18 February 2026

Raj Kapoor

Bollywood actor and director Raj Kapoor (1924-1988) is often celebrated as 'the greatest showman of Indian cinema'. He was a visionary filmmaker whose impact stretched far beyond India's borders. His career spanned several decades and shaped the course of Hindi cinema with groundbreaking films that combined social commentary, romance, and an iconic 'tramp' persona. He was a master storyteller who not only starred in but also directed and produced numerous classics under his label, R.K. Films, leaving an indelible mark on global film history.

Raj Kapoor
Russian postcard.

Raj Kapoor
Russian postcard, no. AB05701.

The lovable, penniless vagabond


Raj Kapoor was born as Ranbir Raj Kapoor in 1924, in Peshawar, North-West Frontier Province, British India (now Khyber Pakhtunkhwa, Pakistan). He was the son of prominent actor Prithviraj Kapoor, who acted both in film and on stage.

His entry into cinema was almost preordained. After apprenticing in the Bollywood studios of the 1940s, the 24-year-old Kapoor made his directorial debut with Aag / Fire (Raj Kapoor, 1948), in which he also starred.

His co-star was Nargis, with whom he had an off-screen romance. Raj, who was already married to Krishna Kapoor, refused to divorce his wife. That same year, he founded his production studio, R.K. Films. The subsequent success of Barsaat / Rain (Raj Kapoor, 1949) solidified his early career.

Kapoor quickly developed his signature screen persona as the lovable, penniless vagabond, most famously portrayed in the megahit Awaara / The Vagabond (Raj Kapoor, 1951). This film earned a Palme d'Or nomination at the Cannes Film Festival and made him an international star. Awaara gained popular acclaim in Russia, where the film and songs were dubbed into Russian.

This was followed by another massive success, Shree 420 / Mister 420 (Raj Kapoor, 1955), which further cemented his worldwide popularity.

Raj Kapoor as/ in The Vagabond/ Awaara
Vintage minicard, could be a cigarette or chocolate card. Raj Kapoor in the crime drama Awaara / The Vagabond (Raj Kapoor, 1951). Kapoor's little tramp character, inspired by Chaplin, would be developed in later films such as Shree 420. As Wikipedia writes, "Awaara is considered a milestone in the history of Bollywood." The film was a huge success in the Soviet Union.

Raj Kapoor in Shree 420 (1955)
East German leaflet, a special issue of Progress Film-Programm. Raj Kapoor in Shree 420 / Mister 420 (Raj Kapoor, 1955). East German title: Der Prinz von Piplinagar.

Raj Kapoor in Stay Alert (1956)
East German flyer, a special issue of Progress Film-Programm, no. 52-53. Raj Kapoor in Jagte Raho / Stay Alert (Amit Mitra, Sombhu Mitra, 1956). The East German title was 'Unter den Mantel der Nacht' (Under the cloak of the night).

An unrivalled legacy in world cinema


In the 1960s, Raj Kapoor continued to innovate and directed his first colour film, the romantic drama Sangam / Confluence (Raj Kapoor, 1964).

This was followed by his most ambitious, semi-autobiographical project, Mera Naam Joker / My Name Is Joker (Raj Kapoor, 1970), in which he described the life of a clown in three acts. Although the film was initially a commercial failure, it later gained a large following of loyal fans.

In 1973, he successfully launched his son Rishi Kapoor in the popular teen romance Bobby (Raj Kapoor, 1973). Kapoor's last directing project was Ram Teri Ganga Maili / Ram's Holy Ganges (Raj Kapoor, 1985), which was a huge box office success.

In 1987, Kapoor received India's highest film honour, the Dadasaheb Phalke Award. Raj Kapoor died in 1988, in New Delhi, India, from complications related to asthma, leaving behind an unrivalled legacy in world cinema. He had five children: Randhir Kapoor, Ritu Kapoor Nanda, Rishi Kapoor, Rima Kapoor and Jain Rajeev Kapoor.

In 2024, R.K. Films, Film Heritage Foundation, NFDC-National Film Archive of India, in association with PVR-Inox and Cinepolis, organised a big retrospective of ten of Kapoor's films, entitled 'Raj Kapoor 100 – Celebrating the Centenary of the Greatest Showman', screened all over India.

