16 February 2026

Ellaline Terriss

Ellaline Terriss (1871-1971) was a popular English actress and singer in the late Victorian Era, throughout the Edwardian Era, and into the Modern Era. She was best known for her performances in Edwardian musical comedies. From 1893 till his death in 1949, she was married to the famous actor-producer Seymour Hicks. The two collaborated on many stage and film projects.

Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 4018 J. Photo: Foulsham & Banfield.

Seymour Hicks and Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 1277 F. Photo: Foulsham & Banfield. Seymour Hicks as Dickie and Ellaline Terriss as Blue Bell in the play 'Bluebell in Fairyland' (1901).

Seymour Hicks and Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 1597 Q. Seymour Hicks and Ellaline Terriss in the play 'The Beauty of Bath' (1906).

Ellaline Terriss in The Dashing Little Duke
British postcard by Rotary Photo, no. 11509 D. Photo: Foulsham & Banfield. Ellaline Terriss as Duc du Richelieu in the musical play, 'The Dashing Little Duke', by her husband, Seymour Hicks, with lyrics by Ardian Ross and music by Frank E. Tours. The production, the cast of which also included Hayden Coffin, Courtice Pounds, Elizabeth Firth and Coralie Blythe, opened at the Hicks Theatre (now the Gielgud), London, on 17 February 1909, following an out-of-town trial at the Theatre Royal, Nottingham. It ran for a disappointing 95 performances.

The most popular couple on the London stage


Ellaline Terriss's real name was Mary Ellaline Lewin, and she was born in 1871 in Port Stanley, the capital of the British colony of the Falkland Islands. Her father, William Lewin, was a cattle farmer there. Her mother, Isabel (née Lewis), acted under the stage name Amy Fellowes. Her adventurous father had been a sailor and tea farmer, as well as an actor, before raising sheep in the South Atlantic. Shortly after Ellaline's birth, he returned to England, where he became a great success as an actor under the stage name William Terriss. Because of his swashbuckling style, he was known as 'Breezy Bill'. Ellaline's brother, Tom Terriss, became an actor, screenwriter and well-known film director.

Ellaline performed from an early age, although she had no real ambition to act professionally. At 17, she appeared in pantomime at the Alexandra Theatre, Liverpool. Wikipedia: "Petite, pretty and talented, she attracted the praise of both critics and the public. She came to the attention of Herbert Beerbohm Tree, who signed her to make her professional London debut." She debuted on the London stage as Mary Herbert in 'Cupid's Messenger' (1888). Terriss won over critics and audiences alike. She landed a three-year contract with producer Charles Wyndham, her first role being Madge in 'Why Women Weep'. Ellaline also attracted the attention of a promising actor, Seymour Hicks, whom she married in 1893.

In December 1893, Terriss starred in the title role of the successful and lavish version of the fairy pantomime 'Cinderella', produced by Henry Irving with music by Oscar Barrett. Toward the end of the run, Hicks took over the role of Thisbe, one of Cinderella's half-sisters. The play was performed in the United States under the management of George Edwardes. The following season, Terriss performed in W. S. Gilbert and Frank Osmond Carr's comic opera 'His Excellency'. In 1895, Terriss worked in London with her husband as co-star in a George Edwardes hit, 'The Shop Girl', which they reprised on Broadway. They travelled to the United States in 1895, where they befriended the novelist Richard Harding Davis. At W.S. Gilbert's urging, Hicks wrote a drama called 'One of the Best, a vehicle for Terriss's father's show at the Adelphi Theatre, based on the famous Dreyfus case. Another of the couple's early successes was 'The Circus Girl' (1896). Terriss made Lionel Monckton's song, 'A Simple Little String' from 'The Circus Girl' into a major hit.

In December 1897, William Terriss was murdered outside the Adelphi Theatre in London's West End by an unemployed, deranged actor, Richard Archer Prince, who thought Terriss had been blackballing him. Ellaline's mother died shortly afterwards. The murder and Prince's trial occupied the nation's press for weeks. At the time, the most popular couple on the London stage, Terriss and Hicks, received a great deal of sympathy. In the aftermath, Terriss starred in the title role of a new play co-authored by Hicks, 'A Runaway Girl' (1898), which was one of the Gaiety Theatre's most successful shows. This was followed by 'With Flying Colours' (1899).

