02 April 2026

Sammy Davis Jr.

Sammy Davis Jr. (1925 -1990) was an American singer, actor, comedian, dancer, and musician. At the age of four, Davis began his career in Vaudeville with his father, Sammy Davis Sr. Davis had a starring role on Broadway in 'Mr. Wonderful' (1956) with Chita Rivera and in the Rat Pack film Ocean's 11 (1960). In 1966, he had his own TV variety show, The Sammy Davis Jr. Show. His biggest hit, 'The Candy Man', reached the top of the Billboard Hot 100 in 1972. He became a star in Las Vegas, earning him the nickname 'Mister Show Business.' Davis's popularity helped break the race barrier of the segregated entertainment industry.

Sammy Davis Jr.
British postcard to promote 'Worth exposing Hollywood exhibition: Frank Worth's glamorous and unpublished Hollywood photographs, 1939-1964' at the 20th Century Theatre, London, 2002. Photo: Frank Worth. Caption: Sammy Davis Jr. leaps above the city, 1960.

Sammy Davis Jr.
Italian postcard by Bromofoto, Milano, no. 1749. Photo: Warner Bros. in Ocean's Eleven (Lewis Milestone, 1960). The Italian film title was Colpo grosso.

Sammy Davis Jr., Dean Martin, Peter Lawford and Frank Sinatra
German postcard by Krüger, no. 902/193. Photo: Terb Agency. Sammy Davis Jr., Dean Martin, Peter Lawford and Frank Sinatra in Ocean's 11 (Lewis Milestone, 1960).

Sammy Davis Jr.
Vintage autograph card.

Mr. Wonderful


Sammy Davis Jr. was born in 1925 in Harlem, Manhattan. He was the son of dancer Elvera Davis (née Sanchez) and Vaudeville star Sammy Davis Sr. His father was African American, and his mother was of Cuban and African American ancestry. When he was three years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour. Davis learned to dance from his father and his godfather, Will Mastin. Davis joined the act, and they became the Will Mastin Trio.

Performing since the age of five, he was largely self-taught. Sammy often appeared in states and cities with strict child labour laws. To get around these laws, he was billed as 'Silent Sammy, the Dancing Midget', and conspicuously walked around backstage with a rubber cigar in his mouth and a woman on each arm. Davis Jr. was known as someone who could do it all: sing, dance, play instruments, act, and do stand-up. At age seven, Davis played the title role in the short film Rufus Jones for President (Roy Mack, 1933), in which he sang and danced with Ethel Waters. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism.

A stint in the army in 1944 opened his eyes to the evils of prejudice. A slight man, he was often beaten up by bigger white soldiers. His nose was broken numerous times and permanently flattened. He was given the dirtiest and most dangerous assignments by white officers simply because he was black. He was reassigned to the Army's Special Services branch, which provided entertainment for troops. Davis, who earned the American Campaign Medal and World War II Victory Medal, was discharged in 1945 with the rank of private. Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949 under the pseudonyms Shorty Muggins and Charlie Green. In March 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes, but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Sammy Davis Jr. launched into his impressions. They performed for nearly an hour, and Paige insisted that the order of the show be flipped.

Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums. In the 1950s, Sammy Davis Jr. helped break down racial barriers in show business, particularly in Las Vegas, where he frequently performed. When he started there in the early 1950s, he was not allowed to stay in the hotels he played in, as they refused to take blacks as customers. He lost his left eye in a car crash when he was on his way to record the theme song for the Tony Curtis film, Six Bridges to Cross (1955). He wore an eyepatch for some time after that. Humphrey Bogart ultimately convinced him to unmask when he told him that he didn't want to be known as the kid with the eyepatch. Davis was fitted for a glass eye, which he wore for the rest of his life. Years after the accident, Davis converted to Judaism. In the hospital, Eddie Cantor had already described to Davis the similarities between Jewish and Black cultures.