Nargis
Soviet-Russian postcard. Nargis.

Raj Kapoor
Soviet-Russian postcard.

Raj Kapoor
Soviet-Russian card. Photo: Schlesinger, 1976.

Sources: BBC, Britannica, Wikipedia and IMDb.

17 February 2026

Mia Farrow

Mia Farrow (1945) is an American actress and activist who has built a remarkable film career spanning over six decades. She had her breakthrough on TV in the series Peyton Place (1965-1966). Her films include Rosemary's Baby (1968), The Great Gatsby (1974), and 13 films with Woody Allen. Farrow is also celebrated for her humanitarian work.

Mia Farrow
French collector card by Cinécard, no. 20.

Mia Farrow
Vintage postcard, no. A 5161-4.

Radio Days (1987)
Spanish poster postcard from the series 'Yo amo el cine'. Poster: Lauren Films. Poster for Radio Days (Woody Allen, 1987).

A rising star, known for her 'hippie' look and vulnerability


Mia Farrow was born Maria de Lourdes Villiers Farrow in 1945, in Los Angeles, California, USA. She grew up in a privileged Hollywood household as the third child and eldest daughter of Australian film director John Farrow and Irish actress Maureen O'Sullivan, who was famous for playing Jane in the classic Tarzan films. Her childhood godparents included the famous director George Cukor and gossip journalist Louella Parsons.

At the age of nine, she contracted polio, an illness that required her to be isolated during her recovery. A few years later, her eldest brother, Michael, sadly died in a plane crash at just 19 years old. These experiences had a big impact on her. Farrow began her career as a fashion model and appeared in a few small, uncredited film roles, including one for her father in John Paul Jones (John Farrow, 1959).

Her big break came in the mid-1960s when she landed the role of Allison MacKenzie in the popular American television soap opera Peyton Place (1964-1966). Her performance made her a household name in the US and established her as a rising star, known for her 'hippie' look and vulnerability. After leaving Peyton Place and her short-lived, high-profile marriage to singer Frank Sinatra in the late 1960s, Farrow focused on her film career.

Her most iconic and defining role came in the psychological Horror film Rosemary's Baby (Roman Polanski, 1968). In this chilling film, she played a young, pregnant woman who suspects her neighbours are part of a satanic cult. Critic Roger Ebert: "The characters and the story transcend the plot. In most Horror films, and indeed in most suspense films of the Alfred Hitchcock tradition, the characters are at the mercy of the plot. In this one, they emerge as human beings actually doing these things. A great deal of the credit for this achievement must go to Mia Farrow, as Rosemary, and Ruth Gordon, as Mrs Castevet, the next-door neighbour. Here are two of the finest performances by actresses this year." Her performance earned her a BAFTA and a Golden Globe nomination for Best Actress.

Throughout the 1970s, Farrow explored diverse roles in both theatre and film. She became the first American actress to join the prestigious Royal Shakespeare Company in London. Notable film appearances during this time included playing the beautiful but complex character of Daisy Buchanan in The Great Gatsby (Jack Clayton, 1974) opposite Robert Redford and a supporting role in the star-studded mystery film Death on the Nile (John Guillermin, 1978).

Mia Farrow in Rosemary's Baby (1968)
Chinese postcard. Mia Farrow in Rosemary's Baby (Roman Polanski, 1968).

Mia Farrow
Romanian postcard by Casa Filmului Acin.

Mia Farrow and Robert Redford in The Great Gatsby (1974)
Canadian postcard by Canadian Postcard, no. A 228. Mia Farrow and Robert Redford in The Great Gatsby (Jack Clayton, 1974).

Mia Farrow and Robert Redford in The Great Gatsby (1974)
Belgian postcard Raider Bounty / Joepie. Mia Farrow and Robert Redford in The Great Gatsby (Jack Clayton, 1974).

The muse of Woody Allen in 13 films


Mia Farrow's professional and personal life took a significant turn in the early 1980s when she began a long relationship with the writer and director Woody Allen. Over a decade, she became his muse and appeared in 13 of his films, showcasing her versatility and range. These collaborations are among her most celebrated works. Their first film together was the charming fantasy The Purple Rose of Cairo (Woody Allen, 1985), where she played a lonely waitress whose film hero steps off the screen.

