American actress Laraine Day (1920-2007) started her career as a Metro-Goldwyn-Mayer (MGM) contract star, and later became a respected radio and television commentator. She is best remembered for her portrayal of Nurse Mary Lamont in the popular Dr. Kildare film series. Day enjoyed a prolific career spanning several decades, appearing opposite legendary stars such as Cary Grant, Robert Mitchum, and John Wayne.
Vintage postcard, no. 3494. Photo: RKO Radio Films. Laraine Day's first name is misspelt here as Loraine.
British postcard in the Picturegoer Series, London, no. P 301. Photo: Metro-Goldwyn-Mayer. Lew Ayres and Laraine Day in The Secret of Dr. Kildare (Harold S. Bucquet, 1939).
Calling Dr. Kildare
Laraine Day was born La Raine Johnson in 1920 on an Indian reservation in Roosevelt, Utah, USA. Her parents were Clarence Irwin Johnson and Ada M. (Rich) Johnson. Her father was a grain dealer and an interpreter for the Ute Indian tribes. She had a twin brother, Lamar. Her prominent Mormon family relocated to Long Beach, California, during her childhood.
She began her acting journey with the Long Beach Players and secured her first film role as an uncredited extra in the Barbara Stanwyck vehicle Stella Dallas (King Vidor, 1937). Early roles included leads in several B-movie Westerns opposite George O'Brien, such as Border G-Men (Lew Landers, 1938) and The Painted Desert (George D. Baker, 1938).
Her career breakthrough arrived in 1939 when she signed a contract with MGM and was cast as Nurse Mary Lamont, the love interest of Lew Ayres's character, in the highly successful Dr. Kildare film series. Day appeared in seven of these films, including Calling Dr. Kildare (Harold S. Bucquet, 1939) and Dr. Kildare's Wedding Day (Harold S. Bucquet, 1941), before her character was tragically killed off.
Loaned out to other studios, she delivered memorable performances in films like the Hitchcock thriller Foreign Correspondent (Alfred Hitchcock, 1940) with Joel McCrea, the Irish melodrama My Son, My Son! (Charles Vidor, 1940), and the romantic comedy Mr. Lucky (H.C. Potter, 1943) alongside Cary Grant.
A disagreement with MGM over a promised role led her to leave the studio, after which she delivered what she considered her favourite role in the psychological Film Noir The Locket (John Brahm, 1946), playing a complex, kleptomaniac woman opposite Robert Mitchum.
Vintage postcard. Photo: R.K.O. Radio Films.
Dutch postcard by Takken, no. 3108. Laraine Day's first name is misspelt here as Loraine.
The First Lady of Baseball
Laraine Day's life outside of acting was as dynamic as her film career. She was married three times, most notably to the controversial baseball manager Leo Durocher from 1947 to 1960.
Her involvement in his career earned her the nickname 'The First Lady of Baseball, ' and she even hosted a pre-game show for the New York Giants. A devout Mormon her entire life, she was known in Hollywood for her clean living, abstaining from smoking and drinking.
After divorcing Durocher, she married television producer Michael Grilikhes in 1961 and had two daughters. Her later career included hosting her own television and radio shows and authoring two books, 'Day with the Giants' (1952) and 'The America We Love' (1971).
Day made her final screen appearance in a 1986 episode of Murder, She Wrote, starring Angela Lansbury. After her third husband's death, she moved back to her home state and lived in Ivins, Utah.
There, she passed away in 2007 at the age of 87. Despite never achieving major superstar status, Laraine Day earned a star on the Hollywood Walk of Fame at 6676 Hollywood Blvd for her contributions to motion pictures.
British postcard in the Picturegoer Series, London, no. W. 581. Photo: United Artists.
British postcard in the Colourgraph Series, London, no. C 398. Photo: Metro-Goldwyn-Mayer.
Russian actor Ivan Mozzhukhin (1889-1939) was a legendary star of the European silent film. He escaped from execution by the Soviet Red Army and made a stellar career in Europe, but he suffered in Hollywood.
German postcard by Ross Verlag, no. 3948/1, 1928-1929. Photo: Ufa. Ivan Mozzhukhin in Casanova (Alexandre Volkoff, 1927).