The Hickses teamed up with producer Charles Frohman. Over seven years, they performed in his company in a series of musicals written by Hicks. These included 'Bluebell in Fairyland' (1901) with music by Charles H. Taylor, 'The Cherry Girl' (1902), 'The Beauty of Bath' (1906), which included lyrics and additional music by P. G. Wodehouse and Jerome Kern, and opened the Hicks Theatre, and 'The Gay Gordons' (1907). Hicks and Terriss also starred in 'Quality Street' in 1902.

Seymour Hicks, Ellaline Terriss, Baby Betty
British postcard by Rotar Photo, E.C., no. 4051 A. Photo: Foulsham & Bansfield. Caption: Mrs. Seymour Hicks (Miss Ellaline Terriss), Baby Betty and Mr. Seymour Hicks.

Ellaline Terriss as Peggy Quainton in The Gay Gordons (1907)
British postcard by Rotary Photo, E.C., no. 4857 N. Photo: Foulsham & Banfield. Ellaline Terriss as Peggy Quainton in 'The Gay Gordons' (1907), an Edwardian musical comedy with a libretto by Seymour Hicks, music by Guy Jones and lyrics by Arthur Wimperis, C. H. Bovill, Henry Hamilton and P. G. Wodehouse. The title refers to both the Clan Gordon and the famed Scottish regiment, the Gordon Highlanders, as the plot involves the heir to the clan and a soldier from the regiment. The original production was produced by Charles Frohman and opened at London's Aldwych Theatre on 11 September 1907. The piece starred Hicks as Angus Graeme and Terriss as Peggy Quainton. William Lugg played Andrew Quainton, Zena Dare played Victoria Siddons, and when the show went on tour, she played Peggy Quainton.

Mrs. Seymour Hicks (Ellaline Terriss) and her daughter Betty
British postcard by Rotary Photo E.C., no. 4409 F. Photo: Foulsham & Banfield. Caption: Miss Betty & Mrs. Seymour Hicks (Miss Ellaline Terriss). As Betty Hicks was born in 1907, this photo may be of ca. 1910.

Seymour Hicks
British postcard by Rotary Photo, E.C., no. 1277 G. Photo: Foulsham & Banfield. Seymour Hicks as Dickie and Ellaline Terriss as Blue Bell in 'Bluebell in Fairyland' (1901).

Acting in nearly a dozen British and American films


Ellaline Terriss and Seymour Hicks continued to perform consistently, both in London and on tour in the United States. There was an intermission when Terriss adopted their first child, Mabel, in 1904. In 1905, Terriss took over the role of Angela in her husband's play 'The Catch of the Season', which had been played by Zena Dare during Terriss's pregnancy. Terriss later ceded the role to Dare's sister, Phyllis Dare. After the birth of her second daughter, Betty, in 1907, Terriss reduced the steady activity she had maintained for nearly twenty years. She continued to work in a limited number of plays, including 'The Dashing Little Duke' (1909), with C. Hayden Coffin, Courtice Pounds and Louie Pounds. Although she played the title role, the production had little success. When she missed several performances due to illness, Hicks replaced her in the role - possibly the only instance in the history of a musical in which a husband replaced the wife.

After the failure of 'Captain Kidd' (1910), Hicks and Terriss concentrated on comedy and music hall tours. They did a tour in South Africa in 1911 and a subsequent tour of France after the outbreak of World War I to give concerts to British troops stationed at the front. Her only return to musical comedy, 'Cash on Delivery' (1917), confirmed the decision to turn her career around. From 1917 onwards, Terriss returned to the stage only on special occasions. In December 1925, she performed at the Lyceum with her husband in 'The Man in Dress Clothes', a French farce which he had translated, and in which their daughter Betty made her debut. It was intended to run for a short season, but it was such a success that performances were extended.

Terriss also acted in nearly a dozen British and American films. She made her screen debut in My Indian Anna (Arthur Gilbert, 1907), followed by Glow Little Glow Worm, Glow (Arthur Gilbert, 1907). In 1913-1914, she acted in three films with her husband Seymour Hicks: Scrooge (1913), David Garrick (1913), and Always Tell Your Wife (1914). All were directed by Leedham Bantock. She then moved to the United States to act in two films directed by her brother, Tom Terriss, for his own company, Terriss Feature Film Company, starting with The Flame of Passion (1915), which was shot in Jamaica. Tom Terriss often played the male lead in his own films, including in this one. After a second film by Tom Terriss, A Woman of the World (1916), Ellaline returned to Britain. Tom, after eight films for his own company, started to work for Vitagraph and hence focused on directing.