Roger Ebert: "'Purple Rose' is delightful from beginning to end, not only because of the clarity and charm with which (Jeff) Daniels and Farrow explore the problems of their characters, but also because the movie is so intelligent. It’s not brainy or intellectual—no one in the whole movie speaks with more complexity than your average 1930s movie hero—but the movie is filled with wit and invention, and Allen trusts us to find the ironies, relish the contradictions, and figure things out for ourselves."

She also starred in the critically acclaimed comedy-drama Hannah and Her Sisters (Woody Allen, 1986), playing the central character, a dedicated, anxious woman. Other major roles in Allen's films included Zelig (Woody Allen, 1983), a mockumentary about a man who can change his appearance to look like anyone around him; the comedy Broadway Danny Rose (Woody Allen, 1984), where she played a tough, gum-chewing mob widow; and the drama Crimes and Misdemeanours (Woody Allen, 1989). These roles solidified her reputation as one of the era's leading actresses, earning her more award nominations.

The relationship with Allen ended in the early 1990s in a very public and painful scandal involving a custody battle over their children. This highly publicised period shifted some of the media's focus from her acting to her personal life and family. Beyond the screen, Farrow is perhaps even more well-known for her extensive humanitarian work. She has served as a UNICEF Goodwill Ambassador, travelling to war zones and areas affected by poverty and disease, particularly in Africa. Her efforts in places like Darfur and Chad have drawn international attention to crises and made her one of Time magazine's most influential people in the world in 2008.

Mia Farrow has a very large family, with 14 children in total, many of whom are adopted. She raised her family primarily in New York and Connecticut. Her memoir, 'What Falls Away', published in 1997, discusses her life journey, from her Hollywood childhood and the polio ward to her marriages and her struggle to protect her children during difficult times. In recent years, Farrow has continued to act occasionally, with supporting roles in films like the Horror remake The Omen (John Moore, 2006) and the comedy Be Kind Rewind (Michel Gondry, 2008). She also returned to the stage, earning a Tony Award nomination for her performance in the play 'The Roommate' on Broadway in 2025.

The Purple Rose of Cairo (1985)
French postcard by Eds. Humour à la carte. Poster design: J.M. Folon / Spadem, 1985. French affiche for The Purple Rose of Cairo (Woody Allen, 1985).

September (Woody Allen, 1987)
Spanish poster postcard by Yo amo el cine, Rovensa. Image: Lauren Films. Poster design: J.M. Folon. French affiche for September (Woody Allen, 1987).

Another Woman (Woody Allen, 1988)
French poster card by Cart'Postal System, Bourgoin. French affiche for Another Woman (Woody Allen, 1988), starring Mia Farrow and Gena Rowlands.

Sources: Roger Ebert (Roger Ebert.com), Alexis Soloski (New York Times), Britannica, Wikipedia (English, German and Dutch) and IMDb.

16 February 2026

Ellaline Terriss

Ellaline Terriss (1871-1971) was a popular English actress and singer in the late Victorian Era, throughout the Edwardian Era, and into the Modern Era. She was best known for her performances in Edwardian musical comedies. From 1893 till his death in 1949, she was married to the famous actor-producer Seymour Hicks. The two collaborated on many stage and film projects.

Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 4018 J. Photo: Foulsham & Banfield.

Seymour Hicks and Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 1277 F. Photo: Foulsham & Banfield. Seymour Hicks as Dickie and Ellaline Terriss as Blue Bell in the play 'Bluebell in Fairyland' (1901).

Seymour Hicks and Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 1597 Q. Seymour Hicks and Ellaline Terriss in the play 'The Beauty of Bath' (1906).

Ellaline Terriss in The Dashing Little Duke
British postcard by Rotary Photo, no. 11509 D. Photo: Foulsham & Banfield. Ellaline Terriss as Duc du Richelieu in the musical play, 'The Dashing Little Duke', by her husband, Seymour Hicks, with lyrics by Ardian Ross and music by Frank E. Tours. The production, the cast of which also included Hayden Coffin, Courtice Pounds, Elizabeth Firth and Coralie Blythe, opened at the Hicks Theatre (now the Gielgud), London, on 17 February 1909, following an out-of-town trial at the Theatre Royal, Nottingham. It ran for a disappointing 95 performances.