German postcard by Ross Verlag. no. 1064/3, 1927-1928. Photo: DeWesti Film-Verleih. Ivan Mozzhukhin in Kean ou désordre et génie / Edmund Kean: Prince Among Lovers (Alexandre Volkoff, 1924).
German postcard by Ross Verlag, no. 3179/4, 1928-1929. Photo: Freulich / Universal / Matador. Ivan Mozzhukhin in Surrender (Edward Sloman, 1927).
Austrian postcard by Iris Verlag, no. 5435. Photo: Lux-Film Verleih (Austrian distributor for German film companies, such as Greenbaum-Film, for which Mozzhukhin did various German films). Probably Ivan Mozzhukhin in Der geheime Kurier / The Secret Courier (Gennaro Righelli, 1928), a Greenbaum production.
Austrian postcard by Iris Verlag, no. 5497 Photo: Lux Verleih / G.
German postcard by Ross Verlag, no. 6619/1, 1931-1932. Photo: Terra-Film. Ivan Mozzhukhin in the French-German coproduction Le sergent X / Sergeant X (Vladimir Strizhevsky, 1932).
Tolstoy and Pushkin
Ivan Ilyitch Mozzhukhin (Иван Ильич Мозжухин in Russian, or Iwan Mosjukin, as he was called in Germany, or Ivan Mosjoukine in France) was born in the village of Kondol, Saratov province, Russian Empire (now Penza province, Russia) in 1889. His father was the general manager of the large estate of Prince Obolensky. Mozzhukhin attended a Gymnasium in Penza, then studied law at Moscow State University for two years.
At the university, he was active in amateur stage productions. Still a teenager, he joined the popular travelling troupe led by Petr Zarechny. Mozzhukhin became romantically involved with an actress from the troupe, Olga Bronitskaya (born Telegina), Zarechny's sister.
In 1908, she gave birth to their illegitimate son, Aleksandr, who was registered as the son of Petr Zarechny under his official family name. Thus, the boy was raised as Aleksandr Petrovich Telegin, although he was made aware of his real father. According to Telegin, his father always supported them by sending letters, money, and packages until his name came under a ban in the Soviet Union.
Mozzhukhin returned to Moscow, where he was a member of the Vvedensky Narodny Dom Theatre. In 1908, Mozzhukhin also made his film debut. From 1911 to 1914, he worked in the silent films of producer Aleksandr Khanzhonkov. Mozzhukhin shot to fame after his leading role as violinist Trukhachevsky in The Kreutzer Sonata / Kreitzerova sonata (Pyotr Chardynin, 1911), based on the eponymous story by Leo Tolstoy.
He starred as Admiral Kornilov in Oborona Sevastopolya / Defence of Sevastopol (Vasili Goncharov, Aleksandr Khanzhonkov, 1911). This was the first film ever that was shot with two cameras. Next, he appeared in the delightful comedy Domik v Kolomne / The Kolomna House (Pyotr Chardynin, 1913) after a poem by Alexander Pushkin. He would star in about thirty more silent Russian films made by Chardynin, Khanzhyonkov, and Yevgeni Bauer. His film partners were Diaghilev's ballerina Vera Karalli and his wife Natalya Lyssenko, billed in France as Nathalie Lissenko.
Russian postcard by A. Gornštein, Moscow, 1911.
Russian postcard, no. 1011.
Russian postcard, 1916. Photo: Mikhail Sakharov and P. Orlov. M.A.T. (Moscow Art Theatre).
Dutch postcard. Photo: Ivan Mozzhukhin in Pikovaya dama/Pique Dame (Yakov Protazanov, 1916).
Dutch postcard by De Rolprent. Photo: publicity still for Manolescu - Der König der Hochstapler / Manolescu (Victor Tourjansky, 1929) with Dita Parlo.
Numerous love affairs
By the mid-1910s, Ivan Mozzhukhin had become the indisputable leading star of the Russian cinema. His facial expressions were studied by many actors and directors as exemplary acting masks.
From 1915 to 1919, he worked on about 40 films by directors Yakov Protazanov and Viktor Tourjansky under the legendary Russian producer Joseph N. Ermolieff.
His best-known films of this period were Pikovaya dama / The Queen of Spades (Yakov Protazanov, 1916) after Pushkin, Nikolay Stavrogin (Yakov Protazanov, 1915) after Fyodor Dostoyevsky, and Otets Sergiy / Father Sergius (Yakov Protazanov, Alexandre Volkoff, 1917).
