27 July 2024

Bill Haley

Bill Haley (1925-1982) was an American rock and roll singer, best known for the song 'Rock Around the Clock', released in 1954. His other million-selling hits include 'See You Later, Alligator', 'Shake, Rattle and Roll', 'Rocket 88', 'Skinny Minnie', and 'Razzle Dazzle'. His group Bill Haley & His Comets was founded in 1952 and continued until Haley's death in 1981. 'The Father of Rock 'n' Roll' sold over 60 million records worldwide.

Bill Haley in Rock Around the Clock (1956)
Austrian postcard by Kellner Fotokarten, Wien, no. 894. Photo: Columbia-Film. Bill Haley in Rock Around the Clock (Fred F. Sears, 1956).

Caterina Valente and Bill Haley in Hier bin ich - hier bleib' ich (1959)
West German postcard by ISV, no. H 27. Photo: Constantin. Caterina Valente and Bill Haley and the Comets in Hier bin ich - hier bleib' ich/Here I Am, Here I Stay (Werner Jacobs, 1959).

The first no.1 hit for a rock 'n' roll songn


William John Clifton 'Bill' Haley was born in Highland Park, Michigan, in 1925. In 1929, the four-year-old Haley underwent an inner-ear mastoid operation which accidentally severed an optic nerve, leaving him blind in his left eye for the rest of his life. It is said that he adopted his trademark kiss curl over his right eye to draw attention from his left, but it also became his 'gimmick', and added to his popularity.

As a result of the effects of the Great Depression on the Detroit area, his father, William Albert Haley, moved the family to Bethel Township, Pennsylvania, when Bill was seven years old. Haley was surrounded by music at home as a child: his father played banjo and mandolin and his mother, Maude Green, played pianoand was classical trainerd. In 1938, Bill started performing. Then he sang and played guitar to go with it. At the age of 22, he married Dorothy Crowe.

During the 1940s Haley was considered one of the top cowboy yodelers in America as 'Silver Yodeling Bill Haley'. With his backing band 'The Saddlemen', Haley initially played southern country (hillbilly). But from the early 1950s he increasingly mixed black rhythm & blues elements into his music, creating a new, uplifting sound. In 1951, he recorded with The Saddlemen' a country and western-styled cover version of the Delta Cats' 'Rocket 88', a rhythm and blues song.

During the Labor Day weekend in 1952, the Saddlemen were renamed Bill Haley with Haley's Comets. The name was inspired by the supposedly official pronunciation of Halley's Comet and was suggested by Bob Johnson, program director at radio station WPWA where Bill Haley had a live radio program. In 1953, Haley's recording of 'Crazy Man, Crazy' hit the American charts, peaking at number 12 on Billboard. Some sources indicate that this was the first rock and roll record in history, although rockabilly might be a more appropriate term.

Haley's new style proved to catch on unexpectedly with white (and richer) youngsters in the North. Haley left for New York where he recorded the song 'Rock Around the Clock' with his band The Comets on 12 April 1954. Initially, it was only a moderate success, peaking at number 36 on the Cash Box pop singles chart and staying on the charts for just two weeks. Due to the controversial sociasl drama Blackboard Jungle (Richard Brooks, 1955) starring Glenn Ford, which featured Haley's song, rock 'n' roll quickly spread around the world. On re-release in 1955, the record It became the first no.1 hit for a rock 'n' roll song. The single demarcated the line between the 'rock era' and the jazz and pop standards performed by Frank Sinatra, Jo Stafford, Perry Como, Bing Crosby, Eddie Fisher, and Patti Page, that preceded it.

Bill Haley
West German postcard by Kunst und Bild, Berlin-Charlottenburg, no. V 153. Photo: Popperfoto.

Bill Haley
British postcard by Camden Graphics, London, no. PC 416. Photo: Harry Hammond / Period Pop People Collection. Caption: Bill Haley (1957).

Bill Haley and His Comets
West German postcard by WS-Druck, Wanne-Eickel, no. 376.

