23 September 2026

La Collectionneuse: Claudia Cardinale

Claudia Cardinale passed away one year ago on the 23rd of September 2025. Here is a personal homage to her through several postcards and items from my collection.

Claudia Cardinale
Italian postcard by Bromofoto, Milano, no. 1431. Photo: Vides.

Claudia Cardinale
Italian postcard by Ballerini & Fratini, Firenze, no. 3629. Photo: Vides.

Claudia Cardinale
Italian postcard by Bromofoto, Milano, no. 1682.

Claudia Cardinale
Italian postcard by Rotalfoto, Milano, no. 1029.

Claudia Cardinale
German postcard by Universum-Film Aktiengesellschaft, Berlin Tempelhof, no. 4970. Photo: Fried Agency.

Someone special among Italian actresses


When I was a child, I knew Claudia Cardinale from the entertaining films which were often shown on French TV, such as the swashbuckling adventure yarn Cartouche (1962) with Jean-Paul Belmondo, the circus centered epic Circus World (1964) with John Wayne and Rita Hayworth, or the Western spoof Les Pétroleuses (1971) with Brigitte Bardot. Later, of course, I would see Claudia Cardinale in more demanding offerings, directed by people such as Luchino Visconti, Federico Fellini, Mauro Bolognini or Sergio Leone.

For French-speaking audiences, Claudia Cardinale has always been someone special among Italian actresses. Raised in Tunisia, then a French Protectorate, she only learned Italian much later and spoke perfect French since childhood. This enabled her to star in French films and to appear in popular TV programs such as Les rendez-vous du dimanche, Numéro 1, Champs-Élysées, Le divan, Sacrée soirée, Studio Gabriel, Les enfants de la télé, Tout le monde en parle, Thé ou café, Vivement dimanche, etc. Few people could resist her radiant personality.

In 1977, French producer Léo Carrier convinced her to go disco. So, the single 'Love Affair' was released and was a club hit. The lyrics were no big shakes, to say the least, but who cared? Disco was fun, rhythm, escapism, sensuality and was not made for deep intellectual thinking. I bought the record at the time ... and I still have it.

In 1996, she was chosen to present an honorary César Award to Henri Verneuil, who had directed her in Les lions sont lâchés (1961), Mayrig (1991) and 588, rue Paradis (1992). He declared: "She was 20 years old when I worked with her for the first time. When she smiled, it was as if the sun rose over the palm trees of Tunisia. I’ve found her years later. She had become the international star you all know. And the sun still rises when she smiles. Thank you, Claudia".

In 2017, the official poster of the Cannes Film Festival featured a 1959 photo of Claudia dancing on a rooftop in Rome. In 2019, President Emmanuel Macron promoted her to Grand Officer of the Legion of Honour. She chose to spend the last years of her life in Nemours, in a former tannery transformed into a friendly space, where she could enjoy a simple and happy life. This place also became the seat of the 'Fondazione Claudia Cardinale', dedicated to supporting contemporary art.

Claudia Cardinale
German postcard by Kolibri Verlag, no. 1505.

Claudia Cardinale
German postcard by Kolibri Verlag, no. 1619.

Claudia Cardinale
German postcard by Rüdel Verlag, no. 3561. Photo: PALLAS / Vogelmann. Claudia Cardinale in Cartouche (Philippe de Broca, 1962).

Claudia Cardinale
Spanish postcard by Bergas Ind. Graf., no. 870.

Claudia Cardinale
Spanish postcard by Archivo Bermejo, no. C173.

Claudia Cardinale and Alain Delon
Spanish postcard by Oscarcolor, no. 343. Claudia Cardinale and Alain Delon.

Claudia Cardinale
German postcard by Kolibri Verlag, no. 2262. Photo: Rank. Claudia Cardinale in Circus World (Henry Hathaway, 1964).

Claudia Cardinale
German postcard by Kolibri Verlag, no. 2465.

Claudia Cardinale
German postcard by Kolibri Verlag, no. 2544. Photo: Universal International. Claudia Cardinale in Blindfold (Philip Dunne, 1966).