In 1923, Seymour Hicks and Ellaline Terriss did a remake of Always Tell Your Wife, for which Alfred Hitchcock took over direction after the initial director, Hugh Croise, was fired. In the late 1920s, Terriss acted opposite Lillian Hall-Davis in Blighty (Adrian Brunel, 1927) and opposite Robin Irvine in the Spy film Land of Hope and Glory (Harry Knoles, 1927). In 1929, she acted in her first talking picture, the Titanic disaster-film Atlantic by E.A. Dupont, opposite John Stuart and Madeleine Carroll. This was followed by parts in the films A Man of Mayfair (Louis Mercanton, 1931) and Glamour (Seymour Hicks, Harry Hughes, 1931) with her husband as co-director and star. In The Iron Duke (Victor Saville, 1934), she played Lady Wellington opposite George Arliss as Arthur Wellesley, the first duke of Wellington, who faced down Napoleon's armies at Waterloo, and served as prime minister. Her last film was the thriller The Four Just Men (Walter Forde, 1939) starring Hugh Sinclair and Griffith Jones.

Seymour Hicks was knighted in 1934, which made Ellaline 'Lady Hicks'. In 1940, Terriss and Hicks went to the Middle East to entertain the British troops in World War II. After the war, Terriss retired from the stage. She and Hicks moved to South Africa, where she took up painting and was tutored by the marine artist George Pilkington. So good were her works that an exhibition was held at Foyle's Art Gallery, London, in 1959. Ellaline Terriss was married to Seymour Hicks until he died in 1949. Terriss died at the Holy Family Nursing Home, Hampstead, London, in 1971, at the high age of 100. Her daughter, Betty Hicks, was a stage actress as well.

Ellaline Terriss as Peggy Quainton in The Gay Gordons (1907)
British postcard by Rotary Photo, E.C., no. 4857 V. Photo: Foulsham & Banfield. Ellaline Terriss as Peggy Quainton in 'The Gay Gordons' (1907).

Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 4081 X. Photo: Foulsham & Banfield.

Ellaline Terriss and Seymour Hicks in the play The Gay Gordons (1907)
British postcard by Rotary Photo E.C., no. 7401 E. Photo: Foulsham & Banfield. Caption: Father, this is the man I love. Barbara Deane, Ellaline Terriss, Seymour Hicks, William Lugg and Zena Dare in 'The Gay Gordons' (1907).

Seymour Hicks and Ellaline Terriss,
British postcard by J. Beagles & Co., no. 2. Photo: Ellis and Walery. Seymour Hicks and Ellaline Terriss as Pierrot and Columbine.

Sources: Jon C. Hopwood (IMDb), Wikipedia (English and Spanish) and IMDb.

15 February 2026

15 New cards from G.D.I.: Hollywood stars of the early 1950s

For our monthly post on the Geoffrey Donaldson Institute postcard collection, we selected 15 cards from a little black album called 'Cine Stars'. Bart Vermeer donated the album to the GDI in 2020, but the original owner was Henri Pauwels in Leuven or Louvain, Belgium. His album was published by the Chocolate Factory Kwatta and had the MGM lion on its cover. In an introduction, 'Kwattina, the Kwatta mascot' writes: "You are familiar with the lion that adorns the cover of this album. He has been roaring on screen for years. You know that he announces the best current films, the Metro-Goldwyn-Mayer films, which feature the best stars. They are the stars, your stars, whose photos you will collect in this lovely album". How ironic that Henri mainly collected cards of stars from other Hollywood studios. He was particularly fond of Doris Day. Most of the postcards were probably made in Belgium.

Marilyn Moroe
Vintage postcard, no. 193. Photo: 20th Century Fox.

By 1953, Marilyn Monroe (1926-1962) was one of the most marketable Hollywood stars, with leading roles in three films: the Film Noir Niagara, which focused on her sex appeal, and the comedies Gentlemen Prefer Blondes and How to Marry a Millionaire, which established her star image as a "dumb blonde". Although she played a significant role in shaping her public image throughout her career, she was disappointed by being typecast and underpaid by the studio. She was briefly suspended in early 1954 for refusing a film project, but returned to star in one of the biggest box office successes of her career, The Seven Year Itch (1955).