In 1956, he was a success in his first Broadway show, 'Mr. Wonderful', which led to his career in Hollywood. He acted in the drama Anna Lucasta (Arnold Laven, 1958), starring Eartha Kitt, and the musical Porgy and Bess (Otto Preminger, 1959), starring Sidney Poitier and Dorothy Dandridge. He became even more famous as one of the Rat Pack, a group of free-wheeling entertainers that included Dean Martin, Frank Sinatra, Joey Bishop and Peter Lawford. All appeared in the Heist film Ocean's Eleven (Lewis Milestone, 1960), followed by the Western comedy Sergeants 3 (John Sturges, 1962) and the musical Robin and the Seven Hoods (Gordon Douglas, 1964). In 1957, Davis was involved with actress Kim Novak, who was under contract with Columbia Pictures. Because Novak was white, Columbia president Harry Cohn worried that public backlash against the relationship could hurt the studio. There are several accounts of what happened, but they agree that Davis was threatened by organised crime figures close to Cohn.

Sammy Davis Jr.
Dutch postcard by Rembrandt N.V., Amsterdam, no. 1132. Photo: Reprise Records.

Sammy Davis Jr.
Dutch postcard by Uitgeverij 't Sticht, Utrecht, no. AX 5776.

Sammy Davis Jr.
American postcard by Colourpicture Publishers, Boston, Mass., no. P59031. Colour by Dan Andrews. Caption: Sammy Davis Jr. performing on stage.

A short, ugly, one-eyed, black Jew


In 1960, Sammy Davis Jr. again stirred up a large amount of controversy by openly dating, and ultimately marrying, blonde, blue-eyed Swedish-born actress May Britt. Davis Jr. starred in the Broadway musical version of Clifford Odets' 'Golden Boy' (1964), for which he was nominated for a Tony Award for Best Actor in 1965. The show featured the first interracial kiss on Broadway. Internal tensions, production problems and bad reviews resulted in the musical's closing fairly quickly.

Much of the bad press was directed at Davis for playing a role originally written for a white man. When someone later complained about discrimination, he said, according to IMDb: "You got it easy. I'm a short, ugly, one-eyed, black Jew. What do you think it's like for me?" His film and nightclub career were in full swing, however. He co-starred in the buddy spy comedy Salt and Pepper / Salt & Pepper (Richard Donner, 1968) with Peter Lawford and appeared in the popular musical Sweet Charity (Bob Fosse, 1969) starring Shirley MacLaine. Davis was a regular at many of Elvis Presley's concerts in Las Vegas. He appeared in the audience and backstage in the documentary Elvis: That's the Way It Is (Denis Sanders, 1970).

He filmed a cameo appearance for the James Bond film Diamonds Are Forever (Guy Hamilton, 1971). The scene was ultimately deleted, but can be seen on the DVD. In 1975, he performed the theme song from the Baretta television series, 'Baretta's Theme (Keep Your Eye on the Sparrow)', which was released as a single. He made appearances on the Soap Opera General Hospital (1982-1983) and had a recurring role as Chip Warren on another Soap Opera, One Life to Live (1979), for which he received a 1980 Daytime Emmy Award nomination. He turned up in the all-star cast of the successful action-comedy The Cannonball Run (Hal Needham, 1981) and the sequel Cannonball Run II (Hal Needham, 1983).

His final feature film was the dance drama Tap (Nick Castle, 1989) starring Gregory Hines. After reuniting with Frank Sinatra and Dean Martin in 1987, Davis toured internationally with them and Liza Minnelli. During the tour in 1989, chain-smoker Davis was diagnosed with throat cancer. Davis died at the age of 64. He was survived by his mother, Elvera Sanchez (1905-2000), and his grandmother, Elvera's mother, Luisa (who died in 1995 at 112). Davis was married three times. A 'contract' was allegedly put out on Sammy's life because of his interracial affair with Kim Novak, but Frank Sinatra intervened and saved the day. Nevertheless, Davis married a black showgirl, Loray White, in 1958 out of fear for his life. A year later, Davis got it annulled, and Loray allegedly received a $10,000 settlement and a Cadillac.

His marriage to May Britt was from 1960 to 1968. They had a daughter, Tracey Davis, and also adopted two sons: Mark Sidney (born 1960, adopted on June 4, 1963) and Jeff (born 1963). His final marriage to Altovise Davis was from 1970 to his death in 1990. They also adopted a son, Manny Davis (born 1978, adopted 1989). When he died, he was in debt. He admitted to compulsive carousing, reckless gambling and spending $50 million over 20 years while earning $3 million a year. To pay for Sammy Davis Jr's funeral, most of his memorabilia was sold off. He was interred at Forest Lawn Memorial Park in Glendale, California, in the Garden of Honour, next to his father, Sammy Davis Sr. In 2001, he was posthumously awarded the Grammy Lifetime Achievement Award, and in 2017, he was inducted into the National Rhythm & Blues Hall of Fame.