Claudia Cardinale
German postcard by Rüdel Verlag, no. 4188. Photo: Bronston / Rank.

Claudia Cardinale
German postcard by Rüdel Verlag, no. 4188. Photo: Universal-Film. Claudia Cardinale in The Hell with Heroes (Joseph Sargent, 1968).

Claudia Cardinale
Romanian postcard by Casa Filmului Acin.

Claudia Cardinale
Spanish postcard by Imprime Graficas Torroba. This postcard is part of a series which was produced in the mid-1970s for the Spanish men’s magazine Divachistes. All of them have one uneven border on the left side. They were bound to the magazine and were tear-off postcards.

Claudia Cardinale
Vintage Keyring.

Claudia Cardinale
A bit worn-out front cover of my 'Love Affair' single, which I bought in 1977.

Text, postcards and other memorabilia: Marlene Pilaete.

22 September 2026

Photo by Atelier Oertel

German photographer Eduard Oertel (1854-1933) is famous for his 19th century photographs of Berlin. Atelier Oertel was founded in 1910 not by Eduard, but by his children, Curt (1890-1960), Franz (1891-1978), and Margarethe (1893-1967). This Berlin photo studio portrayed several German film stars during the 1910 and 1920s. Many of these photos were used for sepia postcards by Verleih Hermann Leiser and Ross Verlag.

Asta Nielsen in Die freudlose Gasse (1925)
German postcard by Ross Verlag, no. 1007/1, 1927-1928. Photo: Oertel, Berlin. Asta Nielsen in Die freudlose gasse / The Joyless Street (G.W. Pabst, 1925).

Paul Hartmann
German postcard by Verl. Herm. Leiser, Berlin-Wilm., no. 3068. Photo: Atelier Oertel, Berlin. Paul Hartmann.

Albert Bassermann
German postcard by Verlag Hermann Leiser, no. 3070. Photo: Atelier Oertel, Berlin. Albert Bassermann.

Eduard Oertel


Eduard Oertel was born in 1854 in Osterfeld in the Prussian province of Saxony. With brief interruptions, he lived and worked in Osterfeld until he died in 1933. He initially worked there for several years as a farrier, his trade.

His sister, Emilie Oertel, married the Berlin photographer Franz Albert. Since the 1870s, Emilie Albert owned a small shop in Berlin, located in the Kaisergalerie between Unter den Linden and Friedrichstrasse, which was expanded in the early 1880s. When Eduard Oertel visited his sister in Berlin in the 1870s, he became interested in the photographic work of his brother-in-law, Franz Albert. Albert introduced his brother-in-law to photography and put him in touch with photographers and art dealers in Berlin.

Eduard Oertel took his first photographs on the streets of Berlin. He self-published his Berlin photos as original prints, often pasted into accordion-fold books, in his sister's shop in the Kaiserpassage in Berlin. After returning to his hometown of Osterfeld in the province of Saxony, Eduard Oertel opened his own photography studio at Am Markt 11. He took over the collection of photographs from the Berlin studio of the childless Franz and Emilie Albert in the early 1920s.

Oertel's work consisted of portraits and tourist cityscapes in the standard cabinet format (approx. 10 × 15 cm), but also of stereoscopic photography. Since 1849, cameras with two lenses spaced at eye distance had been available, enabling stereoscopic recordings of moving scenes.

Eduard Oertel was among the numerous photographers who catered to the public's curiosity about foreign places through stereoscopic photography. The Berlin stereoscopic photographs depict the then-popular sights of the imperial city of Berlin—monuments, grand squares, streets, bridges, fountains, and buildings; also: bird's-eye views from the tower of the Berlin City Hall — as well as funeral processions and parades. In the immediate vicinity of his sister Emilie's shop, also located in the Kaisergalerie (Imperial Gallery), was August Fuhrmann's Kaiserpanorama (Imperial Panorama), where stereoscopic photographs from around the world were presented to paying customers.