Doris Day in It's a Great Feeling (1949)
Vintage postcard, no. 352. Photo: Warner Bros. Doris Day in It's a Great Feeling (David Butler, 1949).

Legendary actress and singer Doris Day (1922-2019), with her blonde hair and blue eyes, performed with several big bands before going solo in 1947. In the 1950s, she starred in a series of popular film musicals, including Calamity Jane (1953) and The Pajama Game (1957). 'Que Será, Será!' became her theme song. With Rock Hudson, she starred in the box office hit Pillow Talk (1959). On TV, she appeared in the sitcom The Doris Day Show (1968-1973).

Doris Day in It's a Great Feeling (1949)
Vintage postcard, no. 352. Photo: Warner Bros. Doris Day in It's a Great Feeling (David Butler, 1949).

Doris Day
Vintage postcard, no. 352. Photo: Warner Bros.

Tony Curtis and Mona Freeman in Flesh and Fury (1952)
Vintage postcard, no. 160. Photo: M.G.M. Tony Curtis and Mona Freeman in Flesh and Fury (Joseph Pevney, 1952).

American film actor Tony Curtis (1925-2010) played a variety of roles, from light comedy, such as the musician on the run from gangsters in Some Like It Hot (Billy Wilder, 1959), to serious dramatic roles, such as an escaped convict in The Defiant Ones (Stanley Kramer, 1958), which earned him a nomination for the Academy Award for Best Actor. From 1949, he appeared in more than 100 films and made frequent television appearances.

American actress Mona Freeman (1926-2014) was the perennially young bobbysoxer of post-war Paramount. She played teen roles long after she had outgrown them, and this later stifled her adult career, although she became a competent actress.

Tony Curtis and Mona Freeman in Flesh and Fury (1952)
Vintage postcard, no. 120. Photo: M.G.M. Tony Curtis and Mona Freeman in Flesh and Fury (Joseph Pevney, 1952).

Lena Horne
Vintage postcard, no. 551. Photo: Metro-Goldwyn-Mayer.

Lena Horne (1917-2010) was an American singer, dancer, actress, and human rights activist. She is known as one of the most popular African American entertainers of the twentieth century. She starred in the film musicals Cabin in the Sky (1943) and Stormy Weather (1943).

Doris Day and Kirk Douglas in Young Man With A Horn (1950)
Dutch postcard, no. 1080. Photo: Warner Bros. Doris Day and Kirk Douglas in Young Man With A Horn (Michael Curtiz, 1950).

Cleft-chinned and steely-eyed American superstar Kirk Douglas (1916-2020) made his film debut in The Strange Love of Martha Ivers (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s, known for serious dramas, including Westerns and War films. Our favourites are the two classics he made with Stanley Kubrick, Paths of Glory (1957) and Spartacus (1960). During his long career, he appeared in more than 90 films.

Mario Lanza and Kathryn Grayson in Toast of New Orleans  (1951)
Vintage card, no. 951. Photo: Metro Goldwyn Mayer. Mario Lanza and Kathryn Grayson in The Toast of New Orleans (Norman Taurog, 1950). Collection: Geoffrey Donaldson Institute.

Mario Lanza (1921–1959) was an American tenor, actor and Hollywood film star of the late 1940s and the 1950s. His masterpiece was The Great Caruso (Richard Thorpe, 1951), the top-grossing film in the world in 1951. Lanza's voice was so dazzling that an awestruck Arturo Toscanini called it the "voice of the century".

American actress Kathryn Grayson (1922-2010) was a pretty, petite brunette with a heart-shaped face. During the 1940s and early 1950s, she starred in several MGM musicals with Gene Kelly and Mario Lanza. Her best-known musicals are Show Boat (1950) and Kiss Me Kate (1953).

Doris Day and Gordon MacRae in On Moonlight Bay (1951)
Dutch postcard, no. 252. Photo: Warner Bros. Doris Day and Gordon MacRae in On Moonlight Bay (Roy Del Ruth, 1951).

With his handsome boy-next-door looks, deep baritone, and glorious smile, Gordon MacRae (1920-1986) was successful as a singer and musical actor. He was best known for five films with Doris Day and his roles in the film versions of two Rodgers and Hammerstein musicals, Oklahoma! (1955) and Carousel (1956).

