13 August 2026

Souvenirs from Noordwijk (2)

This summer, we visited postcard seller Jac Verloop and his wife at their home in Noordwijk, a lovely coastal town in the Netherlands. Verloop is specialised in French postcards, which he buys in Belgium and France. We found some wonderful postcards, which we share with you in two posts. Last week Ivo did a selection of his finds. For today's post, I chose my 15 souvenirs from Noordwijk.

Unknown Western scene
American postcard. Sent by mail in France.

Film historians consider The Great Train Robbery (Edwin S. Porter, 1903) to be the first American action film and the first Western. Gilbert M. 'Broncho Billy' Anderson played three roles in The Great Train Robbery. It became the first blockbuster and was one of the most popular films of the silent era until the release of The Birth of a Nation in 1915. This unknown Western must have been made between these two milestones. There were many ink dots on the card, so I put quite some work into the scan, but I love the result.

Manon Loti
French postcard by S.I.P., no. 918/1. Photo: Reutlinger, Paris.

Beautiful Manon Loti, or Manon Loty, was an opera singer and actress. She was also a noted courtesan. At least one of her liaisons has been written about. She had a short, passionate affair with the dashing and wealthy Russian nobleman, Nikolay Felixovich Yusupov. The two were 'inseparable' during their affair in Paris. Nikolay’s brother, Prince Felix, described Loti as a beautiful and famous courtesan who lived in great luxury. Loti employed a dwarf as her servant and 'mascot'. Loti was a popular entertainer. She was often seen at Maxime’s, a Paris gathering spot for wealthy royals and industrialists. Men made arrangements with the Belle Epoque courtesans who gathered there. A 1910 article in Pearson’s magazine mentions her as an example of a “mercenary woman”.

Mistinguett and Max Dearly
French postcard by Établissements photographiques du Boulogne-sur-Seine. Photo: H. Manuel. Caption: Casino de Paris.

French actress and singer Mistinguett (1875-1956) captivated Paris with her risqué routines. She went on to become the most popular French entertainer of her time and the highest-paid female entertainer in the world. She appeared in the cinema more than 60 times.

Max Dearly (1874-1943) was a French actor, famous for his roles in 1930s French sound films but also for his previous career in Parisian Vaudeville.

René Poyen as Bout de Zan
French postcard. René Poyen as Bout de Zan.

René Poyen (1908-1968) was a famous child star in silent French cinema. At the age of four, he started at the Gaumont film company as the popular character Bout-de-Zan, a child dressed in adult clothing. Most of his burlesque comedies were filmed by Louis Feuillade.

Teddy and Josette Andriot in Les Poilus de la 9me (1916)
French postcard by Imp. Phot. Neurdein et Cie, Paris. Photo: Cinéma Éclair. M. Teddy as Corporal Parisot and Josette Andriot as the spy in Les Poilus de la 9me (Rémond, 1916).

Édouard Pinto alias Teddy (1887-1965) was a Portuguese-born actor and acrobat. In 1904, whilst in Barcelona, Teddy met Segundo de Chomón. Chomón filmed him in a sketch in Spain as a clown reading his newspaper, while his sidekick sets the pages alight and ends up setting fire to the clown’s hat. Till 1923, Teddy starred in many French films, often for the Eclair company.

Josette Andriot (1886–1942) was a French film actress of the silent film era. From 1911, she did 60 films for Eclair and became known as the accomplice of Zigomar in the eponymous crime series. Yet, she is best known for playing Protéa in a series of espionage films made between 1913 and 1919. She dressed in a close-fitting black jersey, two years before Musidora would do so as Irma Vep in Louis Feuillade's Les Vampires.

André Feramus in Sarati le terrible (1923)
French postcard by Cine Cartes, no. 1. Photo: Film Aubert. André Feramus as Gilbert de Kéradec in Sarati le terrible / Sarati the Terrible (René Hervil, Louis Mercanton, 1923). Caption: Gilbert de Kerradec on the quays of Algiers.