Outstripped in everything by the myth of Elvis


Bill Haley with Haley's Comets was soon renamed Bill Haley & His Comets and was also known by the names Bill Haley and the Comets and Bill Haley's Comets and variations thereof. From late 1954 to late 1956, the group placed nine singles in the Top 20, one of those a number one and three more in the Top Ten. The band had already had a worldwide hit with 'Shake, Rattle and Roll', another rhythm and blues cover in this case from Big Joe Turner, which went on to sell a million copies. Their cover of '(See you) Later Alligator', with which Bobby Charles had achieved only minor success, also became a big hit.

Haley starred in the first rock and roll musical films Rock Around the Clock (Fred F. Sears, 1956) and Don't Knock the Rock (Fred F. Sears, 1956). Although several members of the Comets became famous, Bill Haley remained the star. With his spit curl and the band's matching plaid dinner jackets and energetic stage behaviour, many fans considered them to be as revolutionary in their time as The Beatles or The Rolling Stones were a decade later.

In 1957, Haley became the first major American rock singer to tour Europe. The European performances of Bill Haley & His Comets were considered sensational and sometimes even led to violence. But during these performances, Haley's weak point also came to light: he turned out to be a lot older (30) than his fans had expected, was slightly balding and had no sex appeal like the new, younger star Elvis Presley. Partly for this reason, Haley's popularity declined rapidly. Henever managed to make a comeback in the US after the end of the rock 'n' roll craze, but he continued to enjoy popularity in Latin America, Europe, and Australia during the 1960s.

Bill Haley appeared in a German film, Hier bin ich - hier bleib' ich/Here I Am, Here I Stay (Werner Jacobs, 1959) alongside Caterina Valente, with whom he sang the duet 'Viva La Rock & Roll'. He also appeared in three films in Mexico, where he became known as the 'Spanish King Of Twist' and had a best-selling record in Latin America with 'Florida Twist'. Haley was addicted to alcohol but toured extensively in the 1970s. He died of a brain tumour in Harlingen, Texas, in 1981. Haley was married three times. He married Dorothy Crowe in 1946 but they divorced in 1952. They had two children. With his second wife, Barbara Joan Cupchak (1952-1960), he had five children. Finally he was narried to Martha Valaesco from 1963 till he died in 1981.They had a daughter, Martha Maria. John W. Haley, his eldest son, wrote 'Sound and Glory', a biography of Haley.

Outstripped in everything by the myth of Elvis, Bill Haley threatened to become a footnote in music history. But in 1987, he was posthumously inducted into the Rock and Roll Hall of Fame. In pop literature today, he is again regarded as one of the most important links in the birth of rock 'n' roll, and thus of a rebellious youth culture on which the 1960s could take root. In 2006, to mark the 25th commemoration of Haley's death anniversary, the International Astronomical Union named an asteroid after him: 79896 Billhaley. In 2007, the Original Comets opened the Bill Haley Museum in Munich, Germany.

Bill Haley and the Comets in Rock Around the Clock (1956)
West German postcard by Kolibri-Verlag G.m.b.H., Minden-Westf, no. 2397. Photo: Columbia. Bill Haley and the Comets in Rock Around the Clock (Fred F. Sears, 1956).

Bill Haley and His Comets
Dutch postcard, no. 5173. Photo: Editions Altona.

Caterina Valente and Bill Haley in Hier bin ich - hier bleib' ich (1959)
West German postcard by Kolibri-Verlag G.m.b.H., Minden-Westf, no. 2397. Photo: CCC / Constantin / Krau. Caterina Valente and Bill Haley and the Comets in Hier bin ich - hier bleib' ich/Here I Am, Here I Stay (Werner Jacobs, 1959).

Sources: Otto Fuchs (IMDb), Wikipedia (English and Dutch) and IMDb.

26 July 2024

Jessie Wessel

Jessie Wessel (1894-1948) was a Swedish actress, who starred in Swedish silent cinema in the 1920s, in films such as Gyurkovicsarna and Thora van Deken, both directed by John Brunius in 1920 and starring Pauline Brunius.