Sammy Davis Jr.
Big East German card by VEB Progress Film-Vertrieb, Berlin, no. 131/71, 1971.

Larry Hagman, Sammy Davis Jr. and Barbara Eden in I Dream of Jeannie
West German collector card in the Penny-Bildband series Unsere Bambi-Lieblinge, no. 16. Larry Hagman, Sammy Davis Jr. and Barbara Eden in the TV series I Dream of Jeannie (1965-1970).

Sammy Davis Jr.
Dutch postcard by Uitloper Utrecht 1000, no. 1, 2007. De Uitloper was a weekly cultural events calendar for the Dutch cities of Breda and Utrecht. It was published from 1988 to 2018. A series of postcards was published in 2007 to commemorate the 1000th edition. Old collector cards of film stars of the early 1960s were used as images.

Sources: rocknrollunderdawg (IMDb), Wikipedia and IMDb.

01 April 2026

New record: 353,773 views in March 2026

Dear followers of European Film Star Postcards - EFSP,

We are incredibly happy and proud to announce that we had a record number of views again last month: 353,773 views. It's astounding.

On 2 October 2025, European Film Star Postcards passed the magical milestone of 10 million page views since we started in 2007. At the same time, EFSP also set a new record of 267,964 page views in a single month, September 2025. Then it only went wilder. In November 2025, we counted 288,011 views, and in January this year, our view count went through the 300,000 views-in-one-month barrier with 318,734 clicks.

Thank you all for visiting us. We hope you liked our blog and will keep coming back! Please, make comments under our posts and keep sending us your emails with suggestions and anecdotes. We love to read them. But please don't waste your and our time by commenting with advertisements or sending us emails with a commercial message. No, we don't sell EFSP. Such messages will be deleted and never answered.

We, meaning the three editors of EFSP: Marlene Pilaete, also known under her nom de plume La Collectionneuse, my life partner Ivo Blom and I. We also like to thank the friends and collaborators of this blog, including Egbert Barten of GDI, Maria of Everything Croton, Carla, Alina, Erhanizzet and Jean Ritsema of Ross Verlag Postcards. Thanks, pals.

EFSP is and will remain a non-commercial e-island, free for everybody to visit without advertisements, cookies (from us anyway) or requests for money. Yes, it is a labour of love by true amateurs.

Warm greetings from Amsterdam,

Paul van Yperen,
co-editor of European Film Star Postcards.


Pat & Patachon

Ornella Muti

Beautiful Italian actress Ornella Muti (1955) often appeared in sexy Italian comedies and dramas, but she also worked for such major European directors as Marco Ferreri, Francesco Rosi and Volker Schlöndorff. English language audiences probably know her best as the sensuous Princess Aura in Flash Gordon (1980).

Ornella Muti
Romanian postcard by Casa Filmului Acin.

Ornella Muti
French postcard, 1982, sent by mail in 1985. Photo: Angelo Frontoni.

Ornella Muti
French postcard by Humour a a la Carte, Paris, no. ST-150.

Ornella Muti
French postcard in the series Collection Cinéma Couleur by Editions La Malibran, Paris / Nancy, no. MC 34. Photo: Georges Pierre. Publicity still for Un amour de Swann / Swann in Love (Volker Schlöndorff, 1983).

Ornella Muti and Joe Mantegna in Wait Until Spring, Bandini (1989)
Vintage photo. Ornella Muti and Joe Mantegna in Wait Until Spring, Bandini (Dominique Deruddere, 1989).

The best-filled thing from Italy since ravioli


Ornella Muti was born in Rome in 1955 as Francesca Romana Rivelli, to a Neapolitan father, a journalist, and an Estonian mother, a sculptor. She has an older sister, Claudia Rivera, who was actress in Fotoromanzi (photo novels) in the 1970s. Her Neapolitan father was a journalist. Her mother, Ilse Renate Krause, was a Russian Baltic German sculptor from Estonia. Her maternal grandparents emigrated from Leningrad (now Saint Petersburg, Russia) to Estonia. As a teenager, the beauty with the cat-like blue eyes modelled and posed for illustrated novels.