The reviewer at IMDb writes that Otets Sergiy / Father Sergius "has many uncommonly modern characteristics. Besides the daring subject, it has a rather strongly developed lead character, good storytelling and cinematography, and a script which deals with human emotions without being exploitative or sentimental. Altogether it has a very modern touch to it for a movie made in 1917, (...) a prime example of the art film movement of pre-Soviet Russia."
Mozzhukhin's incredible popularity brought him significant wealth, which came with attendant pressure. He also became famous for his numerous love affairs with his admirers.
French postcard by Cinémagazine no. 169. Mozzhukin played the male lead of Prince Roundghito-Sing in Le lion des Mogols / The Lion of the Moguls (Jean Epstein, 1924). While the Mughal Empire is falling apart, Prince Roundghito-Sing decides to leave and make films in Paris, where he falls for the attractions of the city.
German postcard by Ross Verlag, no. 1066/1, 1927-1928. Photo: De Westi Film. Ivan Mozzhukhin and Natalie Lissenko.
German postcard by Ross-Verlag, no. 1265/1, 1927-1928. Photo: Deulig. Ivan Mozzhukhin in Kean ou désordre et génie / Edmund Kean: Prince Among Lovers (Alexandre Volkoff, 1924).
German postcard by Ross Verlag, no. 1512/1, 1927-1928. Photo: Deulig. Nadia Fedor (Nathalie Kovanko) consoles Michael Strogoff (Ivan Mozzhukhin) after he is blinded in Michel Strogoff (1926).
German postcard by Ross Verlag, no. 1510/3, 1927-1928. Photo: Deulig. Ivan Mozzhukhin in Michel Strogoff (Victor Tourjansky, 1926).
Austrian postcard by Iris Verlag, no. 377. Photo: De Westi Consortium. [Ciné-France Film]. The only film Mozzhukhin did for Ciné-France was Michel Strogoff (Viktor Tourjansky, 1926).
Handsome, tall, and possessing a powerful screen presence
In 1918, the Russian Communist Revolution had already caused irreversible destruction of cultural and economic life, and Ivan Mozzhukhin moved under the protection of the White Russians in Yalta, Crimea. Soviet director Lev Kuleshov assembled his revolutionary illustration of the application of the principles of film editing out of footage from one of Mozzhukhin's Tsarist-era films, which had been left behind. Mozzhukhin's face in recurring representation of illusory reactions demonstrated in Lev Kuleshov's psychological montage experiment, 'the Kuleshov Effect'.
Meanwhile, Mozzhukhin worked for the Ermolieff film company in Crimea. After the Revolution, in early 1920, he left Russia together with his wife, Nathalie Lissenko and his partners from Ermolieff. They emigrated together to France and started a Russian-French film company.
Paris became the new capital for most of the exiled former aristocrats and other refugees escaping the civil war and Bolshevik terror gripping Russia. In France, Ivan Mozzhukhin changed his name to Ivan Mosjoukine.
Handsome, tall, and possessing a powerful screen presence, he won a considerable following as a mysterious and exotic romantic figure. He starred in hits like the innovative murder mystery La maison du mystère / The Mysterious House (Alexandre Volkoff, 1923), Kean / Edmund Kean: Prince Among Lovers (Alexandre Volkoff, 1924), and the lavish adventure spectacle Michel Strogoff / Michael Strogoff (Victor Tourjansky, 1926) based on the Jules Verne novel.
Best remembered is the humorous and visually splendid epic Casanova / The Loves of Casanova (Alexandre Volkoff, 1927). His face with the trademark hypnotic stare appeared on the covers of film magazines all over Europe. He wrote the screenplays for most of his starring vehicles and directed two of them, L'Enfant du carnaval / Child of the Carnival (1921) and Le Brasier ardent / The Blazing Inferno (1923).
German postcard by Ross Verlag, no. 1604/2, 1927-1928. Photo: Deulig. Ivan Mozzhukhin in Casanova (Alexandre Volkoff, 1927).
German postcard by Ross Verlag, no. 83/4. Photo: Ufa. Ivan Mozzhukhin and Jenny Jugo in Casanova (Alexandre Volkoff, 1927).