Paul Hartmann
German postcard by Verleih Hermann Leiser, Berlin-Wilm., no. 3069. Photo: Atelier Oertel, Berlin. Possibly Paul Hartmann in Katharina die Grösse / Catherine the Great (Reinhold Schünzel, 1920), in which Hartmann played Alexander Manonow opposite Lucie Englisch as the famous czarina Catherine the Great.

Wilhelm Dieterle
German postcard by Verlag Hermann Leiser, Berlin-Wilm., no. 3075. Photo: Atelier Oertel, Berlin-Wilm. Wilhelm Dieterle (later William Dieterle).

Albert Bassermann
German postcard by Verlag Hermann Leiser, Berlin-Wilm., no. 3095. Photo: Atelier Oertel, Berlin Wilm. Collection: Geoffrey Donaldson Institute. Albert Bassermann.

Henny Porten
German postcard by Ross Verlag, no. 882/2, 1925-1926. Photo: Oertel. Henny Porten.

Grigori Chmara in Raskolnikow (1923)
German postcard by Ross Verlag, Berlin, no. 1005/2, 1927-1928. Photo: Oertel, Berlin. Grigori Chmara in Raskolnikow (Robert Wiene, 1923).

Curt, Franz, and Margarethe Oertel


Although Wikimedia refers to Eduard Oertel as the owner of the Atelier Oertel, Berlin, this photo studio was founded by his children. Eduard had married Anna Roßberg (1864-1951), and they had three children: Curt (1890-1960), Franz (1891-1978), and Margarethe (1893-1967). All three also learned the craft of photography. The eldest son, Curt Franz Albert Oertel, began his training at the State Teaching and Research Institute for Photography, Photogravure, and Engraving in Munich at the age of only 13. From 1907 to 1910, he worked in Berlin photography studios. Shortly thereafter, he founded his own photographic art studio in Berlin. In 1910, he founded a studio for artistic photography and film experiments in Berlin, Atelier Oertel. His business partner was his younger brother, Franz Oertel, with Curt taking on the artistic and Franz the business management of the company. Their sister, Margarethe Oertel, also lived in Berlin from 1907 to 1921. She supported her brothers in their photography studio, which she ran alone during the First World War.

During the First World War, Curt Oertel served as an aerial observer. From 1920 to 1925, he studied art history in Berlin. Then he devoted himself entirely to film, and in 1925, he was able to contribute to Georg Wilhelm Pabst's masterpiece Die freudlose gasse / The Joyless Street (G.W. Pabst, 1925) starring Werner Krauss, Asta Nielsen, and Greta Garbo. Two more films directed by Pabst followed: Geheimnisse einer Seele / Secrets of a Soul (G.W. Pabst, 1926) and Man spielt nicht mit der Liebe / One Doesn't Play with Love (G.W. Pabst, 1926), both also starring Werner Krauss. Oertel gained national and international recognition as a film director, cinematographer, and producer.

Curt Oertel's first directorial work was the film sequences in the world premiere of Ernst Toller's play 'Hoppla, wir leben / We're Alive!' (1927), produced by Erwin Piscator's Berlin theatre, with Alexander Granach in the lead role. Erwin Piscator directed the production, and Walter Ruttmann co-directed the film sequences. In the year the Nazi Party came to power, Oertel, together with Hans Deppe, directed the Frisian drama Der Schimmelreiter (1933), starring Mathias Wieman and Marianne Hoppe, a film steeped in blood-and-soil themes, based on the novella by Theodor Storm. Two years later, Oertel directed his first independent film, Pole Poppenspäler / The Puppeteer (Curt Oertel, 1935), starring Gerhard Hesselbach and Ines Campi. This film was again based on a novella by Theodor Storm, this time adapted by Kurt Rupli, who soon after distinguished himself as a politically compliant director of Nazi documentaries. Oertel himself also directed and produced a number of shorter documentaries on heroic and patriotic themes from 1932 onward. His most outstanding work is considered to be the documentary about Michelangelo, Michelangelo / Michelangelo: Life of a Titan (Curt Oertel, 1938), which was reworked by Robert J. Flaherty in 1950 and, in this version, The Titan: Story of Michelangelo (Robert J. Flaherty, Richard Lyford, Curt Oertel, 1950) even received an Academy Award.