The most popular couple on the London stage


Ellaline Terriss's real name was Mary Ellaline Lewin, and she was born in 1871 in Port Stanley, the capital of the British colony of the Falkland Islands. Her father, William Lewin, was a cattle farmer there. Her mother, Isabel (née Lewis), acted under the stage name Amy Fellowes. Her adventurous father had been a sailor and tea farmer, as well as an actor, before raising sheep in the South Atlantic. Shortly after Ellaline's birth, he returned to England, where he became a great success as an actor under the stage name William Terriss. Because of his swashbuckling style, he was known as 'Breezy Bill'. Ellaline's brother, Tom Terriss, became an actor, screenwriter and well-known film director.

Ellaline performed from an early age, although she had no real ambition to act professionally. At 17, she appeared in pantomime at the Alexandra Theatre, Liverpool. Wikipedia: "Petite, pretty and talented, she attracted the praise of both critics and the public. She came to the attention of Herbert Beerbohm Tree, who signed her to make her professional London debut." She debuted on the London stage as Mary Herbert in 'Cupid's Messenger' (1888). Terriss won over critics and audiences alike. She landed a three-year contract with producer Charles Wyndham, her first role being Madge in 'Why Women Weep'. Ellaline also attracted the attention of a promising actor, Seymour Hicks, whom she married in 1893.

In December 1893, Terriss starred in the title role of the successful and lavish version of the fairy pantomime 'Cinderella', produced by Henry Irving with music by Oscar Barrett. Toward the end of the run, Hicks took over the role of Thisbe, one of Cinderella's half-sisters. The play was performed in the United States under the management of George Edwardes. The following season, Terriss performed in W. S. Gilbert and Frank Osmond Carr's comic opera 'His Excellency'. In 1895, Terriss worked in London with her husband as co-star in a George Edwardes hit, 'The Shop Girl', which they reprised on Broadway. They travelled to the United States in 1895, where they befriended the novelist Richard Harding Davis. At W.S. Gilbert's urging, Hicks wrote a drama called 'One of the Best, a vehicle for Terriss's father's show at the Adelphi Theatre, based on the famous Dreyfus case. Another of the couple's early successes was 'The Circus Girl' (1896). Terriss made Lionel Monckton's song, 'A Simple Little String' from 'The Circus Girl' into a major hit.

In December 1897, William Terriss was murdered outside the Adelphi Theatre in London's West End by an unemployed, deranged actor, Richard Archer Prince, who thought Terriss had been blackballing him. Ellaline's mother died shortly afterwards. The murder and Prince's trial occupied the nation's press for weeks. At the time, the most popular couple on the London stage, Terriss and Hicks, received a great deal of sympathy. In the aftermath, Terriss starred in the title role of a new play co-authored by Hicks, 'A Runaway Girl' (1898), which was one of the Gaiety Theatre's most successful shows. This was followed by 'With Flying Colours' (1899).

The Hickses teamed up with producer Charles Frohman. Over seven years, they performed in his company in a series of musicals written by Hicks. These included 'Bluebell in Fairyland' (1901) with music by Charles H. Taylor, 'The Cherry Girl' (1902), 'The Beauty of Bath' (1906), which included lyrics and additional music by P. G. Wodehouse and Jerome Kern, and opened the Hicks Theatre, and 'The Gay Gordons' (1907). Hicks and Terriss also starred in 'Quality Street' in 1902.

Seymour Hicks, Ellaline Terriss, Baby Betty
British postcard by Rotar Photo, E.C., no. 4051 A. Photo: Foulsham & Bansfield. Caption: Mrs. Seymour Hicks (Miss Ellaline Terriss), Baby Betty and Mr. Seymour Hicks.

Ellaline Terriss as Peggy Quainton in The Gay Gordons (1907)
British postcard by Rotary Photo, E.C., no. 4857 N. Photo: Foulsham & Banfield. Ellaline Terriss as Peggy Quainton in 'The Gay Gordons' (1907), an Edwardian musical comedy with a libretto by Seymour Hicks, music by Guy Jones and lyrics by Arthur Wimperis, C. H. Bovill, Henry Hamilton and P. G. Wodehouse. The title refers to both the Clan Gordon and the famed Scottish regiment, the Gordon Highlanders, as the plot involves the heir to the clan and a soldier from the regiment. The original production was produced by Charles Frohman and opened at London's Aldwych Theatre on 11 September 1907. The piece starred Hicks as Angus Graeme and Terriss as Peggy Quainton. William Lugg played Andrew Quainton, Zena Dare played Victoria Siddons, and when the show went on tour, she played Peggy Quainton.