German postcard by Ross Verlag, no. 83/5. Photo: Ufa. Rina De Liguoro and Ivan Mozzhukhin in Casanova (Alexandre Volkoff, 1927). Photo: Société des Cinéromans.
Italian postcard by G.B. Falci Editore, Milano, no. 134. Photo: S.A.G. Leoni. Ivan Mozzhukhin and Diana Karenne in Casanova (Alexandre Volkoff, 1927).
French postcard in the series Les Vedettes de Cinéma by A.N., Paris, no. 89. Photo: Film Albatros.
French postcard by Cinémagazine-Edition, Paris, no. 326. Photo: Studio G.L. Manuel Frères.
Hollywood conspiracy
After the death of Rudolph Valentino, Ivan Mozzhukhin got a lucrative contract with Universal Pictures. He was cast as a male lead in Surrender (Edward Sloman, 1927).
However, his stint in Hollywood was not a success, due to numerous pressures from producers who insisted on changing his name to John Moskin and on plastic surgery to shorten his nose.
This operation caused a permanent change in his natural facial expression. In addition to the emotional pains of plastic surgery and changes to his facial features, he suffered from the lack of chemistry with his non-responsive co-star, Mary Philbin.
At that time, Hollywood was already shifting to sound film, and Mozzhukhin, who did not speak English, was not offered any more roles. He returned to Europe.
Artist and longtime friend Aleksandr Vertinsky commented later on Mozzhukhin's suffering in Hollywood, that it was "a conspiracy to destroy the strong competitor".
Austrian postcard by Iris-Verlag no. 574. Photo: Micheluzzi-Film. Ivan Mozzhukhin and Nathalie Kovanko in Michel Strogoff (Viktor Tourjansky, 1926).
German postcard by Ross Verlag, no. 3179/2, 1928-1929. Photo: Albert Witzel, Hollywood, for Universal-Matador.
German postcard by Ross-Verlag, no. 3544/1, 1928-1929. Photo: Roman Freulich. Ivan Mozzhukhin in Surrender (Edward Sloman, 1927).
German postcard by Ross Verlag, no. 5253/1, 1930-1931. On the back of the card: Vendita esclusiva Casa Editrice Ballerini & Fratini, Firenze (125). Photo: Universal. Iwan Mosjukin a.k.a. Ivan Mozzhukhin in Surrender (Edward Sloman, 1927).
German postcard by Ross Verlag, no. 4871/1, 1930. Photo: Ufa. Betty Amann and Ivan Mozzhukhin in Der Weisse Teufel / The White Devil (Alexandre Volkoff, 1930).
White devil
The still for the postcard above of Betty Amann and 'Ivan Mosjukin' is from the Ufa production Der Weisse Teufel / The White Devil (1930), based on Leo Tolstoy's 1912 novella 'Hadji Murat'.
With great style and visual flair, Alexandre Volkoff directed this film that represented the European silent tradition at its finest and most dynamic.
Mozzhukhin stars as a fiery Caucasian captain, Hadscht Murat. His co-stars were Lil Dagover and Betty Amann. Der Weisse Teufel was his first film to include a synchronised soundtrack: consisting of an effective score by Michael Lewin and others, some sequences of singing and whistling, and a range of sound effects, but no dialogue.
Anatole Litvak worked as the film's assistant director and production manager. Another later director, Michael Powell, was the stills photographer on the film and probably was the maker of the photo used for the postcards above and below.
British postcard in the Colourgraph Series, London, no. C 79. Photo: Ufa. Ivan Mozzhukhin in Der weiße Teufel / The White Devil (Alexandre Volkoff, 1930).
Austrian postcard by Iris-Verlag, no. 5789. Photo: Pan film A.G. Collection: Didier Hanson.
German postcard by Ross Verlag, no. 3695/2. Photo: Lichtenstein, Berlin / Greenbaum Film. Ivan Mozzhukhin in Der Adjutant des Zaren / The Adjutant of the Czar (Vladimir Strizhevsky, 1929).
German postcard by Ross Verlag, no. 3779/1, 1928-1929. Photo: Freulich / Universal-Matador.
German postcard by Ross Verlag, no. 5012/2, 1930-1931. Photo: AAFA Film.
Tuberculosis
Ivan Mozzhukhin continued to star in sound films like Sergeant X (Vladimir Strizhevsky, 1932), albeit with less success. He moved to France after the rise of the Nazis to power.
