We continue our Ross Verlag Tribute with another post in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm' (From the Genesis of German film art, the Sound Film). This interesting series of collectors cards covers the German sound film between 1929 and 1935, and though we couldn't acquire all cards of the series yet, the posts give an impression of the film production by the Ufa and the other German studios just before and after the rise of the Nazis. Today part 3: the numbers 100-150. Next week follows the final part of the series.
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 103. Photo: Tobis-Sascha-Film. Paula Wessely in Maskerade/Masquerade in Vienna (Willi Forst, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 105. Photo: Ufa. Hans Adalbert Schlettow, Cilly Feindt and Hermann Speelmans in Ferien von Ich/Vacation From Me (Hans Deppe, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 107. Photo: Ufa. Willi Schur, Karl Ludwig Diehl and Hermann Speelmans in Ein Mann will nach Deutschland/A Man Wants to Get to Germany (Paul Wegener, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 109. Photo: Ufa. Otto Gebühr in Das Flötenkonzert von Sanssouci/The Flute Concert of Sans-Souci (Gustav Ucicky, 1930).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 112. Photo: Phoebus-Film. Theodor Loos and Dorothea Wieck in Trenck - Der Roman einer großen Liebe/Trenck (Ernst Neubach, Heinz Paul, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 116, Group 44. Photo: Aafa. Willi Domgraef Fassbaender in Theodor Körner (Carl Boese, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 118. Photo: Richard Oswald-Film. Albert Bassermann in 1914, die letzten Tage vor dem Weltbrand/1914: The Last Days Before the War (Richard Oswald, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 120, group 44. Photo: H.P. Film der Praesenz. Karl Körner, Henry Pless and Hans Mühlhofer in Tannenberg (Heinz Paul, 1932). Caption: Lüdendorf, Hindenburg und Oberleutnant Hoffmann in dem Film Tannenberg, dargestellt van Schauspielern. (Lüdendorf, Hindenburg and senior lieutenant Hoffmann in the film Tannenberg, played by actors.)
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, image no. 123. Photo: Ufa. Rudolf Forster in Morgenrot/Dawn (Vernon Sewell, Gustav Ucicky, 1933).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 124. Photo: Terra-Film. Sepp Rist in Die Reiter von Deutsch-Ostafrika/The Riders of German East Africa (Herbert Selpin, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 126, group 44. Photo: Arya Film. Ludwig Schmid-Wildy in Stoßtrupp 1917/Shock Troop (Ludwig Schmid-Wildy, Hans Zöberlein, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 129, group 44. Photo: Ufa. Karl Ludwig Diehl, Ery Bos, Theodor Loos and Fritz Odemar in Schuss im Morgengrauen/A Shot at Dawn (Alfred Zeisler, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 130. Photo: Ufa. Walter Slezak and Hans Mierendorff in Mein Leopold/My Leopold (Hans Steinhoff, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 131. Photo: Messtro-Film. Max Adalbert and Harald Paulsen in Mein Leopold/My Leopold (Hans Steinhoff, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 132, group 44. Photo: Bayerische Filmges. Paul Hartmann in Der Tunnel/The Tunnel (Kurt Bernhardt, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 135. Photo: Aafa. Inge Landgut and Käthe Haack in Hanneles Himmelfahrt/Hannele's Ascension (Thea von Harbou, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 136, Group 44. Photo: Ufa. Liane Haid in Die Csardasfürstin/The Csardas Princess (Hanns Schwarz, 1927).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 137. Photo: Ufa. Marta Eggerth in Die Czardasfürstin/The Csardas Princess (Georg Jacoby, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 139, group 44. Photo: Ufa. Fritz Schulz and Paul Heidemann in Dienst ist Dienst/Duty is Duty (Carl Boese, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 141. Photo: Ufa. Hans Albers, Conrad Veidt and Charles Boyer, the stars of the German, English and French versions of F.P.1 antwortet nicht/F.P.1 Doesn't Answer (Karl Hartl, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 142, group 44. Photo: Ufa. Heinz Rühmann and Lilian Harvey in the German version of Einbrecher/Burglars (Hanns Schwarz, 1930).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 143. Photo: Ufa. Blanche Montel and Charles Dechamps in Flagrant délit (Hanns Schwarz, Georges Tréville, 1931), the alternate version of Einbrecher/Burglars (Hanns Schwarz, 1930). Caption: "Dieselbe Szene der französischen Fassung mit französischen Darstellern in der deutschen Decoration." (The same scene from the French version with French actors in the German sets.)
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 145. Photo: Atelier Schmoll, Berlin / Nero-Porten-Film. Henny Porten in Kohlhiesels Töchter/Kohlhiesel's Daughters (Hans Behrendt, 1930).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 146, group 44. Photo: Nero-Porten-Film. Henny Porten and Gustaf Gründgens in Luise, Königin von Preußen/Luise, Queen of Prussia (Carl Froelich, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 149. Photo: Paramount. Gary Cooper and Marlene Dietrich in Morocco (Herzen in Flammen) (Josef von Sternberg, 1930).
