Showing posts with label Willy Birgel. Show all posts
Showing posts with label Willy Birgel. Show all posts

04 May 2017

Das Herz der Königin (1940)

The German historical film Das Herz der Königin/The Heart of a Queen (Carl Froehlich, 1940), stars Swedish diva Zarah Leander as Mary Stuart Queen of Scots and Nazi heartthrob Willy Birgel as Lord Bothwell. The film was intended as anti-English propaganda in the context of the Second World War, presenting English Queen Elizabeth I as a cold, scheming queen striving for domination, while the Scottish Mary is presented as the Queen of Hearts.

Zarah Leander in Das Herz der Königin (1940)
German postcard by Das Illustrierte Blatt, Frankfurter Illustrierte. Photo: Ufa. Publicity still for Das Herz der Königin (Carl Froehlich, 1940), starring Zarah Leander as Mary, Queen of Scots.

Willy Birgel in Das Herz der Königin
German postcard by Das Illustrierte Blatt, Frankfurter Illustrierte. Photo: Ufa. Willy Birgel in Das Herz der Königin (Carl Froehlich, 1940).

Waiting for the judgement

Originally, the cast & crew of Das Herz der Königin were signed on to film a biopic on Catherine the Great of Russia. Zarah Leander would star in the title role, but once war broke out between Germany and the Soviet Union, Joseph Goebbels ordered the film scrapped and the production team was told to make a film about Mary Stuart instead.

In Das Herz der Königin, Mary Stuart (Zarah Leander) is presented as the Queen of Hearts, whose actions are only led by emotions and indirectly cause her the loss of the men around her and herself too. Not only Elzabeth, but the Scottish men and women in Mary's life make her life misery as well: the evil, brutal half-brother Jacob, the coward Bothwell, the vengeful Gordon.

Scottish nobility is no positive alternative to the English court, the film suggests. This deviates from other anti-British propaganda films of the Third Reich in which e.g. the Irish or the Australians are presented as the positive, honest alternative.

The film is mostly told in flashback. It starts with Mary Stuart, Queen of Scots, held prisoner in the Tower in London and waiting for the judgement of her court case. Soon she finds out that she is sentenced to death by the scaffold on the next day. Breaking down, she recalls the events leading to her imminent death.

The flashback starts with young Mary arriving from France to Scotland, as the lawful Queen of Scots, only to encounter a strong opposition by all parties around her. First of all is her half-brother Jacob Stuart (Walther Suessenguth), who is the former Scottish ruler. He asserts that a woman is incapable of ruling the 'rough' and 'male' land of Scotland.

Also the lords, headed by Lord Bothwell (Willy Birgel), face Mary Stuart critically. Moreover, upon her arrival Mary faces an assassination attempt by Johanna (Jean) Gordon (Lotte Koch), whose clan is at feud with the Stuarts for ages. Her Privy Council refuses to show up, apart from Jacob Stuart, who tears up the document presented for his signature. When the Queen is alone again, Bothwell arrives and confesses that he had fallen in love with her. Mary orders him arrested for insulting the Queen, even though impressed by him.

Zarah Leander in Das Herz der Königin (1940)
German postcard by Das Illustrierte Blatt, Frankfurter Illustrierte. Photo: Ufa. Publicity still for Das Herz der Königin (Carl Froehlich, 1940), starring Zarah Leander (standing in the middle), with on the right is Friedrich/Enrico Benfer as David Riccio, and on the left Will Quadflieg as Page Olivier.

Zarah Leander in Das Herz der Königin (1940)
German postcard by Das Illustrierte Blatt, Frankfurter Illustrierte. Photo: Ufa. Publicity still for Das Herz der Königin (Carl Froehlich, 1940), with Zarah Leander and Willy Birgel.

Motivated by revenge and lust for power


Meanwhile, Queen Elizabeth I (Maria Koppenhofer), angered by the competition of the new Scottish queen and even suspecting a threat to her right to the English throne, sends her confidant Lord Henry Darnley (Axel von Ambesser), a Scottish-born dandy to Scotland to spy for her and to raise the population against Mary.

Yet, Darnley himself falls in love with Mary and leads her to Bothwell's Castle, where the Scottish lords plot the Queen's deposition. Mary ventures alone into the meeting. She is imprisoned, but released the next day on condition she will marry a Scot. Mary chooses lord Bothwell, whom she believes to be still in captivity, but who has fled with Jean Gordon and has married her. The two of them raise an army to overthrow Mary – motivated by revenge and lust for power.

The Queen is forced to marry Darnley, but becomes involved with Italian singer David Riccio (Enrico Benfer). Eventually, she gives birth to a boy child, James - the future King James I. A troupe of travelling actors stages a play, openly hinting that Riccio is the Queen's lover and might be the father of her child, so the insulted and angered Darnley has Riccio assassinated.