Doris Day and Gordon MacRae in On Moonlight Bay (1951)
Dutch postcard by DRC, no. F 99. Photo: Warner Bros. Doris Day and Gordon MacRae in On Moonlight Bay (Roy Del Ruth, 1951).

Doris Day
Vintage postcard, no. 565.

Doris Day and Gene Nelson in Lullaby of Broadway (1951)
Vintage postcard, no. 1151. Photo: Warner Bros. Doris Day and Gene Nelson in Lullaby of Broadway (David Butler, 1951).

American actor and dancer Gene Nelson (1920-1996) is best known for his role as cowboy Will Parker in Oklahoma! (1955), where he would twirl the lasso to the tune of 'Kansas City'. After graduating from high school, Nelson joined the Sonja Henie Ice Show and toured for 3 years before joining the Army in World War II. After he was discharged, he appeared on screen with Debbie Reynolds in The Daughter of Rosie O'Grady (1950), Doris Day in Tea for Two (1950) and Virginia Mayo in She's Working Her Way Through College (1952). After his dancing days ended, he turned to directing TV and films.

Doris Day and Gene Nelson
Dutch postcard, no. 1051. Photo: Warner Bros.

Françoise Arnoul
Vintage postcard, no. 76. Photo: Sam Lévin.

In the early 1950s, cute and pretty French actress Françoise Arnoul (1931-2021) was presented as the new French sex symbol. Soon she was overshadowed by the spectacular Brigitte Bardot, but Arnoul had enough talent and range to forge a decent film career for herself.

All postcards in this post are from the collection of the Geoffrey Donaldson Institute.

14 February 2026

La Collectionneuse: Valentine's Day 2026

As is customary at EFSP, we celebrate Valentine's Day with a special gallery of film couples. We hope you'll like this selection.

John Gilbert and Eleanor Boardman in Bardelys the Magnificent (1926)
French postcard by A.N., Paris, no. 322. Photo: Metro-Goldwyn. John Gilbert and Eleanor Boardman in Bardelys the Magnificent (King Vidor, 1926).

Billie Dove and Douglas Fairbanks in The Black Pirate (1926)
Italian postcard by G. Vettori, Bologna, no. 623. Billie Dove and Douglas Fairbanks in The Black Pirate (Albert Parker, 1926).

Dolores Del Rio and Edmund Lowe in What Price Glory (1926)
French postcard by A.N., Paris, no. 330. Photo: Autrey / Fox Film. Dolores Del Rio and Edmund Lowe in What Price Glory (Raoul Walsh, 1926).

Gary Cooper and Colleen Moore in Lilac Time (1928).
German postcard by Ross Verlag, no. 4087/1, 1929-1930. Photo: Defina / First National. Colleen Moore and Gary Cooper in Lilac Time (George Fitzmaurice, Frank Lloyd, 1928).

Joan Crawford and Nils Asther in Dream of Love (1928)
French postcard by Cinémagazine-Edition, Paris, no. 654. Joan Crawford and Nils Asther in Dream of Love (Fred Niblo, 1928).

Dria Paola and Elio Steiner in La canzone dell’amore (1930).
Italian postcard by G.B. Falci Editore, Milano, no. 886. Photo: Cines Pittaluga, Roma. Dria Paola and Elio Steiner in La canzone dell’amore / The Song of Love (Gennaro Righelli, 1930).

Anita Page and Phillips Holmes in Night Court (1932)
British postcard in the Film Partners series, no. PC62. Anita Page and Phillips Holmes in Night Court (W.S. Van Dyke, 1932).

Sylvia Sidney and Spencer Tracy in Fury (1936)
Spanish postcard in the series 1037. Sylvia Sidney and Spencer Tracy in Fury (Fritz Lang, 1936). Caption: “Your smile is my destiny”.

Lana Turner and Lew Ayres in These Glamour Girls (1939)
Spanish postcard by Infonal, no. O.M.323. Photo: Metro-Goldwyn-Mayer. Lana Turner and Lew Ayres in These Glamour Girls (S. Sylvan Simon, 1939).

Judy Garland and Mickey Rooney in Babes in Arms (1939
Postcard from the Dutch East Indies (now Indonesia). Judy Garland and Mickey Rooney in Babes in Arms (Busby Berkeley, 1939). Photo: Metro-Goldwyn-Mayer.