Sarati le terrible / Sarati the Terrible (René Hervil, Louis Mercanton, 1923) was an adaptation of a novel by Jean Vignaud. A man of humble origins, César Sarati (Henri Baudin) has made his fortune in the coal trade in Algiers. He ruthlessly exploits the indigenous labourers at the port, to whom he rents out, at exorbitant prices, slum dwellings in his large house in the Casbah, and lends money at interest.

Sessue Hayakawa
French postcard in the Les Vedettes du Cinéma series by Éditions Filma, no. 84. Photo: Films Aubert.

Sessue Hayakawa (1889–1973) was a Japanese Issei actor who starred in American, Japanese, French, German, and British films. He was the first Asian actor to find stardom in the United States and Europe. His 'broodingly handsome' good looks and typecasting as a sinister villain with sexual dominance made him a heartthrob among American women. Several years before Rudolph Valentino, he was Hollywood's first male sex symbol. During those early years, Hayakawa was as well known and as popular as Charlie Chaplin and Douglas Fairbanks, although today his name is largely unknown to the public.

Clara Bow
French postcard by Cinémagazine-Edition, Paris, no. 395.

American actress Clara Bow (1905-1965) rose to stardom as an uninhibited flapper in silent films during the 1920s. Her appearance as a plucky shopgirl in the film It (1927) brought her global fame and the nickname 'The It Girl'. Bow came to personify the Roaring Twenties and is described as its leading sex symbol.

Erich von Stroheim
French promotion card in the Les Vedettes de l'Ecran series. Erich von Stroheim in Ultimatum (Robert Wiene, Robert Siodmak, 1938).

Was Austrian-born Erich von Stroheim (1885-1957) a Hollywood movie star or a European film star? (Who cares!) As the sadistic, monocled Prussian officer in both American and French films, he became ‘The Man You Love to Hate’. But maybe he is best known as one of the greatest and most influential directors of the silent era, known for his extravagance and the uncompromising accuracy of detail in his monumental films.

Roger Duchesne
French card by Massilia. Photo: Filmsonor.

French film actor Roger Duchesne (1906-1996) appeared in 30 films between 1934 and 1957. He is best remembered as the silver-haired gangster Bob in Jean-Pierre Melville's Policier Bob le flambeur / Bob the Gambler (1956).

Folies-Bergère
French card by Folies-Bergère. Photo: Louis Silvester. Card from a set of 4 cards.

The Folies-Bergère (French pronunciation: [fɔli bɛʁʒɛʁ]) is a famous cabaret music hall in Paris, France. The house was at the height of its fame and popularity during the Belle Époque from the 1890s through the 1920s. The Folies-Bergère Revues featured extravagant costumes, sets and effects, and often nude women.

Nita Raya
French postcard by Edition Chantal, Paris, no. 585.

Beautiful Nita Raya (1915-2015) was a French dancer, singer and actress. She was a lead dancer at the Folies-Bergère. For ten years, she was the companion of Maurice Chevalier.

Pierrre Brasseur
French postcard, no. 205. Photo: Studio Harcourt. Signed in 1946.

French actor Pierre Brasseur (1905–1972), who appeared in some 150 films and TV productions, was renowned for playing charming and flamboyant characters. He is best known as 19th-century actor Frédérick Lemaître in Les Enfants du Paradis / Children of Paradise (1945) and as Docteur Génessier in the Horror film Les Yeux sans visage / Eyes Without a Face (1960). Brasseur was also a poet and playwright.

Michele Morgan
French postcard by Greff, Paris, no. 4. Photo: Studio Harcourt.

French actress Michèle Morgan (1920-2016) was a classic beauty and one of her country's most popular leading ladies for over five decades. The delicate, sophisticated, and detached star was especially noted for her large, expressive eyes.

The Spotnicks
French postcard by Editions Publistar, no. 796. Photo: Gérard Neuvecelle / Disques Président.