At 15, she made her film debut in the romantic melodrama La moglie più bella / The Most Beautiful Wife (Damiano Damiani, 1970). The film wasa inspired by the story of Franca Viola from Alcamo in Sicily, who in 1965, at the age of 17, was the first Italian woman to refuse a marriage of convenience. Since there was already an actress with the same surname, Luisa Rivelli, Damiani insisted that she use what would become her stage name for her entire career: it derived from the literary works of Gabriele D'Annunzio, as Ornella is a character from 'La figlia di Iorio', while her surname comes from Elena Muti, the protagonist of 'Il Piacere'.

In the following years, she starred in such Giallos (Italian erotic thrillers) as Un posto ideale per uccidere / Oasis of Fear (Umberto Lenzi, 1971) with Irene Papas, and erotic dramas as Appasionata / Passionate (Gian Luigi Calderone, 1974) with Valentina Cortese. In Romanzo popolare / Come Home and Meet My Wife (Mario Monicelli, 1974), she played the beautiful young Vincenzina who marries her 33 years older godfather, the Milanese worker Basletti (Ugo Tognazzi). The film was a huge success and brought her fame in Italy. Her international breakthrough was as the girlfriend of Gérard Depardieu in Marco Ferreri’s shocking psychological drama La dernière femme / The Last Woman (Marco Ferreri, 1976) about a man who mutilates himself drastically when the custody of his nine-month-old son is threatened.

The role lead to more interesting films with well known directors including La Stanza Del Vescovo/The Bishop's Bedroom (Dino Risi, 1977) opposite Ugo Tognazi, Ritratto di Borghesia in Nero / Nest of Vipers (Tonino Cervi, 1977) with Senta Berger, and in France, Muti starred with Alain Delon in the crime thriller Mort d'un Pourri / Death of a Corrupt Man (George Lautner, 1977).

I Nuovi Mostri / Viva Italia (Mario Monicelli, Dino Risi, Ettore Scola, 1979) with Vittorio Gassman, was a black comedy, comprised of nine short stories all related to the theme that most men are selfish cads. The film was nominated for the Oscar for Best Foreign Film. In America, the film was promoted by a poster with Muti in a swimsuit and a critic’s quote: “Ornella Muti is the best filled thing from Italy since ravioli."

Ornella Muti
Romanian postcard by Casa Filmului Acin.

Ornella Muti
Romanian postcard by Casa Filmului Acin.

Ornella Muti and Ray Sharkey in Love & Money (1982)
Romanian postcard by Casa Filmului Acin. Ornella Muti and Ray Sharkey in Love and Money / Love & Money (James Toback, 1982).

Ornella Muti
Romanian postcard by Casa Filmului Acin, no. c-da 43 139.

Ornella Muti
Romanian postcard by Casa Filmului Acin.

Gorgeous but deadly


Ornella Muti made her British film debut as Princess Aura in Flash Gordon (Mike Hodges, 1980), based on the classic space opera adventure comic strip by Alex Raymond. In the 1930s, this comic strip had been the basis for a more straight-faced adventure serial. In the new Dino De Laurentiis production, Flash's story was mined for exaggerated, cartoon humour by screenwriter Lorenzo Semple Jr., who had been a central figure in the similarly campy 1960s Batman TV series. The sets are spectacular, and the rock score by Queen is appropriately over-the-top.

Ornella Muti shines as the luscious princess of the planet Mongo who tries to lure the blonde hero (Sam J. Jones). IMDb reviewer colleran-2: “Ornella Muti is simply unbelievable as Ming's gorgeous but deadly daughter. Replying to Flash's query as to whether he can use the telepathy machine to contact Dale with a perfectly candid, ‘If I showed you how. But I'm not going' to.”

Back in Italy, she appeared with Adriano Celentano in the hugely successful comedies Il bisbetico domato / The Taming of the Scoundrel (Franco Castellano, Giuseppe Moccia, 1980) and Innamorato pazzo / Madly in Love (Castellano & Pipolo, 1981), and with Giancarlo Giannini in the Russian-Italian drama La vita è bella / Life is Beautiful (Grigori Chukhrai, 1981).