Olivia De Havilland and George Brent in In This Our Life (1942)
Spanish postcard. Olivia De Havilland and George Brent in In This Our Life (John Huston, Raoul Walsh, 1942).

Ingrid Bergman and Cary Grant in  Notorious (1946)
Spanish postcard. Ingrid Bergman and Cary Grant in Notorious (Alfred Hitchcock, 1946).

Myrna Loy and Don Ameche in So Goes My Love (1946)
Spanish postcard. Myrna Loy and Don Ameche in So Goes My Love (Frank Ryan, 1946).

Patricia Neal and John Wayn in Operation Pacific (1951
Spanish postcard, no. 2330. Patricia Neal and John Wayne in Operation Pacific (George Waggner, 1951).

Linda Darnell and Stephen McNally in The Lady Pays Off (1951)
French or Belgian postcard. Linda Darnell and Stephen McNally in The Lady Pays Off (Douglas Sirk, 1951).

Postcards and text: Marlene Pilaete.

13 February 2026

Lilly Jacobsson

Lilly Jacobsson (1893-1979), aka Lilly Jacobson, was a Swedish actress who starred in Swedish and Danish silent films by Eric Malmberg, Mauritz Stiller and Holger-Madsen. She was the star of the popular Danish film Maharadjahens Yndlingshustru / The Maharaja’s Favourite Wife (1917).

Lilly Jacobsson
Swedish postcard by Förlag Nordisk Konst, Stockholm. Photo: Nordisk Films Kompagni, Copenhagen. Collection: Geoffrey Donaldson Institute.

Lilly Jacobsson
German postcard by Photochemie, Berlin, no. K. 3007. Photo: Nordisk Film.

Lilly Jacobson in Himmelskibet (1918)
German postcard by Photochemie, Berlin, no. K. 2147. Photo: Nordisk Film. Lilly Jacobsson as Marya, the Martian leader's daughter, in Himmelskibet / Das Himmelschiff (Holger-Madsen, 1918).

Lilly Jacobson
German postcard by Photochemie, Berlin, no. K. 3009. Photo: Nordisk Film.

Asta Nielsen and Lilly Jacobsson in Hamlet (1921)
German postcard by Ross Verlag, Berlin, no. 644/6. Photo: Art-Film / Asta Nielsen-Film. Asta Nielsen as Hamlet and Lilly Jacobsson as Ophelia in Hamlet (Svend Gade, Heinz Schall, 1921).

The Lusitania and the Titanic


Lilly Jacobsson (also written as Jacobson) was born in Göteborg, Sweden, in 1893. She made her film debut at AB Svenska Biografteatern in 1911 and collaborated with various Swedish filmmakers until 1914. First, she played in films by Eric Malmberg, with him often in the male lead. Her first film was Opiumhålan / The Opium Den (Eric Malmberg, 1911). It was shot in various Swedish cities such as her native town Göteborg, but also in Paris, Monte Carlo and aboard the SS Lusitania, going to New York.

Her next film, Bränningar eller Stulen lycka / Burnings or Stolen Luck (Eric Malmberg, 1912) repeated the pick of locations, again including a transatlantic trip with the Lusitania. The third film of Jacobsson and Malberg, Det gröna halsbandet / The Green Necklace (Eric Malmberg, 1912) was completely filmed in Göteborg.

Jacobsson then played the female lead in a film by Georg af Klercker: Musikens makt / The Power of Music (1912), again partly shot in Göteborg. Next came the farce Kolingens galoscher / Kolingen’s Boots (Eric Malmberg, 1912), in which Jacobsson played a millionaire's daughter.

It was then time for another transatlantic trip, resulting in Samhällets dom / The Judgment of Society (1912), aboard the Lusitania to New York. The trip also resulted in a short documentary Med Lusitania till Amerika / Med 2.300 Passagerare ofver Atlanten. Samhällets dom was released in February 1912, two months before the sinking of the SS Titanic.

The documentary was released one week after the naval disaster. Malmberg and Jacobsson then exploited their ocean trip for Tva svenska emigranters äfventyr i Amerika / The Adventures of Two Swedish Emigrants in America (1912), which also included shots made in New York and at Niagara Falls.