At this time Bothwells' army appears, which The Queen allows to enter his own Castle and temporarily take over power in the land "for the Queen's own protection". Lord Darnley has meanwhile fallen ill with smallpox. On advice of the true stern Scottish Lord Bothwell, now her lover, Mary sends her ill husband to Edinburgh, where he dies in an explosion at his home.

Queen Elisabeth sends an army to Scotland to release Mary from the power of Bothwell and to offer to her refuge in England - actually a trap meant to imprison Mary and keep her away from the throne of Scotland. Meanwhile, Mary has married Bothwell, who has separated from Gordon, but the wedding is interrupted when the English army appears under the guidance of Jacob Stuart. He presents secret love letters which Mary had sent to Bothwell while still married to her previous husband.

Olivier (Will Quadflieg), the Queen's page, is killed while trying to hide the letters. Bothwell is faced with the choice of standing by Mary and dying, or denying her. He turns away from her, but the treacherous Jacob still sentences him to death. When Jacob takes from his half-sister her only child James, to protect him against Elizabeth, Mary accepts the offer of the English Queen and goes into exile in England, which leads to her imprisonment and death.

The frame story from the beginning resumes. Mary makes peace with dying and pledges her undying love to her ladies-in-waiting, the Scottish people, and the men she loved and lost. The next morning Mary, in a stunning bejewelled gown, is led to the scaffold and kneels down in prayer as she awaits the sharp hatchet to fall.

Das Herz der Königin became a failure in its time and also today counts as one of the weakest of Zarah Leander's films.

Zarah Leander in Das Herz der Königin (1940)
German postcard by Das Illustrierte Blatt, Frankfurter Illustrierte. Photo: Ufa. Publicity still for Das Herz der Königin (Carl Froehlich, 1940), with from left to right Will Quadflieg (Page Olivier), Zarah Leander (Mary Queen of Scots), Enrico Benfer (David Riccio), and Anneliese von Eschstruth.

Willy Birgel, Lotte Koch
German postcard by Das Illustrierte Blatt. Photo: Ufa / Lindner. Publicity still for Das Herz der Königin/The Heart of a Queen (Carl Froelich, 1940) with Willy Birgel and Lotte Koch.

Sources: Wikipedia and IMDb.

19 October 2015

Willy Birgel

German actor Willy Birgel (1891-1973) started his film career when he was already over 40. He was the charming grand seigneur of the Ufa films of the 1930s. Despite his many appearances in Nazi propaganda films, he became again a very busy film actor in the German cinema of the 1950s.

Willy Birgel
German postcard by Ross Verlag, no. A 2991/1, 1939-1940. Photo: Bavaria Filmkunst.

Willy Birgel
German postcard by Film-Foto-Verlag, no. A 3617. Photo: Ufa / Binz.

Willy Birgel
German postcard by Film-Foto-Verlag, no. A 3659/2. Photo: Ufa / Binz.

Staatsschauspieler


Wilhelm Maria (Willy) Birgel was born in 1891, in Köln (Cologne), Germany. He was the son of Johann Heinrich Birgel, a goldsmith and engraver, and his wife Henriette (born Dreyers).

Willy began his acting career in 1912 on the stage in Köln. In the following years he played in theatres in Bonn, Dessau, Köln and Koblenz. The first World War interrupted in 1915 his career and he was wounded while serving with a German artillery unit in Serbia. After the war he continued his stage career in the theatre of Aachen. In 1924 he became a company member of the Nationaltheater of Mannheim, where he had triumphs with roles like Faust and Mephistopheles in Goethe’s Faust I, Franz Moor in Schiller’s Die Räuber/The Robbers and the title characters in Shakespeare’s Hamlet and Richard III.

His film debut came rather late. He was already over forty years old before he got his first major film role as the English Camp Commandant in Ein Mann will nach Deutschland/A Man Wants to Get to Germany (Paul Wegener, 1934). This Ufa-production portrayed a German engineer (Karl Ludwig Diehl) living in South America who hears in 1914 of the war in Europe. He has only one thought: home to Germany to help a fatherland under attack. The film showed of the kind of German values that were emphasized in Nazi Germany.

Other films he made for the National Socialist Regime included Unternehmen Michael/The Private's Job (Karl Ritter, 1937), Feinde/Enemies (Viktor Tourjansky, 1940) with Brigitte Horney, and Kameraden/Comrades (Hans Schweikart, 1941). In 1937, Reichspropagandaminister Joseph Goebbels named Birgel Staatsschauspieler (Actor of the State), the highest honor for German actors at the time. Beside the propaganda films, he starred in several popular entertainment films becoming an unlikely public favorite.