Then followed one of Muti’s greatest successes, Storie di ordinaria follia / Tales of Ordinary Madness (Marco Ferreri, 1981), an adaptation of Charles Bukowski's roman à clef 'Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness'. Nathan Southern at AllMovie: “Ben Gazzara delivers a gutsy, four-barreled performance as skid-row poet and storyteller Charles Bukowski (rechristened Charles Serking onscreen) (...); he eventually falls for a prostitute (Muti) who can express her affection only via self-mutilation. Ferreri lets Bukowski's ribald humour flow throughout and exposes the dark erotic currents at the heart of the author's narratives.”

The film's success led to the belated release of the Hollywood production Love and Money (James Toback, 1982) with Muti prominently on the poster. The film had already been completed in 1980, but was shelved. She co-starred as the enigmatic Odette, Proust's impossible love in Un amour de Swann / Swann in Love (Volker Schlöndorf, 1984). The film an ambitious attempt to adapt a portion of Marcel Proust's epic novel 'Remembrance of Things Past' with Jeremy Irons as Charles Swann and Alain Delon as Baron Charlus.

Television fans could see her in the TV movie Casanova (Simon Langton, 1987), featuring Richard Chamberlain. That year, she also starred in the Gabriel García Márquez adaptation Cronaca di una morte annunciate / Chronicle of a Death Foretold (Francesco Rosi, 1987) opposite Rupert Everett.

Ornella Muti
Big East-European postcard by VEB Progress Film-Verleih, Berlin, no. 8/82.

Ornella Muti
Italian postcard by Associazione Italiana Editori. Photo: Coll. Museo Nazionale del Cinema, Torino.

Ornella Muti
French postcard by Travelling Editions, Paris, no. CP 190.

Ornella Muti
French collectors card in the series 'Portrait de Stars; L'encyclopédie du Cinéma' by Edito Service, 1991. Photo: SIPA. Caption: Ornella Muti, 1980, Italy.

Ornella Muti
French postcard by Ebullitions, no. 42.

Her own line of jewellery


One of Ornella Muti’s most beautiful films is Wait Until Spring Bandini (Dominique Deruddere, 1990), based on a novel by John Fante and produced by Francis Coppola’s Zoetrope production. This small-scale film follows the trials of the Bandini family as they try to struggle through hard times in 1920s Colorado. Muti plays the anxious mother, wife of Joe Mantegna. Her other English language films include the Sylvester Stallone comedy Oscar (John Landis, 1991) and another comedy flop, Once Upon a Crime (Eugene Levy, 1992) with John Candy. In Italy, she appeared in the historical comedy Il viaggio di Capitan Fracassa / Captain Fracassa's Journey (Ettore Scola, 1990) with Vincent Perez, and loads of forgettable films.

In France she fared better and appeared in the thriller L'Inconnu de Strasbourg / The Unknown of Strasbourg (Valeria Sarmiento, 1998), director Lucas Belvaux's trilogy: Cavale / Trilogy: One (2002) - Un couple épatant / Trilogy: Two (2002) - Après la vie / Trilogy: Three (2002), and the comedy Les Bronzes 3: Amis Pour La Vie / Les Bronzes 3: Friends Forever (Patrice Leconte, 2006), but Ornella Muti is probably best known for a TV commercial of Giovanni Panzani pasta.

Ornella Muti has been married twice, to Alessio Orano, her fellow actor in La moglie più bella / The Most Beautiful Wife (1975–1981), and Federico Facchinetti (1988–1996). Muti has three children. She has a daughter by Spanish film producer José Luis Bermúdez de Castro, Naike Rivelli (1974). Naike is also a model and actress and has a close resemblance to her mother. Muti also has a son, actor Andrea Facchinetti, and a second daughter, Carolina Facchinetti, both from her second marriage. In 1996 her first grandchild, Akash, was born, a son of Naike. A second grandson named Alessandro followed from Carolina. From 1998 to 2008, Muti lived with Stefano Piccolo, a plastic surgeon. Since 2008, her partner has been Fabrice Kerhervé.

In 2008, Ornella Muti introduced her own line of jewellery. She opened new shops in Paris, Milan, Rome, Riga, Moscow and Almaty. She is also still active in the cinema. She appeared in Peter Greenaway’s The Tulse Luper Suitcases, Part 3: From Sark to the Finish (2003) with Roger Rees, The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004), and Peopling the Palaces at Venaria Reale (2007). She co-starred with Western icon Terence Hill and Paul Sorvino in the Spaghetti Western Doc West / Triggerman (Terence Hill, Giulio Base, 2008) and was part of the ensemble cast of Woody Allen's mediocre romantic comedy To Rome with Love (Woody Allen, 2012).