Lilly Jacobsson
Swedish postcard by Förlag Nordisk Konst, Stockholm, no. 1006. Photo: Nordisk Films Kompagni, Copenhagen. Lilly Jacobsson in Maharadjahens Yndlingshustru / The Maharaja’s Favourite Wife (Robert Dinesen, Svend Gade, 1917). Collection: Geoffrey Donaldson Institute.

Lilly Jacobsson
Swedish postcard by Förlag Nordisk Konst, Stockholm, no. 1007. Photo: Nordisk Films Kompagni, Copenhagen. Lilly Jacobsson in Maharadjahens Yndlingshustru / The Maharaja’s Favourite Wife (Robert Dinesen, Svend Gade, 1917). Collection: Geoffrey Donaldson Institute.

Lilly Jacobsson
Swedish postcard by Förlag Nordisk Konst, Stockholm, no. 1008. Photo: Nordisk Films Kompagni, Copenhagen. Lilly Jacobsson in Maharadjahens Yndlingshustru / The Maharaja’s Favourite Wife (Robert Dinesen/ Svend Gade, 1917). Collection: Geoffrey Donaldson Institute.

Lilly Jacobsson in Testamentets Hemmelighed (1918)
German postcard by Photochemie, Berlin, no. K 2028. Photo: Union-Film / Nordisk Film. Lilly Jacobson (Lilly Jacobsson) in Testamentets Hemmelighed / The Secret of the Testament (Holger-Madsen, 1918). The German film title was Das trennende Band.

Hugo Bruun and Lilly Jacobsson in Testamentets Hemmelighed (1918)
German postcard by Photochemie, Berlin, no. K 2029. Photo: Union-Film / Nordisk Film. Hugo Bruun (also Hugo Brunn) and Lilly Jacobson (Lilly Jacobsson) in Testamentets Hemmelighed / The Secret of the Testament (Holger-Madsen, 1918).

Tell from the war dogs school


Back in Sweden, Lilly Jacobsson played the female lead as the daughter opposite Anna Norrie as the mother, in Mauritz Stiller’s debut as a film director: Mor och dotter/Mother and Daughter (1912). Next came Stiller’s När larmklockan ljuder/When the Alarm Bell Rings (Mauritz Stiller, 1913). The film was partly shot in and around the Swedish town of Sollefteå. Officers and soldiers of the local regiment, Kungl Västernorrlands, collaborated as extras, while the Airedale terrier Tell from the war dogs school also had a part in the film.

Stiller and Jacobsson worked together for a third time at Gränsfolken/Brother Against Brother (Mauritz Stiller, 1913), based on Emile Zola’s 'Le débacle' (The Debacle). The film had a huge international release. For a long time, Gränsfolken / Brother Against Brother was considered lost until a print was found in Poland in 2009.

Stiller and Jacobsson then did När svärmor regerar / When the Mother-in-Law Reigns (Mauritz Stiller, 1914). It was based on a Finnish play which Stiller had directed on stage. In their next film, För sin kärleks skull / Because of her love (Mauritz Stiller, 1914), Jacobsson had a secondary role – the female lead was for Lilly Bech (or Beck) - while the male lead was for Victor Sjöström.

Jacobsson then acted in another Af Klercker film: För fäderneslandet / For the Fatherland (Georg af Klercker, 1914), shot in Svenska Bio’s film studio in Stockholm, and in a studio in Copenhagen, while exteriors were filmed in Sollefteå.

Jacobsson returned to Stiller for Stormfågeln / Stormy Petrel (Mauritz Stiller, 1914), with Bech again in the female lead. It was shot both in Stockholm and in and around the train station of Åre. Lilly Jacobsson’s penultimate Swedish film was Strejken / Strike (Mauritz Stiller, 1915), again with Victor Sjöström in the lead, while the last one was directed by Sjöström himself: En av de många / One of the Many (Victor Sjöström, 1915), which starred Gunnar Tolnaes and Lili Bech.

Gunnar Tolnaes and Lilly Jacobson in Himmelskibet/Das Himmelschiff
German postcard by Photochemie, Berlin, no. K. 2150. Photo: Nordisk Film. Lilly Jacobsson as Marya, the Martian leader's daughter, and Gunnar Tolnaes as Avanti Planetaros in Himmelskibet/400 Million Miles from Earth (Holger-Madsen, 1918). The German title was Das Himmelschiff.