Jessie Wessel
Swedish postcard by Förlag Nordisk Konst, Stockholm, no. 1200. Photo: Ferd. Flodin, Stockholm.

Jessie Wessel in Thora van Deken
Swedish postcard by Förlag Nordisk Konst, Stockholm, no. 1095/8. Photo: Skandia Film. Jessie Wessel in Thora van Deken (John W. Brunius, 1920).

Dark, difficult and with an aura of both supernatural and subterranean origins


Jessie Nilsina Wessel was born in 1894 in Linköping, Sweden. She was the daughter of Maria Osberg and Nils Wessel.

After graduating from high school in Stockholm in 1914, Wessel studied at the Dramatic School of Education from 1914 to 1916 and made her debut on the stage of the Royal Dramatic Theatre as Bertha in 'Fadren' (The Father) by August Strindberg.

In 1918, she was described in the magazine Hela världen as 'the new ingenue of the Royal Dramatic Theatre' and as the person who in time 'should be able to take up the mantle that was hung aside when Miss Anna Flygare became Mrs Stenhammar'.

Jessie Wessel was a member of the Dramatic Theatre's ensemble from 1916 to 1929. She was honoured for her role as Titania in William Shakespeare's 'A Midsummer Night's Dream' at a guest performance at the Theater in der Josefstadt in Vienna in 1925.

In his book 'Filmen i Sverige' (Film in Sweden), Leif Furhammar described Wessel as "dark, difficult and with an aura of both supernatural and subterranean origins". Wessel married director and art collector Fritz H. Eriksson in 1928.

Jessie Wessel and Gösta Ekman in Thora van Deken
Swedish postcard by Verlag Nordisk Konst, Stockholm, no. 1095/5. Photo: Skandia Film. Gösta Ekman and Jessie Wessel in Thora van Deken (John W. Brunius, 1920).

Pauline Brunius in Thora van Deken (1920)
Swedish postcard by Verlag Nordisk Konst, Stockholm, no. 1095/7. Photo: Skandia Film. Pauline Brunius and Jessie Wessel in Thora van Deken (John W. Brunius, 1920).

Pauline Brunius in Thora van Deken
Swedish postcard by Verlag Nordisk Konst, Stockholm, no. 1095/9. Photo: Skandia Film. Pauline Brunius, Gösta Ekman, Jessie Wessel and Oscar Johansson in Thora van Deken (John W. Brunius, 1920).

Madonna


In 1920 Jessie Wessel made her film debut in the drama Thora van Deken/A Mother's Fight (John Brunius, 1920). She played the daughter of a mother (Pauline Brunius) who goes very far in securing her daughter's future, even falsifying her ex-husband's testament.

After another film with the two Brunius, the comedy Gyurkovicsarna/Lieutenant Tophat (John Brunius, 1920), Wessel worked with director Rune Carlsten for his film Högre ändamål/Let No Man Put Asunder (Rune Carlsten, 1921), based on an August Strindberg novel.

Wessel played the Madonna in Vallfarten till Kevlaar/The Pilgrimage to Kevlaar (Ivan Hedqvist, 1921) after Heinrich Heine. She starred opposite Adolf Niska and William Larson in the rural drama Hälsingar (William Larson, 1923), filmed in Hälsingland, and in Flickan från Paradiset/The Girl from Paradise (1924), the debut of director Theodor Berthels. From Hälsingar, based on a play by Henning Ohlson, many of her films were scripted by Ohlson.

She played a supporting part in the period piece Två konungar/Two kings (Elis Ellis, 1925), on King Gustav III and musician Carl Michael Bellman, and filmed on location at Stockholm Castle, Drottningholm Castle, and Gripsholm Castle. After a supporting part Stormens barn/Child of the Storm (Adolf Niska, 1928), she had the romantic female lead opposite Eric Laurent in Berthels' Ådalens poesi/The Poetry of Ådalen (Theodor Berthels, 1928), in which future star Alf Sjöberg had one of his first parts.