To be continued next week.
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 103. Photo: Tobis-Sascha-Film. Paula Wessely in Maskerade/Masquerade in Vienna (Willi Forst, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 105. Photo: Ufa. Hans Adalbert Schlettow, Cilly Feindt and Hermann Speelmans in Ferien von Ich/Vacation From Me (Hans Deppe, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 107. Photo: Ufa. Willi Schur, Karl Ludwig Diehl and Hermann Speelmans in Ein Mann will nach Deutschland/A Man Wants to Get to Germany (Paul Wegener, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 109. Photo: Ufa. Otto Gebühr in Das Flötenkonzert von Sanssouci/The Flute Concert of Sans-Souci (Gustav Ucicky, 1930).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 112. Photo: Phoebus-Film. Theodor Loos and Dorothea Wieck in Trenck - Der Roman einer großen Liebe/Trenck (Ernst Neubach, Heinz Paul, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 116, Group 44. Photo: Aafa. Willi Domgraef Fassbaender in Theodor Körner (Carl Boese, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 118. Photo: Richard Oswald-Film. Albert Bassermann in 1914, die letzten Tage vor dem Weltbrand/1914: The Last Days Before the War (Richard Oswald, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 120, group 44. Photo: H.P. Film der Praesenz. Karl Körner, Henry Pless and Hans Mühlhofer in Tannenberg (Heinz Paul, 1932). Caption: Lüdendorf, Hindenburg und Oberleutnant Hoffmann in dem Film Tannenberg, dargestellt van Schauspielern. (Lüdendorf, Hindenburg and senior lieutenant Hoffmann in the film Tannenberg, played by actors.)
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, image no. 123. Photo: Ufa. Rudolf Forster in Morgenrot/Dawn (Vernon Sewell, Gustav Ucicky, 1933).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 124. Photo: Terra-Film. Sepp Rist in Die Reiter von Deutsch-Ostafrika/The Riders of German East Africa (Herbert Selpin, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 126, group 44. Photo: Arya Film. Ludwig Schmid-Wildy in Stoßtrupp 1917/Shock Troop (Ludwig Schmid-Wildy, Hans Zöberlein, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 129, group 44. Photo: Ufa. Karl Ludwig Diehl, Ery Bos, Theodor Loos and Fritz Odemar in Schuss im Morgengrauen/A Shot at Dawn (Alfred Zeisler, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 130. Photo: Ufa. Walter Slezak and Hans Mierendorff in Mein Leopold/My Leopold (Hans Steinhoff, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 131. Photo: Messtro-Film. Max Adalbert and Harald Paulsen in Mein Leopold/My Leopold (Hans Steinhoff, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 132, group 44. Photo: Bayerische Filmges. Paul Hartmann in Der Tunnel/The Tunnel (Kurt Bernhardt, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 135. Photo: Aafa. Inge Landgut and Käthe Haack in Hanneles Himmelfahrt/Hannele's Ascension (Thea von Harbou, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 136, Group 44. Photo: Ufa. Liane Haid in Die Csardasfürstin/The Csardas Princess (Hanns Schwarz, 1927).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 137. Photo: Ufa. Marta Eggerth in Die Czardasfürstin/The Csardas Princess (Georg Jacoby, 1934).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 139, group 44. Photo: Ufa. Fritz Schulz and Paul Heidemann in Dienst ist Dienst/Duty is Duty (Carl Boese, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 141. Photo: Ufa. Hans Albers, Conrad Veidt and Charles Boyer, the stars of the German, English and French versions of F.P.1 antwortet nicht/F.P.1 Doesn't Answer (Karl Hartl, 1932).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 142, group 44. Photo: Ufa. Heinz Rühmann and Lilian Harvey in the German version of Einbrecher/Burglars (Hanns Schwarz, 1930).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 143. Photo: Ufa. Blanche Montel and Charles Dechamps in Flagrant délit (Hanns Schwarz, Georges Tréville, 1931), the alternate version of Einbrecher/Burglars (Hanns Schwarz, 1930). Caption: "Dieselbe Szene der französischen Fassung mit französischen Darstellern in der deutschen Decoration." (The same scene from the French version with French actors in the German sets.)
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 145. Photo: Atelier Schmoll, Berlin / Nero-Porten-Film. Henny Porten in Kohlhiesels Töchter/Kohlhiesel's Daughters (Hans Behrendt, 1930).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 146, group 44. Photo: Nero-Porten-Film. Henny Porten and Gustaf Gründgens in Luise, Königin von Preußen/Luise, Queen of Prussia (Carl Froelich, 1931).
German collector card by Ross Verlag in the series 'Vom Werden deutscher Filmkunst - Der Tonfilm', album no. 11, picture no. 149. Photo: Paramount. Gary Cooper and Marlene Dietrich in Morocco (Herzen in Flammen) (Josef von Sternberg, 1930).
To be continued next week.
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