Gunnar Tolnaes and Lilly Jacobson in Himmelskibet (1918)
German postcard by Photochemie, Berlin, no. K. 2151. Photo: Nordisk Film. Lilly Jacobsson as Marya, the Martian leader's daughter, and Gunnar Tolnaes as Avanti Planetaros in Himmelskibet/400 Million Miles from Earth (Holger-Madsen, 1918).

Lilly Jacobson and Gunnar Tolnaes in Himmelskibet (1918)
German postcard by Photochemie, Berlin, no. K. 2152. Photo: Nordisk Film. Lilly Jacobsson and Gunnar Tolnaes in Himmelskibet / 400 Million Miles from Earth (Holger Madsen, 1918).

Lilly Jacobson, Gunnar Tolnaes, Das Himmelschiff
German postcard by Photochemie, Berlin, no. K. 2153. Photo: Nordisk Film. Still from Himmelskibet / 400 Million Miles from Earth (Holger Madsen, 1918).

The Maharaja’s Favourite Wife


In 1916, the Danish company Nordisk was looking for a new star. Lilly Jacobsson was chosen from hundreds of competitors and became the leading actress in Maharadjahens Yndlingshustru / The Maharaja’s Favourite Wife (Robert Dinesen, Svend Gade, 1917), in which she performed as Elly, who enters the harem of an Indian maharaja, played by Gunnar Tolnaes.

The film was such a success that Nordisk Film made a sequel: Maharadjahens Yndlingshustru II/The Maharaja's Favourite Wife II (August Blom, 1919).

In between, Jacobsson played in various Danish films, mostly directed by Holger-Madsen. These films included the Science fiction film Himmelskibet/400 Million Miles From Earth (Holger-Madsen, 1918) starring Gunnar Tolnaes, Folkets ven/Friend of the People (Holger-Madsen, 1918), and Mod Lyset/Towards the Light (Holger-Madsen, 1918) starring Asta Nielsen. Nielsen plays a cold, partying woman who neglects religion, but later on, repents and becomes the wife of a preacher man (Alf Blütecher) who takes care of the poor.

In 1919, Lilly Jacobsson married director Corbett Edwards in Odense (Denmark), which ended her film career. Only her former colleague, Asta Nielsen, could persuade her to play Ophelia in Asta’s famous German production of Hamlet (Svend Gade, Heinz Schall, 1921), in which Nielsen played the title role herself.

Lilly Jacobsson died in 1979 in Odense, Denmark, at the age of 86. She is interred at the Assistenskirkegården in Odense.

Lilly Jacobson
German postcard by Photochemie, Berlin, no. K. 1475. Photo: Nordisk Film. Lilly Jacobsson in Maharadjahens Yndlingshustru / The Maharaja’s Favourite Wife (Robert Dinesen, Svend Gade, 1917)

Gunnar Tolnaes and Lilly Jacobsson in Maharadjahens Yndlingshustru (1917)
German postcard by Photochemie, Berlin, no. K. 1976. Photo: Nordisk Film. Gunnar Tolnaes and Lilly Jacobsson in Maharadjahens Yndlingshustru / The Maharaja’s Favourite Wife (Robert Dinesen, Svend Gade, 1917).

Lilly Jacobson and Gunnar Tolnaes in Maharadjahens Yndlingshustru
German postcard by Photochemie, Berlin, no. K. 2992. Photo: Nordisk Film. Gunnar Tolnaes and Lilly Jacobsson in Maharadjahens Yndlingshustru II / The Maharaja's Favourite Wife II (August Blom, 1919).

Lilly Jacobsson in Maharadjahens Yndlingshustru (1917)
German postcard by Photochemie, Berlin, no. K. 2996. Photo: Nordisk Film. Lilly Jacobsson in Maharadjahens Yndlingshustru II / The Maharaja's Favourite Wife II (August Blom, 1919).

Lilly Jacobson
German postcard by Photochemie, Berlin, no. K. 3008. Photo: Nordisk Film. Lilly Jacobsson in Maharadjahens Yndlingshustru II / The Maharaja's Favourite Wife II (August Blom, 1919).

Lilly Jacobsson in Maharadjahens Yndlingshustru (1917)
German postcard by Photochemie, Berlin, no. K. 3010. Photo: Nordisk Film. Lilly Jacobsson in Maharadjahens Yndlingshustru II / The Maharaja's Favourite Wife II (August Blom, 1919).

Sources: Wikipedia (Danish and Swedish), and IMDb.