The Spotnicks were a Swedish instrumental guitar rock band which formed in the late 1950s and enjoyed great popularity in the first half of the 1960s. The band is best known for the space suits they wore during their performances.

12 August 2026

Pierre Richard-Willm

Elegant French actor Pierre Richard-Willm (1895-1983) starred in 40 films during the 1930s and the first half of the 1940s. The good-looking jeune premier excelled in the foreign legion melodrama Le Grand Jeu / The Great Game (1934) and as Edmond Dantès in Le Comte de Monte-Cristo / The Count of Monte-Christo (1943).

Pierre Richard Willm
French postcard, no. 31. Photo: publicity still for Stradivarius (Albert Valentin, Géza von Bolváry, 1935).

Pierre Richard Willm
French postcard by A.N., Paris, no. 1117. Photo: Raymond Voinquel.

Pierre Richard Willm
French postcard by A.N., Paris, no. 609. Photo: Studio Lorelle.

Pierre Richard-Willm
French postcard by Editions Chantal, no. 31. Photo: R. Voinquel / Flora Films / Productions Max Glas.

Pierre Richard-Willm in Un Carnet de Bal (1937)
French card. Pierre Richard Willm in Un Carnet de Bal / Dance Program (Julien Duvivier, 1937).

Pierre Richard-Willm
French postcard by EC, no. 43.

Pierre Richard Willm
French postcard, no. 43.

Pierre Richard Willm
German postcard by Ross Verlag, no. A 2174/1, 1939-1940. Photo: Rudolph, Paris.

Charming spectators of all ages


Pierre Richard-Willm was born as Alexander Pierre Richard in south-western France in the city of Bayonne in 1895. His mother, Elisabeth-Fanny Willm, died at the age of thirty-one, and from 1905 on, he was raised by his maternal grandmother in Bordeaux.

He attended the école des Beaux-Arts in Nantes. Theatre was his passion, and in 1911, he started as an amateur at the Théâtre du Peuple de Bussang. In 1916, he joined the army and fought during World War I at Verdun. 

After the war, he became a sculptor, and in 1921, he started playing bit roles on the professional stage. From 1925 on, he worked at the Odeon in Paris in plays like 'La dame aux camélias' under the pseudonym Richard Willm, the combined name of his father and mother.

His film debut as a jeune premier came in the Paramount production Toute sa vie / Sarah and Son (Alberto Cavalcanti, 1930), followed by another film by Alberto Cavalcanti for Paramount, Les Vacances du diable / The Devil's Holiday (1931).

With his elegance and good looks, he charmed spectators of all ages. In the next years, he made dozens of films, including French versions of Ufa productions, including Autour d'une enquête / Preliminary Investigation (Pierre Chomette, Robert Siodmak, 1931) starring Annabella, and La fille du régiment / The Daughter of the Regiment (Pierre Billon, Carl Lamac, 1933) starring Anny Ondra.

Pierre Richard Willm
French card.

Pierre Richard Willm
French postcard by EC, no. 985. Photo: Studio Rudolph, Paris.

Pierre Richard Willm
French postcard by Editions et Publications cinematographiques, no. 29. Photo: Forster.

Pierre Richard Willm
French postcard by Viny, no. 81. Photo: Studio Rudolph.

Pierre Richard-Willm
French postcard by Viny, no. 84. Photo: Studio Rudolph.

Pierre Richard-Willm in Les nuits moscovites (1934)
French postcard by Erpé, no. 578. Photo: Raymond Voinquel. 578. Pierre Richard-Willm in Les nuits moscovites / Moscow Nights (Alexis Granowski, 1934).

Pierre Richard Willm in La maison dans la dune (1934)
French postcard, no. 31. Pierre Richard Willm in La maison dans la dune / The House on the Dune (Pierre Billon, 1934).
Pierre Richard Willm in La route impériale (1935)
French promotion card by L'ermitage, Paris. Pierre Richard Willm in La route impériale / The Imperial Road (Marcel L'Herbier, 1935).