Mrs. Seymour Hicks (Ellaline Terriss) and her daughter Betty
British postcard by Rotary Photo E.C., no. 4409 F. Photo: Foulsham & Banfield. Caption: Miss Betty & Mrs. Seymour Hicks (Miss Ellaline Terriss). As Betty Hicks was born in 1907, this photo may be of ca. 1910.

Seymour Hicks
British postcard by Rotary Photo, E.C., no. 1277 G. Photo: Foulsham & Banfield. Seymour Hicks as Dickie and Ellaline Terriss as Blue Bell in 'Bluebell in Fairyland' (1901).

Acting in nearly a dozen British and American films


Ellaline Terriss and Seymour Hicks continued to perform consistently, both in London and on tour in the United States. There was an intermission when Terriss adopted their first child, Mabel, in 1904. In 1905, Terriss took over the role of Angela in her husband's play 'The Catch of the Season', which had been played by Zena Dare during Terriss's pregnancy. Terriss later ceded the role to Dare's sister, Phyllis Dare. After the birth of her second daughter, Betty, in 1907, Terriss reduced the steady activity she had maintained for nearly twenty years. She continued to work in a limited number of plays, including 'The Dashing Little Duke' (1909), with C. Hayden Coffin, Courtice Pounds and Louie Pounds. Although she played the title role, the production had little success. When she missed several performances due to illness, Hicks replaced her in the role - possibly the only instance in the history of a musical in which a husband replaced the wife.

After the failure of 'Captain Kidd' (1910), Hicks and Terriss concentrated on comedy and music hall tours. They did a tour in South Africa in 1911 and a subsequent tour of France after the outbreak of World War I to give concerts to British troops stationed at the front. Her only return to musical comedy, 'Cash on Delivery' (1917), confirmed the decision to turn her career around. From 1917 onwards, Terriss returned to the stage only on special occasions. In December 1925, she performed at the Lyceum with her husband in 'The Man in Dress Clothes', a French farce which he had translated, and in which their daughter Betty made her debut. It was intended to run for a short season, but it was such a success that performances were extended.

Terriss also acted in nearly a dozen British and American films. She made her screen debut in My Indian Anna (Arthur Gilbert, 1907), followed by Glow Little Glow Worm, Glow (Arthur Gilbert, 1907). In 1913-1914, she acted in three films with her husband Seymour Hicks: Scrooge (1913), David Garrick (1913), and Always Tell Your Wife (1914). All were directed by Leedham Bantock. She then moved to the United States to act in two films directed by her brother, Tom Terriss, for his own company, Terriss Feature Film Company, starting with The Flame of Passion (1915), which was shot in Jamaica. Tom Terriss often played the male lead in his own films, including in this one. After a second film by Tom Terriss, A Woman of the World (1916), Ellaline returned to Britain. Tom, after eight films for his own company, started to work for Vitagraph and hence focused on directing.

In 1923, Seymour Hicks and Ellaline Terriss did a remake of Always Tell Your Wife, for which Alfred Hitchcock took over direction after the initial director, Hugh Croise, was fired. In the late 1920s, Terriss acted opposite Lillian Hall-Davis in Blighty (Adrian Brunel, 1927) and opposite Robin Irvine in the Spy film Land of Hope and Glory (Harry Knoles, 1927). In 1929, she acted in her first talking picture, the Titanic disaster-film Atlantic by E.A. Dupont, opposite John Stuart and Madeleine Carroll. This was followed by parts in the films A Man of Mayfair (Louis Mercanton, 1931) and Glamour (Seymour Hicks, Harry Hughes, 1931) with her husband as co-director and star. In The Iron Duke (Victor Saville, 1934), she played Lady Wellington opposite George Arliss as Arthur Wellesley, the first duke of Wellington, who faced down Napoleon's armies at Waterloo, and served as prime minister. Her last film was the thriller The Four Just Men (Walter Forde, 1939) starring Hugh Sinclair and Griffith Jones.