Jessie Wessel had a last part in the early sound film Hjärtats röst (Rune Carlsten, 1930), the Swedish version of Sarah and Son (Dorothy Arzner, 1930) with Ruth Chatterton. The film was shot at the Paramount Studios in Paris. Jessie Wessel died in 1948. She and her husband Fritz H. Eriksson are buried in Bromma Cemetery in Stockholm County.

Pauline Brunius and Jessie Wessel in Thora van Deken
Swedish postcard by Verlag Nordisk Konst, Stockholm, no. 1095/10. Photo: Skandia Film. Pauline Brunius and Jessie Wessel in Thora van Deken (John W. Brunius, 1920).

Pauline Brunius and Jessie Wessel in Gyurkovicsarna (1920)
Swedish postcard by Förlag Nordisk Konst, Stockholm, no. 1096/4. Photo: Skandia Film. Pauline Brunius and Jessie Wessel in the comedy Gyurkovicsarna/Lieutenant Tophat (John W. Brunius, 1920).

Sources: Wikipedia (English and Swedish) and IMDb.

25 July 2024

Colleen Miller

American actress Colleen Miller (1932) was a second-rank star in Westerns and Film Noirs of the 1950s. The brunette beauty appeared in such films as Four Guns to the Border (1954), Playgirl (1954) and The Purple Mask (1955).

Colleen Miller
Italian postcard by Bromofoto, Milano, no. 876. Photo: Universal International.

Colleen Miller
Vintage postcard. Photo: Universal International. Colleen Miller in The Rawhide Years (Rudolph Maté, 1956).

Signed by Howard Hughes


Colleen Miller was born in Yakima, Washington in 1932. She was the daughter of Elias and Lillian Miller. Her mother named her after actress Colleen Moore. Colleen was raised in Portland, Oregon, where she attended Lincoln High School ] and graduated at age fifteen. In 1949, she was chosen 'Miss Portland'.

After graduating, she worked as a professional dancer in a San Francisco ballet company, and relocated to Las Vegas after three seasons to work at the Flamingo. According to IMDb, the story goes that 19-year-old Miller was fishing in the California mountains when a resort photographer recruited her to pose with a prize trout.

A movie scout saw the picture in print, and she was signed to a contract by Howard Hughes for his RKO Pictures company. She was still 19 when she debuted in the Film Noir The Las Vegas Story (Robert Stevenson, 1952), starring Jane Russell.

She shared top billing with Rory Calhoun in her next film, the Technicolor Western Four Guns to the Border (Richard Carlson, 1954).

Then Miller had a leading role in the Film Noir Playgirl (Joseph Pevney, 1954) as a young Midwestern girl who comes to New York City to be a model and ends up involved in a shooting and a scandal.

Colleen Miller
Yugoslavian postcard by 3K, no. 2179.

Colleen Miller
French postcard by P.I., Paris, no. 700. Photo: H.P.S.

Fine natural talent and carefree sensuality


Colleen Miller was then signed by Universal Pictures, where she co-starred with Tony Curtis in two films, the Swashbuckler The Purple Mask (H. Bruce Humberstone, 1955) and the Western The Rawhide Years (Rudolph Mate, 1956).

She gained critical praise for her fine natural talent and carefree sensuality.

Colleen Miller made just one more movie after 1958, the Western Gunfight at Comanche Creek (Frank McDonald, 1963) with Audie Murphy.

Then she retired from acting for a domestic life with her husband Ted Briskin, a wealthy Chicago camera manufacturer, and his two children.

After their 1975 divorce, she reportedly considered resuming her career, but there are no more films with her to date. However, she married Walter Ralphs, an heir to the Ralphs grocery chain. Colleen Miller currently resides in California.

Colleen Miller
Italian postcard by Bromofoto, Milano, no. 1073. Photo: Universal International.

Colleen Miller
French postcard by P.I., Paris, no. 700. Photo: H.P.S. Collection: Carla Bosch.

Sources: Glamour Girls of the Silver Screen, Wikipedia and IMDb.