Pierre Richard-Willm
French postcard, no. 134. Photo Studio Harcourt.

Pierre Richard Willm
French postcard by S.E.R.P., Paris, no. 134. Photo: Studio Harcourt.

Count of Monte Cristo


Pierre Richard-Willm’s breakthrough was the Foreign Legion melodrama Le Grand Jeu / The Great Game (Jacques Feyder, 1934), in which he starred opposite Charles Vanel and Marie Bell.

In the following years, he often played the partner of diva Edwige Feuillère in such films as Stradivarius (Albert Valentin, Géza von Bolváry, 1935), Barcarolle (Gerhard Lamprecht, Roger Le Bon, 1935), La Dame de Malacca / Woman of Malacca (Marc Allégret, 1937) and La Duchesse de Langeais / Wicked Duchess (Jacques de Baroncelli, 1942).

Famous director Max Ophüls directed him in Yoshiwara (1937) and Werther (1938). A big hit was Un Carnet de bal / Dance Program (Julien Duvivier, 193) in which Marie Bell stars as a woman who decides to find out about the men (including Pierre Richard-Willm) who once danced with her during a ball that was a turning point in her life.

His most famous role was Edmond Dantès in two episodes of Le Comte de Monte-Cristo / The Count of Monte-Cristo (Robert Vernay, 1943), based on the famous novel by Alexandre Dumas père. He starred as composer Franz Liszt in Rêves d'Amour / Dreams of Love (Christian Stengel, 1942-1947), for which film he also designed the sets.

In 1946, he decided to retire from the cinema and to dedicate himself completely to his beloved Theatre Vosgien. In 1975, he published his memoirs, 'Loin des Étoiles' (Far from the stars), in which he wrote that the cinema had only been a nice intermission for him. Pierre Richard-Willm died in 1983 in Paris and is buried at the cemetery in Bussang.

Pierre Richard Willm in La dame de Malacca (1937)
French collector card by Massilia. Photo: Filmsonor. Pierre Richard Willm in La dame de Malacca / Woman of Malacca (Marc Allégret, 1937).

Pierre Richard Willm in Yoshiwara (1937)
French collector card by L'Olympia. Pierre Richard Willm in Yoshiwara (Max Ophüls, 1937).

Pierre Richard-Willm in Un Carnet de Bal (1937)
French card. Pierre Richard Willm in Un Carnet de Bal / Dance Program (Julien Duvivier, 1937).

La principessa Tarakanova (1938)
Yugoslav (now Croatian) leaflet by Re-Ka-Pa, Zagreb. Suzy Prim and Pierre Richard-Willm in the Franco-Italian co-production La principessa Tarakanova / Tarakanowa / Betrayal (Fyodor Ozep, Mario Soldati, 1938), a film famous for its early use of pan-focus cinematography. In Yugoslavia, the film was presented as Kneginja Tarakanova. Russian Empress Catherine the Great (Suzy Prim) sends her dearest aide, Alexei Orloff, on a mission to unmask the throne pretender Elisabeth Tarakanova (Annie Vernay), but the story becomes a tragedy when Orloff falls in love with the young woman. The film was shot in Italy in both a French and an Italian version. The American release title was Betrayal.

Pierre Richard-Willm
French postcard by Ed. Chantal, Paris, no. 43. Photo: Discina, Paris. Pierre Richard-Willm in La loi du nord / Law of the North (Jacques Feyder, 1939).

Pierre Richard Willm
French postcard by Ed. Chantal, Rueil, no. 43B. Photo: Roger Richebé.

Pierre-Richard Willm
French postcard, no. 633. Photo: Chromos Film.

Pierre Richard Willm
French postcard by Editions P.I., Paris, no. 20. Photo: Teddy Piaz.

Pierre-Richard Willm
French postcard by O.P., Paris, no. 2. Photo: Studio Piaz.

