elisir d'amore/The Elixir of Love (Amleto Palermi, 1941).

Sources: Wikipedia (Italian, German and English) and IMDb.