In 2015, an Italian court sentenced Muti to eight months in prison or pay a fine of 30,000 euros for faking a medical certificate and skipping a play in which she was performing in 2010, to have dinner with Russian Prime Minister Vladimir Putin and several celebrities at a charity event held in St Petersburg, Russia. In 2016 and again in 2022, she announced the intention to also have a Russian citizenship. Muti owns a permanent residence in Moscow, Russia. She told TASS: "It would be nice for me to get citizenship, because it is part of my culture associated with my mother. She died this year, and it would be a gift for her." In 2017, she appeared in the Italian television series Sirene, produced by Rai, which brought her new fame among younger audiences. Ornella Muti can be seen in the upcoming film Roma elastica (2026), written and directed by Bertrand Mandico and starring Marion Cotillard.

Sylvester Stallone and Ornella Muti in Oscar (1991)
Vintage card. Sylvester Stallone and Ornella Muti in Oscar (John Landis, 1991).


Trailer for La moglie più bella / The Most Beautiful Wife (1970). Source: Danios12345 (YouTube).


Compilation of scenes from Storie di ordinaria follia / Tales of Ordinary Madness (1981). Source: Gianfranco Firriolo (YouTube).


Trailer for Wait Until Spring Bandini (1990). Source: Ximon NL (YouTube).

Sources: Nathan Southern (AllMovie - Now defunct), MyMovies.It (Italian), Wikipedia (English and Italian), and IMDb.

31 March 2026

Käthe von Nagy

Hungarian actress Käthe von Nagy (1904-1973) started as the ‘Backfish’ of German films of the late 1920s. In the early 1930s, she became a fashionable and charming star of the German and French cinema.

Käthe von Nagy
German postcard by Ross Verlag, no. 4648/2, 1929-1930. Photo: Atelier Manassé, Wien.

Käthe von Nagy
German postcard by Ross Verlag, no. 5029/1, 1930-1931. Photo: Atelier Manassé, Vienna.

Käthe von Nagy
German postcard by Ross Verlag, nr. 6107/1, 1931-1932. Photo: Ufa. A publicity still for Meine Frau, die Hochstaplerin / My Wife, the Impostor (Kurt Gerron, 1931).

Käthe von Nagy
German postcard by Ross Verlag, no. 6850/2, 1931-1932. Photo: G.L. Manuel Frères, Paris / Ufa. Collection: Didier Hanson.

Käthe von Nagy
German postcard by Ross Verlag, no. 6972/1, 1931-1932. Photo: Ufa. Publicity still for Das schöne Abenteuer / Beautiful Adventure (Reinhold Schünzel, 1932).

Käthe von Nagy
German postcard by Ross Verlag, no. 7513/1, 1932-1933. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 8097/2, 1933-1934. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 555. Photo: Ufa.

Backfisch


Käthe von Nagy was born Ekaterina Nagy von Cziser (Kato Nagy) in Szabadka, Austria-Hungary (now Subotica, Serbia) in 1904.

At the age of 16, she planned to get married and therefore her parents put her in the Sancta Christiana Convent near Vienna. After that, she worked in her father's bank office in Budapest and secretly started to write short stories for a newspaper. She also attended the acting school of director Béla Gáal, and in 1926, against the will of her parents, she went to Berlin to make films.

While searching for an acting job, she earned her money as a correspondent for the Hungarian newspaper Pester Hirlop. Hungarian director Alexander Korda helped her get her first film job. It was a supporting role in Männer von der Ehe / Men Before Marriage (Constantin J. David, 1927), which got her the reputation of a ‘backfisch’. The director, Constantin David, would also become her first husband.

Soon followed roles in Gustav Mond... Du gehst so stille / You Walk So Softly (Reinhold Schünzel, 1927) and Die Königin seines Herzens / Vienna, City of My Dreams (Victor Janson, 1928) starring Liane Haid.

With her first leading role in Die Durchgängerin / The Runaway Girl (Hanns Schwarz, 1928), she became the up-and-coming young actress of the European cinema of the 1920s. Next followed the Italian production Rotaie (Mario Camerini, 1929) and Mascottchen / Mascots (Felix Basch, 1929) with Jeanne Helbling.