After the end of World War II, Curt Oertel lived and worked in Wiesbaden. He founded the Curt Oertel Film-Studiengesellschaft mbH in Wiesbaden, which produced nine documentaries between 1947 and 1964 and was continued by his brother Franz Oertel after his death. Together with Erich Pommer, a US film officer and former producer for UFA, and Horst von Hartlieb, managing director of the Association of Film Distributors in Wiesbaden, Oertel conceived the Voluntary Self-Regulation of the Film Industry (FSK) in early 1948, based on the American Production Code or Hays Code of 1930/1934. Also in Wiesbaden, the German Institute for Film Studies was established in 1948. Oertel also actively supported film clubs. In 1950, he became president of the FSK but resigned after only three days following public disputes. He later became honorary president of both the FSK and the SPIO. He was only able to realise a few of his ambitious film plans, especially as interest in his favoured educational documentary films waned. He died on New Year's Eve 1959/1960 in a hospital as a result of a car accident. His brother Franz Oertel died in 1978.

Margarethe Oertel returned to Osterfeld from Berlin in 1921 to support her parents financially and with their health needs. There, she continued to run her father's photography studio and took it over afte >Eduard Oertel died in 1933. In 1967, Margarethe Oertel donated the studio's Berlin photographs to the Berlin State Archives. The authorship of these photographs is not entirely certain. They likely originated largely from Eduard Oertel and Franz Albert. The remaining image holdings of Eduard and Margarethe's photo studio were largely destroyed when the building at Am Markt No. 11 in Osterfeld was demolished in 1980.

Asta Nielsen in Die freudlose gasse (1925)
German postcard by Ross Verlag, no. 1020/1, 1927-1928. Photo: Oertel, Berlin. Asta Nielsen in Die freudlose gasse / The Joyless Street (G.W. Pabst, 1925). Dutch artist Pyke Koch used photos like the one on this card for his portrait of Asta Nielsen (1929).

Angelo Ferrari
German postcard by Ross Verlag, no. 1447/3, 1926-1928. Photo: Oertel, Berlin. Signed: 'Gentile signorina Susi Schuurmann, Angelo Ferrari. 1926.'

Barbara von Annenkoff,
German postcard by Ross Verlag, no. 1495/1, 1927-1928. Photo: Oertel, Berlin. Barbara von Annenkoff.

Carmen Boni
German postcard by Ross Verlag, no. 3034/1, 1928-1929. Photo: Oertel, Berlin. Carmen Boni.

Käthe von Nagy
German postcard by Ross Verlag, no. 3640/1, 1928-1929. Photo: Atelier Oertel, Berlin. Käthe von Nagy.

Mathias Wieman in Der Schimmelreiter (1934)
German collector card in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 162. Photo: Europa / Ross Verlag. Mathias Wieman in Der Schimmelreiter / The Rider of the White Horse (Hans Deppe, Curt Oertel, 1934).

Sources: Wikipedia (German), Wikimedia and IMDb.

21 September 2026

Colin Firth

English actor Colin Firth (1960) had his breakthrough in Another Country (1984). He received a European Film Award for his role in Bridget Jones’s Diary (2001) and a BAFTA for his role in A Single Man (2009). For this role, he was also nominated for an Oscar for Best Actor. In 2011, he won the Oscar and the Golden Globe for Best Actor for The King’s Speech (2010).

Colin Firth in Bridget Jones - The Edge of Reason (2004)
Dutch freecard by Boomerang, Amsterdam, no. P23-04. Colin Firth in Bridget Jones - The Edge of Reason (Beeban Kidron, 2004). Caption: Do you fancy going to the cinema? Same Bridget. Brand new diary.