Seymour Hicks was knighted in 1934, which made Ellaline 'Lady Hicks'. In 1940, Terriss and Hicks went to the Middle East to entertain the British troops in World War II. After the war, Terriss retired from the stage. She and Hicks moved to South Africa, where she took up painting and was tutored by the marine artist George Pilkington. So good were her works that an exhibition was held at Foyle's Art Gallery, London, in 1959. Ellaline Terriss was married to Seymour Hicks until he died in 1949. Terriss died at the Holy Family Nursing Home, Hampstead, London, in 1971, at the high age of 100. Her daughter, Betty Hicks, was a stage actress as well.

Ellaline Terriss as Peggy Quainton in The Gay Gordons (1907)
British postcard by Rotary Photo, E.C., no. 4857 V. Photo: Foulsham & Banfield. Ellaline Terriss as Peggy Quainton in 'The Gay Gordons' (1907).

Ellaline Terriss
British postcard by Rotary Photo, E.C., no. 4081 X. Photo: Foulsham & Banfield.

Ellaline Terriss and Seymour Hicks in the play The Gay Gordons (1907)
British postcard by Rotary Photo E.C., no. 7401 E. Photo: Foulsham & Banfield. Caption: Father, this is the man I love. Barbara Deane, Ellaline Terriss, Seymour Hicks, William Lugg and Zena Dare in 'The Gay Gordons' (1907).

Seymour Hicks and Ellaline Terriss,
British postcard by J. Beagles & Co., no. 2. Photo: Ellis and Walery. Seymour Hicks and Ellaline Terriss as Pierrot and Columbine.

Sources: Jon C. Hopwood (IMDb), Wikipedia (English and Spanish) and IMDb.

15 February 2026

15 New cards from G.D.I.: Hollywood stars of the early 1950s

For our monthly post on the Geoffrey Donaldson Institute postcard collection, we selected 15 cards from a little black album called 'Cine Stars'. Bart Vermeer donated the album to the GDI in 2020, but the original owner was Henri Pauwels in Leuven or Louvain, Belgium. His album was published by the Chocolate Factory Kwatta and had the MGM lion on its cover. In an introduction, 'Kwattina, the Kwatta mascot' writes: "You are familiar with the lion that adorns the cover of this album. He has been roaring on screen for years. You know that he announces the best current films, the Metro-Goldwyn-Mayer films, which feature the best stars. They are the stars, your stars, whose photos you will collect in this lovely album". How ironic that Henri mainly collected cards of stars from other Hollywood studios. He was particularly fond of Doris Day. Most of the postcards were probably made in Belgium.

Marilyn Moroe
Vintage postcard, no. 193. Photo: 20th Century Fox.

By 1953, Marilyn Monroe (1926-1962) was one of the most marketable Hollywood stars, with leading roles in three films: the Film Noir Niagara, which focused on her sex appeal, and the comedies Gentlemen Prefer Blondes and How to Marry a Millionaire, which established her star image as a "dumb blonde". Although she played a significant role in shaping her public image throughout her career, she was disappointed by being typecast and underpaid by the studio. She was briefly suspended in early 1954 for refusing a film project, but returned to star in one of the biggest box office successes of her career, The Seven Year Itch (1955).

Doris Day in It's a Great Feeling (1949)
Vintage postcard, no. 352. Photo: Warner Bros. Doris Day in It's a Great Feeling (David Butler, 1949).

Legendary actress and singer Doris Day (1922-2019), with her blonde hair and blue eyes, performed with several big bands before going solo in 1947. In the 1950s, she starred in a series of popular film musicals, including Calamity Jane (1953) and The Pajama Game (1957). 'Que Será, Será!' became her theme song. With Rock Hudson, she starred in the box office hit Pillow Talk (1959). On TV, she appeared in the sitcom The Doris Day Show (1968-1973).

Doris Day in It's a Great Feeling (1949)
Vintage postcard, no. 352. Photo: Warner Bros. Doris Day in It's a Great Feeling (David Butler, 1949).

Doris Day
Vintage postcard, no. 352. Photo: Warner Bros.

Tony Curtis and Mona Freeman in Flesh and Fury (1952)
Vintage postcard, no. 160. Photo: M.G.M. Tony Curtis and Mona Freeman in Flesh and Fury (Joseph Pevney, 1952).