Käthe von Nagy
German postcard by Verlag Hermann Leiser, Berlin-Wilm., no. 6567. Photo: Atelier Willinger, Berlin.

Käthe von Nagy
French postcard by Europe, no. 1. Photo: May Film. Käthe von Nagy in Ihre Majestät, die Liebe / Her Majesty Love (Joe May, 1931).

Käthe von Nagy and Aribert Wäscher in Ronny (1931)
Dutch postcard, no. 662. Photo: Ufa. Käthe von Nagy and Aribert Wäscher in Ronny (Reinhold Schünzel, 1931).

Käthe von Nagy
German postcard by Ross Verlag, no. 3640/1, 1928-1929 Photo: Atelier Oertel, Berlin.

Käthe von Nagy
German postcard by Ross Verlag, no. 5711/1, 1930-1931. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 5875/1, 1930-1931. Photo: Alex Binder.

Käthe von Nagy
German postcard by Ross Verlag, no. 6367/1. 1931-1932. Photo: Ufa. Publicity still for Ronny (Reinhold Schünzel, 1931).

Käthe von Nagy
German postcard by Ross Verlag, no. 6807/1, 1931-1932. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 6972/2, 1931-1932. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 6415/2, 1931-1932. Photo: Ufa / Frhr. v. Gudenburg. Publicity still for Einmal eine große Dame sein / Once be a great lady (Gerhard Lamprecht, 1934).

The fashionable, elegant, a bit exotic type


In 1930, Käthe von Nagy smoothly moved into the talkies. She appeared as a resolute demimonde dame with psychotherapeutic powers in the Jekyll-and-Hyde-drama Der Andere/The Other (Robert Wiene, 1930), costarring Fritz Kortner and Heinrich George.

She said goodbye to her ‘backfisch’ image and impersonated modern women frequently on the screen. Her operettas and musical comedies were very popular and confirmed her promise of the late 1920s.

To her successes of the 1930s belong Ihre Majestät die Liebe / Her Majesty Love (Joe May, 1930) with Franz Lederer, Meine Frau, die Hochstaplerin / My Wife, the Impostor (Kurt Gerron, 1931) opposite Heinz Rühmann, and Ronny (Reinhold Schünzel, 1931).

She had famous co-stars like Willy Fritsch in the delicious comedy Ich bei Tag und Du bei Nacht / I by Day, You by Night (Ludwig Berger, 1932) and Hans Albers in Der Sieger / The Victor (Hans Hinrich, Paul Martin, 1932).

Her other notable films included Das Schöne Abenteuer / Beautiful Adventure (Reinhold Schünzel, 1932), the anti-Soviet propaganda film Flüchtlinge / Fugitives (Gustav Ucicky, 1933), Die Töchter ihrer Exzellenz / The Daughters of Her Excellency (Reinhold Schünzel, 1934) and Salonwagen E 417 / Luxury Train (Paul Verhoeven, 1939) with Paul Hörbiger.

Käthe von Nagy and Hans Albers
German postcard by Ross Verlag, no. 6605/1, 1931-1932. Photo: Ufa. Publicity still for Der Sieger / The Winner (Paul Martin, Hans Hinrich, 1932) with Hans Albers.

Käthe von Nagy and Hans Albers
German postcard by Ross Verlag, no. 6604/1, 1931-1932. Photo: Ufa. Publicity still for Der Sieger / The Winner (Paul Martin, Hans Hinrich, 1932) with Hans Albers.

Käthe von Nagy
German postcard by Ross Verlag, no. 7076/1, 1932-1933. Photo: Ufa.

Jean Murat and Käthe von Nagy in Le Vainqueur (1932)
German postcard by Ross Verlag, no. 7131/2, 1932-1933. Photo: Ufa. Publicity still for Le capitaine Craddock / Captain Craddock (Hanns Schwarz, Max de Vaucorbeil, 1931) with Jean Murat.

Fernand Gravey and Käthe von Nagy in À Moi le Jour, à Toi la Nuit (1932)
German postcard by Ross Verlag, no. 7535/1, 1932-1933. Photo: Ufa. Publicity still for À Moi le Jour, à Toi la Nuit / Day To Me, to You the Night (Ludwig Berger, Claude Heymann, 1932) with Fernand Gravey.