Rupert Everett and Colin Firth in Another Country (1984)
French postcard by Editions Mercuri, no. 634. Spanish poster for Another Country (Marek Kanievska, 1984).

Colin Firth and Meg Tilly in Valmont (1989)
British promotion card by Lumière for the London Film Festival. Photo: Artificial Eye. Colin Firth and Meg Tilly in Valmont (Miloš Forman, 1989).

Colin Firth in Love Actually (2003)
British postcard. Photo: Universal. Colin Firth in Love Actually (Richard Curtis, 2003).

Colin Firth in The King's Speech (2010)
British postcard. Colin Firth in The King's Speech (Tom Hooper, 2010).

A homosexual public-schoolboy-turned-spy


Colin Andrew Firth was born in 1960 in Grayshott in the English county of Hampshire. His mother, Shirley Jean (Rolles), was a comparative religion lecturer at the Open University, and his father, David Norman Lewis Firth, lectured on history at Winchester University College (formerly King Alfred's College) in Winchester and worked on education for the Nigerian government. His sister, Katie Firth (1962) and younger brother, Jonathan Firth (1967), also became actors. As a child, Colin lived in many parts of the world due to his parents’ frequent relocations. His family lived in Nigeria, where his grandparents worked as missionaries, and for a year in the United States. Firth's first acting experience came in infant school when he played Jack Frost in a Christmas pantomime. Firth began attending drama workshops at age 10, and by 14 had decided to be a professional actor.

He took odd jobs at the National Youth Theatre and the National Theatre. After attending the Montgomery of Alamein School in Winchester and Barton Peveril College, he trained as an actor at the Drama Centre in London. There he was 'discovered' whilst playing Hamlet during his final term. His career began in 1983 when he appeared as Guy Bennett, a homosexual public-schoolboy-turned-spy in the West End production of Julian Mitchell’s play 'Another Country'. A year later, he co-starred as Judd, Bennett's Marxist best friend in the film adaptation, Another Country (Marek Kanievska, 1984), alongside Rupert Everett as Bennett. Another Country is loosely based on the life of the spy and double agent Guy Burgess, named Guy Bennett in the play and film. It explores his homosexuality and exposure to Marxism from a friend, while examining the hypocrisy and snobbery of the English public school system. Firth's almost 20-year public feud with Rupert Everett began then. Their different personas didn't get along, with Everett publicly branding Firth "boring". In Everett's autobiography, he admitted that he felt threatened by Firth's talent, but the two eventually settled their differences in 2004. Firth claims that "there's nobody I love more in the business now", and they have frequently worked together since.

After his debut, he starred with Beatie Edney and Sir Laurence Olivier in Lost Empires (Alan Grint, 1986), a TV adaptation of J.B. Priestley's novel about a travelling magic show on the eve of World War One. The series was nominated for six Television BAFTA Awards. He acted in several well-known and lesser-known films, including as a repressed cinema-owner in Buenos Aires in the homoerotic psychological thriller Apartment Zero (Martin Donovan, 1987), and the war drama A Month in the Country (Pat O' Connor, 1987). In 1987, Firth and other rising young actors such as Tim Roth, Bruce Payne and Paul McGann were dubbed the 'Brit Pack'. For his portrayal of Robert Lawrence, a terribly injured soldier returning from the Falklands War, in the TV production Tumbledown (Richard Eyre, 1988). He received the Royal Television Society Best Actor award and also a BAFTA nomination in 1989.

Colin Firth starred as the Machiavellian seducer Valmont in the prestigious box-office failure Valmont (Miloš Forman, 1989), an adaptation of Choderlos de Laclos’s epistolary novel 'Les Liaisons dangereuses' (Dangerous Liaisons). The film was pre-empted and overshadowed by Stephen Frears' rival version. After it, Firth went to live with his Valmont co-star, Meg Tilly, in rural British Columbia. Their son was born in 1990. He starred in another interesting flop, Wings of Fame (Otokar Votoček, 1991) with Peter O’Toole.