American film actor Tony Curtis (1925-2010) played a variety of roles, from light comedy, such as the musician on the run from gangsters in Some Like It Hot (Billy Wilder, 1959), to serious dramatic roles, such as an escaped convict in The Defiant Ones (Stanley Kramer, 1958), which earned him a nomination for the Academy Award for Best Actor. From 1949, he appeared in more than 100 films and made frequent television appearances.

American actress Mona Freeman (1926-2014) was the perennially young bobbysoxer of post-war Paramount. She played teen roles long after she had outgrown them, and this later stifled her adult career, although she became a competent actress.

Tony Curtis and Mona Freeman in Flesh and Fury (1952)
Vintage postcard, no. 120. Photo: M.G.M. Tony Curtis and Mona Freeman in Flesh and Fury (Joseph Pevney, 1952).

Lena Horne
Vintage postcard, no. 551. Photo: Metro-Goldwyn-Mayer.

Lena Horne (1917-2010) was an American singer, dancer, actress, and human rights activist. She is known as one of the most popular African American entertainers of the twentieth century. She starred in the film musicals Cabin in the Sky (1943) and Stormy Weather (1943).

Doris Day and Kirk Douglas in Young Man With A Horn (1950)
Dutch postcard, no. 1080. Photo: Warner Bros. Doris Day and Kirk Douglas in Young Man With A Horn (Michael Curtiz, 1950).

Cleft-chinned and steely-eyed American superstar Kirk Douglas (1916-2020) made his film debut in The Strange Love of Martha Ivers (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s, known for serious dramas, including Westerns and War films. Our favourites are the two classics he made with Stanley Kubrick, Paths of Glory (1957) and Spartacus (1960). During his long career, he appeared in more than 90 films.

Mario Lanza and Kathryn Grayson in Toast of New Orleans  (1951)
Vintage card, no. 951. Photo: Metro Goldwyn Mayer. Mario Lanza and Kathryn Grayson in The Toast of New Orleans (Norman Taurog, 1950). Collection: Geoffrey Donaldson Institute.

Mario Lanza (1921–1959) was an American tenor, actor and Hollywood film star of the late 1940s and the 1950s. His masterpiece was The Great Caruso (Richard Thorpe, 1951), the top-grossing film in the world in 1951. Lanza's voice was so dazzling that an awestruck Arturo Toscanini called it the "voice of the century".

American actress Kathryn Grayson (1922-2010) was a pretty, petite brunette with a heart-shaped face. During the 1940s and early 1950s, she starred in several MGM musicals with Gene Kelly and Mario Lanza. Her best-known musicals are Show Boat (1950) and Kiss Me Kate (1953).

Doris Day and Gordon MacRae in On Moonlight Bay (1951)
Dutch postcard, no. 252. Photo: Warner Bros. Doris Day and Gordon MacRae in On Moonlight Bay (Roy Del Ruth, 1951).

With his handsome boy-next-door looks, deep baritone, and glorious smile, Gordon MacRae (1920-1986) was successful as a singer and musical actor. He was best known for five films with Doris Day and his roles in the film versions of two Rodgers and Hammerstein musicals, Oklahoma! (1955) and Carousel (1956).

Doris Day and Gordon MacRae in On Moonlight Bay (1951)
Dutch postcard by DRC, no. F 99. Photo: Warner Bros. Doris Day and Gordon MacRae in On Moonlight Bay (Roy Del Ruth, 1951).

Doris Day
Vintage postcard, no. 565.

Doris Day and Gene Nelson in Lullaby of Broadway (1951)
Vintage postcard, no. 1151. Photo: Warner Bros. Doris Day and Gene Nelson in Lullaby of Broadway (David Butler, 1951).

American actor and dancer Gene Nelson (1920-1996) is best known for his role as cowboy Will Parker in Oklahoma! (1955), where he would twirl the lasso to the tune of 'Kansas City'. After graduating from high school, Nelson joined the Sonja Henie Ice Show and toured for 3 years before joining the Army in World War II. After he was discharged, he appeared on screen with Debbie Reynolds in The Daughter of Rosie O'Grady (1950), Doris Day in Tea for Two (1950) and Virginia Mayo in She's Working Her Way Through College (1952). After his dancing days ended, he turned to directing TV and films.