Pierre Richard Willm
French postcard by S.E.R.P., Paris, no. 22. Photo: Studio Harcourt.

Pierre-Richard Willm
French postcard by EPC, no. 134. Photo: Studio Harcourt.

Pierre Richard Willm
Belgian postcard by P.E. (Photo Édition), no. 152. Photo: Studio Cayet.

Sources: Caroline Hanotte (Cineartistes - Now defunct), Franck Richard (Now defunct), Wikipedia and IMDb.

11 August 2026

Molly Peters

Molly Peters (1939–2017) was an English glamour model and actress best known for her role as Bond girl Patricia Fearing in the James Bond film Thunderball (1965). In the wake of her 007 stint, Peters acted in a few more films and episodes of TV shows and graced the cover of Playboy. Peters had her acting career cut short after reportedly having a falling out with her agent.

Sean Connery and Molly Peters in Thunderball (1965)
British postcard by Klasik Kards, London, no. 1593. Photo: Sean Connery and Molly Peters in Thunderball (Terence Young, 1965).

Sean Connery, Luciana Paluzzi, Martine Beswick, Claudine Auger and Molly Peters in Thunderball (1965)
Spanish postcard by Postal Oscarcolor, no. 462. Sean Connery, Luciana Paluzzi, Martine Beswick, Claudine Auger and Molly Peters in Thunderball (Terence Young, 1965).

James Bond's physiotherapist


Molly or Mollie Peters was born as Vivien Mollie Rudderham in 1939 in Walsham-le-Willows, Suffolk, England. She was baptised Vivien Mollie, and Peter was her brother’s name. She never had a thought of a show business career when she left home and went to London, and after her shop girlfriends said that she should try modelling.

Voluptuous Peters started out as a pin-up and nude model and posed for men's magazines like 'Modern Man', 'Calvalcade', 'Ace', 'Parade' and 'Escapade'. She played a small part in the British historical comedy The Amorous Adventures of Moll Flanders (Terence Young, 1965) starring Kim Novak, Richard Johnson and Angela Lansbury. The film, based on the 1722 novel 'Moll Flanders' by Daniel Defoe, ranked among the 13 most popular films in the UK in 1965. The film's director, Terence Young, spotted her on the set and offered her a screen test for his next film, the Spy film Thunderball.

The Bond producers chose her, and the natural brunette became blonde for the part. Thunderball (Terence Young, 1965) is the fourth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. The film follows Bond's mission to find two NATO atomic bombs stolen by SPECTRE, which holds the world ransom to the tune of £100 million in diamonds under threat of destroying an unspecified metropolis. Molly Peters played one of the Bond girls, Patricia Fearing or Pat.

Pat is a physiotherapist who cares for James Bond while he is on holiday at her health clinic. He seduces her. They make love in a steam room, and she is later massaged by Bond while she's wearing nothing but a towel. 23-year-old Peters was the first Bond girl to be seen taking her clothes off on screen in the Bond series, though she was not completely naked. The erotic scene was considered offensive at the time and was toned down at the request of the British Board of Film Classification to avoid an X rating. Peters' voice was dubbed by Barbara Jefford. To promote the film, Peters appeared in Playboy, in the November 1965 issue. Her appearance was as part of a pictorial essay titled 'James Bond's Girls', by Richard Maibaum. Released at the very height of Bondmania, Peters travelled the world promoting Thunderball, most notably in South America.

Bosley Crowther of The New York Times liked the film. He felt that Bond "has a much better sense of humor than he has shown in his previous films. And this is the secret ingredient that makes Thunderball the best of the lot. (...) Thunderball is pretty, too, and it is filled with such underwater action as would delight Capt. Jacques-Yves Cousteau." Thunderball was exceptionally successful: its worldwide box-office receipts of $141.2 million (equivalent to $1,442,600,000 in 2025) exceeded not only those of each of its predecessors but that of every one of the next five Bond films that followed it.