He had a spectacular comeback as the aloof, haughty aristocrat Mr. Fitzwilliam Darcy in the TV series Pride and Prejudice (Simon Langton, 1995). The series, based on the novel by Jane Austen, was a huge success and unexpectedly elevated Firth to international stardom. This was in some part due to a scene not from the novel, in which he emerges from a lake swim in a wet shirt. According to Firth, when he was first offered the role of Darcy, his brother Jonathan incredulously remarked, "Darcy? But isn't he supposed to be sexy?" Whilst filming the BBC series, he fell in love with his co-star Jennifer Ehle. He received a BAFTA nomination for his role. Then supporting roles followed in popular films such as The English Patient (Anthony Minghella, 1996) and Shakespeare in Love (John Madden, 1998). Whilst filming the television series Nostromo (Alastair Reid, 1996) in Colombia in 1996, Firth met the Italian production assistant Livia Giuggioli, whom he married in Rome in 1997. Giuggioli later became a documentary filmmaker. He next played the lead role as a school teacher and obsessed Arsenal F.C. football fan in Fever Pitch (David Evans, 1997), the adaptation of Nick Hornby’s million-selling autobiographical essay 'Fever Pitch: A Fan's Life'.

Colin Firth
British postcard.

Colin Firth
British postcard.

Colin Firth
British postcard.

Colin Firth
British postcard.

Colin Firth
British postcard.

Colin Firth
British postcard.

Colin Firth
British postcard.

Mad about Mr. Darcy


In 2000, Colin Firth returned to the stage in 'Three Days of Rain' at the Donmar Warehouse in London. This was followed by the Bridget Jones films, in which he once again played Mr (Mark) Darcy opposite Renée Zellweger and Hugh Grant. Helen Fielding, the author of the Bridget Jones books, was mad about Pride and Prejudice, and particularly about Mr Darcy (or rather, Firth). So the fact that Firth accepted the role of Mark Darcy in Bridget Jones’s Diary (Sharon Maguire, 2001) was a nice bonus. The film was very successful, and Firth's droll performance as the stuffy human rights lawyer Mark Darcy was well-liked by critics. On TV, he had a more serious role as Dr. Wilhelm Stuckart in Conspiracy (Loring Mandel, 2001), concerning the Nazi Wannsee Conference involving the 'Final Solution of the Jewish question' during World War II. For this role, he was nominated for a Primetime Emmy Award.

He starred in The Importance of Being Earnest (Oliver Parker, 2002), based on Oscar Wilde's classic 1895 comedy of manners. The British-American co-production also starred Rupert Everett, Reese Witherspoon, and Judi Dench. He then starred in another comedy hit, Love Actually (Richard Curtis, 2003), which featured various renowned British actors such as Hugh Grant, Emma Thompson and Liam Neeson. In 2003, Firth also played the role of Dutch painter Johannes Vermeer in Girl with a Pearl Earring (Peter Webber, 2003) with a young Scarlett Johansson in the title role. The film received mostly favourable reviews, was moderately successful and earned several awards and nominations. He played the role of Mark Darcy on three further occasions in Bridget Jones: The Edge of Reason (Beeban Kidron, 2004), Bridget Jones’s Baby (Sharon Maguire, 2016) and Bridget Jones: Mad About Him (2025).

In 2005, he starred alongside Emma Thompson and Thomas Sangster in the fantasy Nanny McPhee (Kirk Jones, 2005) and played one of his darker, more intense roles in the thriller Where the Truth Lies (Atom Egoyan, 2005), which included a notorious drug-fueled bisexual orgy with Kevin Bacon and Rachel Blanchard. Firth also acted in the ABBA jukebox musical Mamma Mia! (Phyllida Lloyd, 2008) with Meryl Streep and its sequel, Mamma Mia! Here We Go Again (Ol Parker, 2018). Mamma Mia became the highest-grossing British-made film of all time, taking in over $600 million worldwide. In The Picture of Dorian Gray (Oliver Parker, 2009), he played the degenerate Lord Henry Wotton. He was George Falconer, a secretly gay college professor grappling with solitude after the death of his longtime partner, in A Single Man (Tom Ford, 2010). His role in this film adaptation of Christopher Isherwood’s novel earned him a tsunami of awards. He won the 2009 Venice Film Festival and the British BAFTA Award, and was nominated for a Golden Globe and an Oscar.