Käthe von Nagy, Viktor de Kowa
German postcard by Ross Verlag, no. 8822/1, 1933-1934. Photo: Ufa. Publicity still for Der junge Baron Neuhaus / The Young Baron Neuhaus (Gustav Ucicky, 1934) with Viktor de Kowa.

Käthe von Nagy and Wolf Albach-Retty
German postcard by Ross Verlag, no. 142/2. Photo: Günther Pilz / Ufa. Publicity still for Das Schöne Abenteuer / Beautiful Adventure (Reinhold Schünzel, 1932) with Wolf Albach-Retty.

Käthe von Nagy and Wolf Albach Retty in Das Schöne Abenteuer
German postcard by Ross Verlag, no. 142/6. Photo: Ufa. Publicity still for Das schöne Abenteuer / Beautiful Adventure (Reinhold Schünzel, 1932) with Wolf Albach-Retty.

Käthe von Nagy sings Partons ensemble
French postcard by P.C., Paris, no. 76. Photo: Ufa. Publicity still for La belle aventure / Beautiful Adventure (Roger Le Bon, Reinhold Schünzel, 1932), the French language version of Das schöne Abenteuer (Reinhold Schünzel, 1932).

Käthe von Nagy
French postcard by Cinémagazine-Edition, no. 606.

France


Because of her multilingual education, Käthe von Nagy was able to establish herself in the French cinema too. As Kate de Nagy, she became a star in France.

To her French productions belong La Capitaine Craddock / Captain Craddock (Hanns Schwarz, Max de Vaucorbeil, 1931) with Jean Murat, La route impériale / The Imperial Road (Marcel L’Herbier, 1935) with Pierre Richard-Willm, Cargaison blanche / Woman Racket (Robert Siodmak, 1937) opposite Jules Berry, and La bataille silencieuse / The Silent Battle (Pierre Billon, 1937) starring Pierre Fresnay.

She withdrew from the film business at the beginning of World War II. After the war, she appeared only twice on the screen, in the French drama Cargaison clandestine / Alarm in San Juano (Alfred Rode, 1948-1950) with Luis Mariano, and the German remake of Die Försterchristl / The Forester's Daughter (Arthur Maria Rabenalt, 1952), alongside Johanna Matz.

In the mid-1950s, Käthe von Nagy went to California, where she worked as a French teacher at Happy Valley School in Ojai, California.

Käthe von Nagy died of cancer in Ojai, USA, in 1973. After her marriage to Constantin J. David, she was married to the Frenchman Jacques Fattini.

Käthe von Nagy
German postcard by Ross Verlag, no. 6849/3, 1931-1932. Photo: Studio Lorelle, Paris / Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 6376/1, 1931-1932. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 8886/1, 1933-1934. Photo: Ufa. Publicity still for Prinzessin Turandot / Princess Turandot (Gerhard Lamprecht, 1934).

Käthe von Nagy, Willy Fritsch
German postcard by Ross Verlag, no. 8934/1, 1933-1934. Photo: Ufa. Publicity still for Prinzessin Turandot / Princess Turandot (Gerhard Lamprecht, 1934) with Willy Fritsch.

Käthe von Nagy
German postcard by Ross Verlag, no. 7280/1, 1932-1933. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 7513/2, 1932-1933. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 7604/1, 1932-1933. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 8099/1, 1933-1934. Photo: Ufa.

Käthe von Nagy
German postcard by Ross Verlag, no. 8954/1, 1933-1934. Photo: Ufa.

Käthe von Nagy and Albin Skoda in Liebe, Tod und Teufel (1934)
German postcard by Ross Verlag, no. 9057/1, 1935-1936. Photo: Ufa. Käthe von Nagy and Albin Skoda in Liebe, Tod und Teufel / Love, Death and the Devil (Heinz Hilpert, Reinhart Steinbicker, 1934).

Pierre Richard Willm and Käthe von Nagy in La route impériale (1935)
German postcard by Ross Verlag, no. 9629/1, 1935-1936. Photo: Forum-Film. Pierre Richard Willm and Käthe von Nagy in La route impériale / The Imperial Road (Marcel L'Herbier, 1935).

Sources: Thomas Staedeli (Cyranos), Operator 99 (Allure), Filmportal (German), Wikipedia, and IMDb.