His final film was Nitchevo (Jacques de Baroncelli, 1936) with Harry Baur and Marcelle Chantal. By then, his filmography included over 100 films made in Russia, France, Italy, the United States, Germany, and Austria.
He planned to direct a film in France, but he contracted a severe form of tuberculosis. Ivan Mozzhukhin died in a Neuilly-sur-Seine clinic in 1939. He was laid to rest in the Russian Cemetery at Sainte-Geneviève-des-Bois, a suburb of Paris. All available sources give his age as 49 and the year of birth as 1889. However, his gravestone at the Russian cemetery is inscribed with the year 1887.
Mozzhukhin was officially married three times. His first wife was the Russian actress Natalya Lisenko (Nathalie Lissenko). They married in the first half of the 1910s and divorced in 1927. In 1928, Mozzhukhin married Danish actress Agnes Petersen. His third wife was a French actress of Russian origin, Tania Fédor, although they were married only for a brief period of time.
His home in Kondol, Russia, is now restored as a public Memorial Museum of Ivan Mozzhukhin. Since the 1990s, the museum has had an annual Mozzhukhin film show, also known as 'Mozzhukhin's Festivities'.
German postcard by Ross Verlag, no. 4531/1. Photo: Ufa. Ivan Mozzhukhin and Brigitte Helm in Manolescu - Der König der Hochstapler / Manolescu, the Prince of Adventures (Viktor Tourjansky, 1929).
German postcard by Ross Verlag, no. 4872/1, 1929-1930. Photo: Ufa. Ivan Mozzhukhin in Der weiße Teufel / The White Devil (Alexandre Volkoff, 1930).
French postcard by Editions P-C, Paris, no. 19. Photo: Adolphe Osso / Gloria Film. Le Choer sang the military march 'Adieu, vieille Europe' in Le Sergent X / Sergeant X (Vladimir Strizhevsky, 1932), starring Ivan Mozzhukhin. Text by Simon Delyon and music by René Mercier and Henri Forterre. Copyright: Editions Salabert, Paris, 1932.
French postcard by Edition Ross, no. 7800/1, 1932-1933. Photo: GFFA. Ivan Mozzhukhin in La mille et deuxième nuit / The 1002nd Night (Alexandre Volkoff, 1933).
Two clips featured in the documentary Cinema Europe feature scenes from Kean (1924) and Casanova (1927). Source: Golden Silents (YouTube).
A scene from Der Weisse Teufel / The White Devil (1930), including a vintage soundtrack which was made the same year to fit the film with sound. Source: GoldenSilents (YouTube).
American actor Elijah Wood (1981) successfully transitioned from an acclaimed child actor to an adult performer celebrated for his roles in independent and genre cinema. He became a global superstar as Frodo Baggins in The Lord of the Rings trilogy.
French postcard by Télérama. Photo: Jérôme Bonnet.
French postcard by Sonis, no. C. 1216. Image: New Line Cinema / The Saul Zaentz Company / Tolkien Enterprises. Elijah Wood as Frodo in The Lord of the Rings - The Fellowship of the Ring (Peter Jackson, 2001). Caption: One ring to rule them all. The trilogy begins in December 2001.
British postcard by GB Posters, Sheffield, no. PC 0493. Image: New Line Cinema / The Saul Zaentz Company / Tolkien Enterprises. Elijah Wood as Frodo in The Lord of the Rings - The Fellowship of the Ring (Peter Jackson, 2001).
One of the finest child actors of his generation
Elijah Wood was born in Cedar Rapids, Iowa, in 1981. His parents are Debbie (née Krause) and Warren Wood, who operated a delicatessen together. Elijah has an older brother, Zack Wood (1974), who works in video games, and a younger sister, Hannah Wood (1983). At age seven, he became a child model when his mother wanted him to burn off excessive energy.
In elementary school, he appeared in 'The Sound of Music' and played the title character in 'The Wonderful Wizard of Oz'. Wood's early promise as an actor was evident, so his family sold their deli and moved to California to support his burgeoning career.
Elijah started in minor roles, including a brief appearance as a video game enthusiast in Back to the Future Part II (Robert Zemeckis, 1989) and a more substantial part in the critically lauded Avalon (Barry Levinson, 1990). He quickly established himself as one of the finest child actors of his generation.