In The King’s Speech (Tom Hooper, 2010), Colin Firth starred as the British monarch George VI, who attempts to overcome his stammer as monarch of the United Kingdom at the end of 1936. For his commanding role, he won the Oscar the following year as well as the New York and Los Angeles Film Critics’ Associations, the British Independent Film Award, the European Film Award, his first Golden Globe Award and his second BAFTA Award. The film grossed $414,211,549 worldwide. In 2011, he was also appointed a Commander of the Order of the British Empire by Queen Elizabeth II. Firth appeared as senior British secret agent Bill Haydon in Tinker Tailor Soldier Spy (Tomas Alfredson, 2011), co-starring Gary Oldman, Benedict Cumberbatch, Tom Hardy, Mark Strong and John Hurt. Firth played the role of secret agent Harry Hart in Kingsman: The Secret Service (Matthew Vaughn, 2014) with Samuel L. Jackson, and Kingsman: The Golden Circle (Matthew Vaughn, 2017) with Julianne Moore. He co-starred with Rupert Everett in The Happy Prince (2018), a biographical drama about Oscar Wilde, written and directed by Everett in his directorial debut. He also appeared as William Weatherall Wilkins in the musical fantasy film Mary Poppins Returns (Rob Marshall, 2018), starring Emily Blunt in the title role. His other films include The Railway Man (Jonathan Teplitzky, 2013), Before I Go to Sleep (Rowan Joffe, 2014), both with Nicole Kidman, 1917 (Sam Mendes, 2019), and Operation Mincemeat (John Madden, 2021), recounting the British Operation Mincemeat during the Second World War.

Firth and Livia Giuggioli have two sons, Luca Firth (2001) and Matteo Firth (2003). He also has a son, actor William Joseph Firth (1990), from a previous relationship with actress Meg Tilly (1989-1995). In 2017, Colin Firth also took Italian citizenship. His two youngest sons, who were born in Rome, hold both British and Italian citizenship. In 2019, Firth and Giuggioli announced that they were ending their marriage after 22 years. He has campaigned for the rights of Indigenous peoples and is a member of Survival International. He has also campaigned on issues of asylum seekers, refugees' rights and the environment. At BFI Online, Sheila Johnston writes: "Long viewed as a master of the stiff-upper-lip, a polished light-comic leading man and - thanks to his Darcy in Pride and Prejudice (BBC, 1995) - an upper-class sex-god, Colin Firth has quietly built up a portfolio of much wider range, which finally led to definitive recognition with A Single Man (d. Tom Ford, 2009) and The King's Speech (d. Tom Hooper, 2010) as the actor turned 50." Colin Firth's films have grossed more than $3 billion from 42 releases worldwide.

Colin Firth in Valmont (1989)
French poster postcard by Editions Mercuri, no. 163. Photo: Artificial Eye. Colin Firth and Meg Tilly in Valmont (Miloš Forman, 1989).

Colin Firth
British postcard.

Colin Firth
Vintage autograph card.

Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgard, Dominic Cooper and Amanda Seyfried in Mama Mia! (2008)
Dutch postcard by Universal. Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgard, Dominic Cooper and Amanda Seyfried in Mama Mia! (Phyllida Lloyd, 2008). Caption: Take a trip down the aisle you'll never forget.

Colin Firth
British postcard.

Colin Firth and Julianne Moore in A Single Man (2009), Poster
Belgian poster freecard by Boomerangjack, 2010. Image: Cinéart. Colin Firth and Julianne Moore in A Single Man (Tom Ford, 2009).

Colin Firth
British postcard.

Sources: Sheila Johnston (BFI Online), Wikipedia (Dutch, German and English) and IMDb.