Vera Voronina

Ukrainian actress Vera Voronina (1905-?) had a short but shining career in the late silent era, in Berlin as well as in Hollywood.


Austrian postcard by Iris-Verlag, no. 5586. Photo: Lux-Film.


German postcard by Ross Verlag, no. 3503/1, 1928-1929. Photo: Paramount.

Russia, Sweden, Austria, Germany

Vera Voronina aka Wera Woronina was born in Kiev, then part of the Russian Empire (now Ukrain) in 1905.

During the Russian revolution her family fled to Sweden.

There she made her film debut in the silent production Hon den enda/Never Say... Never! (Gustav Molander, 1926). She played the female lead opposite Austrian silent film star Alphons Fryland.

The film was probably an adaptation of Alfred de Musset's play Il ne faut jurer rien (You should swear nothing), about a spendthrift young man.

Vera then moved to Austria to play in Haifische der Nachkriegszeit/Sharks of the post-war period (Eugen Preiss, Louis Seeman, 1926).

Probably her first German film was Das deutsche Mutterherz/The Heart of a German Mother (Geza von Bolvary, 1926), starring Margarete Kupfer and a young Heinz Ruhmann in his film debut as her bad son.

Then Voronina played a part in the Austrian production Schwiegersöhne/The Sons-in-law (Hanns Steinhoff, 1926) starring the Danish comic duo Fy og By (aka Pat and Patachon).


German postcard by Ross Verlag, no. 1587/1, 1927-1928. Photo: Ufa.


Austrian postcard by Iris Verlag, no. 5624. Photo: D'Ora (Dora Kallmus), Arthur Benda. Collection: Didier Hanson.

Hollywood, London, Hollywood, Berlin

Vera Voronina crossed the Atlantic to play for Paramount in two Hollywood movies: the romantic drama The Whirlwind of Youth (Rowland Lee, 1927) starring Lois Moran, and the comedy Time to Love (Frank Tuttle, 1927), in which Vera had the female lead opposite Raymond Griffith and William Powell.

Subsequently she went to Britain to star in George Pearson's silent adventure film Huntingtower (1928), starring Harry Lauder and Patrick Aherne.Voronina played Russian princess Saskia who is imprisoned in a deserted castle and is saved by a modern day grocer.

She then returned to Hollywood to play Mademoiselle Lapoukhine in Ernst Lubitsch' famous film The Patriot (1928), starring Emil Jannings. It was oone of the first films that won an Academy Award.

The Patriot was nominated for five Oscars. It won the Academy Award for Best Writing Achievement and was nominated for Best Actor in a Leading Role (Lewis Stone), Best Art Direction, Best Director and Best Picture. It is said to contain one of Jannings' best performances as Mad Czar Paul I, but we can't check it, because it is now one of the most sought after of all 'lost' films. Only pieces of the film are left.

Sound film finished off the Hollywood careers of both Jannings and Voronina. Their accents were too heavy and both returned to Germany.

Vera played supporting parts in Jaap Speijer's G'schichten aus dem Wienerwald/Tales from the Viennese forest (1928), Vererbte Triebe: Der Kampf ums neue Geschlecht/Inherited desires (Gustav Ucicky, 1929) starring Walter Rilla, and Wer wird dann weinen, wenn man aus einander geht/No Use Crying If Your Sweetheart Goes Away (Richard Eichberg, 1929) with Dina Gralla.

Finally, she played the lead role in the German-Czech production Aufruhr des Blutes/Rebellion of the blood (Victor Trivas, 1929) with Oscar Marion.

Vera Voronina retired when the sound film was introduced and nothing more was heard of her. If you have more information about her, please let us know.


German postcard by Ross Verlag, no. 3654/2, 1928-1929. Photo: Atelier Manassé, Vienna.


German postcard by Ross Verlag, no. 1587/2, 1928-1929. Photo: Ufa.

Sources: Thomas Staedeli (Cyranos), Wikipedia and IMDb.

The Choice of Didier Hanson

Yes I know, you've read it here before: not every postcard at European Film Star Postcards is from my own collection. A friend who shares - and shares - gently numerous scans from his superb collection is Didier Hanson from Belgium. His collection is simply incredible. It contains so many rare postcards from the silent period. Today we proudly present you his choice of his 10 favorite postcards, but like Didier writes: "This list is not listed by preference; and the list could be different next week, even next day....."


Vera Voronina. Austrian postcard by Iris Verlag, no. 5624. Photo: D'Ora (Dora Kallmus), Arthur Benda.


Helena Makowska. German postcard by Ross Verlag, no. 758/1, 1925-1926. Photo: Alex Binder.
Didier Hanson: "Two rare russian actresses, rather obscure. Very little is known about them. The pictures are superb,and that makes them really interesting."


Karl Huszár-Puffy. Vintage postcard by Verlag Hartiq, no. 576. Photo: Hartiq.
"Nice smiling face of an unfortunate hungarian actor.He could have been the next Fatty,if..."


Inez van Bree. German postcard by Ross, Berlin, no 1581/1, 1927-1928.
"Not only the picture is superb and ahead of its time,but her life is rather enigmatic, therefore intriguing and interesting."


Gaby Deslys. British postcard by Rotary Photo, no. 11843 Q. Photo: Talbot, Paris.
"Megastar in her time, sweetheart of kings and wealthy men, this picture is incredible. Look at the furs and hat; splendid and impossible to reproduce today!"


Conrad Veidt. German postcard by Ross Verlag, no 1110/1, 1927-1928.
"I selected this one at random,any card of him is interesting. His unique face and posture, besides his acting, have made of him a unique actor.

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Béla Lugosi. Hungarian postcard. Photo: Angelo, Budapest.
"Bela, Bela, Bela!! This card is a super rare one, and represents him as a young aspiring actor, far from the Count D.; Signed too... My card has been used on a multitude of sites, posts, blogs and so on. A gem... Angelo photo."


Erich von Stroheim. French postcard by Viny, no. 92. Photo: Milo Films.
"Incredible photo, and actor, who rewrote his own life in his own terms. No, he was not an aristocrat, but a Jewish bourgeois. And more, he became to believe his own stories. Unique actor, so hieratically photogenic. I like him a lot."


Lily Damita. German postcard by Ross verlag, no. 4767/1, 1929-1930. Photo: Alex Binder, Berlin.
"See the card. She was certainly one of the most beautiful women of the time, if not a great actress."


Genia Nikolaieva. German postcard by Ross Verlag, no. 7317/1, 1932-1933. Photo: Atelier Marion, Berlin.
"Russian born actress, began a wonderful career. Goebbels gave her his go to work despite her origins, but she decided to emigrate to the USA, following M. Dietrich's advice. Her accent was too strong, so she became one of the most beautiful secretaries at Warner. How can you be indifferent to such an adventurous (and long) life?"

Didier concludes: "I would have add Ludwig Trautmann, I like him very much, but let's stick to ten....Besides the darlings La Jana And Lya of course!"

Thanks, Didier!