The early 1990s saw him deliver powerful performances in films such as Radio Flyer (Richard Donner, 1992), where he played a child dealing with family trauma, and the psychological thriller The Good Son (Joseph Ruben, 1993), in which he starred opposite Macaulay Culkin. Other notable adolescent roles included the title character in the Disney adaptation The Adventures of Huck Finn (Stephen Sommers, 1993) and he played Kevin Costner's son in The War (Jon Avnet, 1994).
Although critic Roger Ebert gave the film only two stars, he loved the young actor's performance: "The other strong element in The War comes from the young actors. Elijah Wood has emerged, I believe, as the most talented actor in his age group in Hollywood history." Wood had a co-starring role in Ang Lee's acclaimed drama The Ice Storm (1997), which marked his successful pivot to more mature, teenage roles. Wood heard about the Lord of the Rings trilogy while filming the Science-Fiction Horror film The Faculty (Robert Rodriguez, 1998).
French postcard by Sonis, no. C 1233. Image: New Line Cinema / The Saul Zaentz Company / Tolkien Enterprises. Elijah Wood as Frodo in The Lord of the Rings - The Fellowship of the Ring (Peter Jackson, 2001).
French collector card by One in the Fiche Chronologie series.
French collector card by One in the Fiche Portrait series.
Burdened with the task of destroying the One Ring
The defining chapter of Elijah Wood's career arrived when he was cast as Frodo Baggins in Peter Jackson’s epic adaptation of J.R.R. Tolkien’s 'The Lord of the Rings'. Filming the trilogy in New Zealand was a monumental undertaking, and Wood's portrayal of the earnest young hobbit burdened with the task of destroying the One Ring earned him international fame and critical adulation. The films, The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001), The Lord of the Rings: The Two Towers (Peter Jackson, 2002), and the Oscar-winning The Lord of the Rings: The Return of the King (Peter Jackson, 2003), became a cultural phenomenon, cementing Wood’s place in cinematic history.
Roger Ebert about the first part: "It is an awesome production in its daring and breadth, and there are small touches that are just right; the Hobbits may not look like my idea of Hobbits (may, indeed, look like full-sized humans made to seem smaller through visual trickery), but they have the right combination of twinkle and pluck in their gaze – especially Elijah Wood as Frodo and Ian Holm as the worried Bilbo."
Following the trilogy's conclusion, Wood intentionally sought out diverse and often unconventional roles to avoid typecasting, showcasing his versatility and taste for the offbeat. He appeared in the mind-bending romantic Science Fiction film Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004), the stylish Neo-Noir Sin City (Robert Rodriguez, Frank Miller, 2005) as the silent, psychopathic Kevin, and the poignant historical drama Everything Is Illuminated (Liev Schreiber, 2005). This period also included the animated hit Happy Feet (George Miller, 2006), in which he voiced the tap-dancing penguin Mumble, a role he reprised in its sequel.
In subsequent years, Wood has continued to build an eclectic filmography. He reprised the role of Frodo in The Hobbit series, starting with The Hobbit: An Unexpected Journey (Peter Jackson, 2012), but also embraced independent films, voice acting (notably in the TV series Wilfred and various video games), and production work with his company SpectreVision, which focuses on Horror and genre films.
He continues to appear in interesting projects, such as the true-crime thriller No Man of God (Amber Sealey, 2021) and the superhero black comedy The Toxic Avenger (Macon Blair, 2023) starring Peter Dinklage. Since 2024, he has been married to Danish film producer Mette-Marie Kongsved, and they have two children. Yusuf Piskin at IMDb: "With a career beginning in childhood, he has proven both his longevity and his ability to transition from celebrated child actor to adult performer with a diverse range of roles across genres and mediums."
Vintage postcard. Photo: Saul Zaentz Productions / New Line Cinema. Elijah Wood, Sean Astin, Billy Boyd and Dominic Monaghan in The Lord of the Rings - The Fellowship of the Ring (Peter Jackson, 2001).
French postcard by Sonis, no. C 1376. Photo: Saul Zaentz Productions / New Line Productions. Elijah Wood in The Lord of the Rings - The Two Towers (Peter Jackson, 2002).
Spanish postcard by Memory Card, no. 735. Elijah Wood as Frodo in The Lord of the Rings - The Fellowship of the Ring (Peter Jackson, 2001).