Birgel had his first leading part in Fürst Woronzeff/Prince Woronzeff (Artur Robison, 1934). He appeared as a chivalrous aristocrat and distinguished gentleman in Das Mädchen Johanna/Joan of Arc (Gustav Ucicky, 1935) with Gustaf Gründgens and Heinrich George, in Schlussakkord/Final Accord (Detlev Sierck/Douglas Sirk, 1936) with Lil Dagover, and in Fanny Elssler (Paul Martin, 1937) with Lilian Harvey. Great successes were Zu neuen Ufern/To New Shores (Detlev Sierck/Douglas Sirk, 1937) and Der Blaufuchs/The Blue Fox (Viktor Tourjansky, 1938), both in which he appeared at Zarah Leander's side.

Meanwhile he also had success on stage at the Berliner Volksbühne. Till the end of the war he continued his career with films like Der Fall Deruga/The Deruga Case (Fritz Peter Buch, 1938), Maria Ilona (Géza von Bolváry, 1939) opposite Paula Wessely, Das Herz der Königin/The Heart of a Queen (Carl Froelich, 1940) with Zarah Leander, ...reitet für Deutschland/Riding for Germany (Arthur Maria Rabenalt, 1941), the Rudolf Diesel biography Diesel (Gerhard Lamprecht, 1942), and Der Majoratsherr (Hans Deppe, 1944).

Willy Birgel
German postcard by Film-Foto-Verlag, no. A 3659/1, 1941-1944. Photo: Ufa / Binz.

Willy Birgel, Lotte Koch
German postcard by Das Illustrierte Blatt. Photo: Ufa / Lindner. Publicity still for Das Herz der Königin/Mary Queen of Scots (Carl Froelich, 1940) with Lotte Koch.

Cornell Borchers and Willy Birgel in Das ewige Spiel (1951)
German postcard by FBZ, no. 225. Photo: Merkur-Film / T. v. Mindszenty. Publicity still for Das ewige Spiel/The eternal game (Frantisek Cáp, 1951) with Cornell Borchers.

On the Allied Black-list


After World War II, Willy Birgel was on the Allied black-list and did not make another film until 1947. Director Harald Braun and producer Erich Pommer offered him a role in Zwischen gestern und morgen/ Between Yesterday and Tomorrow (Harald Braun, 1947) with Hildegard Knef.

By the 1950s, he was back on the level of his pre-war popularity. He often appeared together with superstar Hans Albers, for example in Vom Teufel gejagt/Hunted by the Devil (Viktor Tourjansky, 1950). He specialized in supporting roles as the elderly grand seigneur and also of the father figure, and appeared in many Heimatfilms, for example Heidi (Luigi Comencini, 1952), and Johannisnacht/Midsummer Night (Harald Reinl, 1956) with Hertha Feiler.

In the 1960s, Birgel was able to make the transition to television. In the cinema he was seen in films like Frau Cheneys Ende/The End of Mrs. Cheney (Franz Josef Wild, 1961) with Lilli Palmer, and Sommersprossen/Beyond Control (Helmut Förnbacher, 1968). Interesting was Schonzeit für Füchse/No Shooting Time for Foxes (Peter Schamoni, 1966) in which Birgel made fun of his own image. The film won the Silver Bear of the Berlin Film Festival.

In 1966 Birgel himself won the Bundesfilmpreis, a honorary award for his continued outstanding individual contributions to the German film over the years. He was also awarded the Bambi award in 1960 and the Filmband im Gold award in 1964 and 1966. His last film was the Italian film Il Gesto/The Gesture (Marcello Grottesi, 1973).

Willy Birgel died in 1973 of heart failure, in Dübendorf, Zürich, Switzerland. He was buried in his birth city, Köln. Birgel was married twice: first to actress Carola Cajetan, with whom he had a son, and later to actress Charlotte Michael, with whom he had a daughter. Both his marriages ended in a divorce.

I loved this comment by Miss Mertens at one of our postcards at Flickr : "From my mother I know, that it was the biggest compliment in the 1940s, when somebody told a man: 'You are looking like Willy Birgel'."

Willy Birgel
German postcard by Werbedrück Rudolf Stepanek, München. Photo: Gloria / Lilo. Publicity still for Sterne über Colombo/Stars Over Colombo (Veit Harlan, 1953) and Die Gefangene des Maharadscha/Circus Girl (Veit Harlan, 1954).

Willy Birgel
German postcard by Film-Foto-Verlag, no. A 3876/1. Photo: Ufa / Binz, Berlin.

Willy Birgel
German postcard by Film-Foto-Verlag, no. G 204, 1941-1944. Photo: Binz.

Sources: Wikipedia, Deutsches Historisches Museum (German), Thomas Staedeli (Cyranos), Miss Mertens (Flickr) and IMDb.