Sean Connery and Molly Peters in Thunderball (1965)
German postcard. Photo: dpa. Sean Connery and Molly Peters in Thunderball (Terence Young, 1965).

Sean Connery
German postcard. Photo: P.A. Reuter. Sean Connery in Thunderball (Terence Young, 1965).

A dispute with her agent


After Thunderball, Molly Peters appeared in films and on television during the 1960s, but her parts were limited. She had a supporting part in the Austrian-German-Italian crime film Das Geheimnis der gelben Mönch / Target for Killing (Manfred R. Köhler, 1966) starring Stewart Granger. It was shot between Maghreb, Yugoslavia and Rome. She had a part as a secretary in the British comedy Don't Raise the Bridge, Lower the River (Jerry Paris, 1968) starring Jerry Lewis and Terry-Thomas in swinging London. The Monthly Film Bulletin wrote: "Even the most diehard Jerry Lewis enthusiasts would be hard put to find anything to please them in this disastrous muddle of a film."

Molly played a barmaid uncredited in the British World War I action–drama Zeppelin (Étienne Périer, 1971) in Panavision and Technicolour. The film stars Michael York, Elke Sommer and Anton Diffring. Zeppelin depicts a fictitious attempt to raid Britain in a German Zeppelin to steal the Magna Carta from its hiding place in one of Scotland's castles or destroy it. Zeppelin was well received by the public, who viewed the Zeppelin airship as the real "star", but the critical reaction was not positive. Evening Standard thought it was "funny but not intentionally."

Molly Peters' final film was the tragi-comedy Nobody Ordered Love (Robert Hartford-Davis, 1972). Ingrid Pitt, in her last starring role, played Alice Allison, the alcoholic star of a new First World War movie entitled The Somme. The film director attempts to replace her with an up-and-coming starlet when a series of tragic events begins to unfold. Director Hartford-Davis had a falling out with Rank over the lack of promotion they were giving Nobody Ordered Love and stormed off with the prints to the States. The film is now considered lost. Unclear is whether and what role Peters played in the film. On television, she only appeared in episodes of the TV shows Armchair Theatre and Baker's Half-Dozen.

What went wrong with the once promising career of Molly Peters? According to the special edition DVD of Thunderball, Peters' short film career was the result of a dispute between her and her agent. The specifics of the disagreement were not revealed, other than according to Peters, her agent at the time of Thunderball held her to her contract agreement of representation because of the mega-successful box-office hit of the fourth James Bond film in 1965. It was only many years later, when the fame, the glamour and the chaos from the release of Thunderball had faded, that her contractual agreement ended; and so had any modelling and/or film prospects.

When she was young, Molly Peters gave birth to a daughter, whom she gave up for adoption. Peters married in 1972 and lived with her husband in Ipswich, Suffolk. She and her husband had a son, Aaron, who tragically died in 2013 whilst serving in the Royal Marines. “That has shattered my life,” she admitted to Matthew Field on the James Bond site MI6. “He used to take the mickey out of me, ‘Oh My Bond,’ he would say. He was in the Royal Marine Commandos. They write letters in case they die in service. He had written one for me in case anything happened to him. In it, he said how proud he was that his mother had been in a Bond film. That brought floods of tears.” In 2011, Molly Peters suffered a mild stroke. She died in 2017, at the age of 78, at Taunton Hospital, Somerset.

Molly Peters and Sean Connery in Goldfinger (1964)
French postcard by Danjaq, LLC and United Artists, 2012. Photo: Sean Connery and Molly Peters in Thunderball (Terence Young, 1965).

Sean Connery dies aged 90
Dutch postcard. Photo: dpa. Sean Connery and Molly Peters in Thunderball (Terence Young, 1965).

Sopurces: Matthew Field (MI6), Woody Anders (IMDb), Bosley Crowter (New York Times), Wikipedia (English and German) and IMDb.