Doris Day and Gene Nelson
Dutch postcard, no. 1051. Photo: Warner Bros.

Françoise Arnoul
Vintage postcard, no. 76. Photo: Sam Lévin.

In the early 1950s, cute and pretty French actress Françoise Arnoul (1931-2021) was presented as the new French sex symbol. Soon she was overshadowed by the spectacular Brigitte Bardot, but Arnoul had enough talent and range to forge a decent film career for herself.

All postcards in this post are from the collection of the Geoffrey Donaldson Institute.

14 February 2026

La Collectionneuse: Valentine's Day 2026

As is customary at EFSP, we celebrate Valentine's Day with a special gallery of film couples. We hope you'll like this selection.

John Gilbert and Eleanor Boardman in Bardelys the Magnificent (1926)
French postcard by A.N., Paris, no. 322. Photo: Metro-Goldwyn. John Gilbert and Eleanor Boardman in Bardelys the Magnificent (King Vidor, 1926).

Billie Dove and Douglas Fairbanks in The Black Pirate (1926)
Italian postcard by G. Vettori, Bologna, no. 623. Billie Dove and Douglas Fairbanks in The Black Pirate (Albert Parker, 1926).

Dolores Del Rio and Edmund Lowe in What Price Glory (1926)
French postcard by A.N., Paris, no. 330. Photo: Autrey / Fox Film. Dolores Del Rio and Edmund Lowe in What Price Glory (Raoul Walsh, 1926).

Gary Cooper and Colleen Moore in Lilac Time (1928).
German postcard by Ross Verlag, no. 4087/1, 1929-1930. Photo: Defina / First National. Colleen Moore and Gary Cooper in Lilac Time (George Fitzmaurice, Frank Lloyd, 1928).

Joan Crawford and Nils Asther in Dream of Love (1928)
French postcard by Cinémagazine-Edition, Paris, no. 654. Joan Crawford and Nils Asther in Dream of Love (Fred Niblo, 1928).

Dria Paola and Elio Steiner in La canzone dell’amore (1930).
Italian postcard by G.B. Falci Editore, Milano, no. 886. Photo: Cines Pittaluga, Roma. Dria Paola and Elio Steiner in La canzone dell’amore / The Song of Love (Gennaro Righelli, 1930).

Anita Page and Phillips Holmes in Night Court (1932)
British postcard in the Film Partners series, no. PC62. Anita Page and Phillips Holmes in Night Court (W.S. Van Dyke, 1932).

Sylvia Sidney and Spencer Tracy in Fury (1936)
Spanish postcard in the series 1037. Sylvia Sidney and Spencer Tracy in Fury (Fritz Lang, 1936). Caption: “Your smile is my destiny”.

Lana Turner and Lew Ayres in These Glamour Girls (1939)
Spanish postcard by Infonal, no. O.M.323. Photo: Metro-Goldwyn-Mayer. Lana Turner and Lew Ayres in These Glamour Girls (S. Sylvan Simon, 1939).

Judy Garland and Mickey Rooney in Babes in Arms (1939
Postcard from the Dutch East Indies (now Indonesia). Judy Garland and Mickey Rooney in Babes in Arms (Busby Berkeley, 1939). Photo: Metro-Goldwyn-Mayer.

Olivia De Havilland and George Brent in In This Our Life (1942)
Spanish postcard. Olivia De Havilland and George Brent in In This Our Life (John Huston, Raoul Walsh, 1942).

Ingrid Bergman and Cary Grant in  Notorious (1946)
Spanish postcard. Ingrid Bergman and Cary Grant in Notorious (Alfred Hitchcock, 1946).

Myrna Loy and Don Ameche in So Goes My Love (1946)
Spanish postcard. Myrna Loy and Don Ameche in So Goes My Love (Frank Ryan, 1946).

Patricia Neal and John Wayn in Operation Pacific (1951
Spanish postcard, no. 2330. Patricia Neal and John Wayne in Operation Pacific (George Waggner, 1951).

Linda Darnell and Stephen McNally in The Lady Pays Off (1951)
French or Belgian postcard. Linda Darnell and Stephen McNally in The Lady Pays Off (Douglas Sirk, 1951).

Postcards and text: Marlene Pilaete.